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BWW Flashback: Review the Stage Careers of the Cast of THE CROWN!

The Crown has held as one of Netflix's top series since the release of Season 4 on November 15 perhaps partly due to the stellar performances from its cast. Did you know that many of the company members have extensive background onstage in London and around the world.

BWW Review: THREE KINGS, Old Vic

A world premiere of a brand-new play written by Stephen Beresford; Three Kings has been created specifically for The Old Vic’s innovative streaming series.

BWW Review: BEAT THE DEVIL, Bridge Theatre

David Hare is well known for his biting commentary on public institutions. The Church of England, the legal system: none have escaped his observation unscathed, and with Beat the Devil, the Conservative Government is the target of choice.

Photo Flash: See Ralph Fiennes in Bridge Theatre's BEAT THE DEVIL

Ralph Fiennes makes his Bridge Theatre debut performing David Hare’s monologue Beat the Devil, a new play written as a response to the author’s experience of contracting coronavirus. Nicholas Hytner directs with designs by Bunny Christie, lighting by Jon Clark, sound by Gareth Fry and music by George Fenton.

BWW Review: MOOD MUSIC, Old Vic Online

Songwriter Cat has a commercial hit record under her belt and should be on top of the world. Instead, she's embroiled in a heated conflict with her music producer Bernard over who should have the songwriting credit.

BWW Review: THE MADNESS OF KING GEORGE III, National Theatre At Home

In Hamilton, George III has become a more well-known King, albeit portrayed as a comedic figure; the monarch who lost Britain America. In Alan Bennett's thoughtful play, The Madness of King George III, he is depicted as a man who struggles with mental illness, familial betrayal and attempts to usurp his power. After first appearing at the National Theatre in 1991, this enthralling revival was filmed at the Nottingham Playhouse in 2018, directed astutely by Adam Penfold.

BWW Review: A MONSTER CALLS, Old Vic Online

An archive recording of a powerful and inspirational family show, filmed on the stage of The Old Vic in 2018. Brought to life by Sally Cookson's direction and

BWW Interview: Joe Stilgoe Chats THE MIDNIGHT GANG, Chichester Festival Theatre at Home

Joe Stilgoe is a well-known pianist, singer and songwriter. Over the past few years, he's turned his hand to composing musicals such as The Jungle Book and The Midnight Gang. The Midnight Gang, based on David Walliams' novel of the same name is currently available online as part of the Chichester Festival Theatre at Home series. We spoke to Joe about his career and how he is spending lockdown.

Opinion: The Shutdown Might Spark A Theatre On Demand Revolution

The industry has long grappled with a simple question: how do you get non-habitual theatregoers into the theatre? COVID-19 may be a serious threat to the arts, but it's going to accelerate a long overdue change. So, enter stage left, theatre at home.

BWW Review: JANE EYRE, National Theatre At Home

After the riotous One Man Two Guvnors from the National Theatre At Home series, comes Sally Cookson's fervent adaptation of Jane Eyre. This intensely theatrical production is full of atmosphere and gothic chill. In these difficult times, it is three hours of escapism to a windy Yorkshire moor.

BWW Review: I and You, Hampstead Theatre via Instagram

In our current enforced state of isolation thanks to the nationwide lockdown, creatives across the country have been engaged in a tornado of generosity sharing their existing work on line and producing theatre at home. One such giver is London's Hampstead Theatre who have released their 2018 production of Lauren Gunderson's I and You starring Maisie Williams and Zach Wyatt via Instagram for a limited period of time.

BWW Review: SHOE LADY, Royal Court

E.V. Crowe debuts her new play Shoe Lady directed by the Royal Court's artistic director Vicky Featherstone. Katherine Parkinson returns to the stage as a woman who accidentally loses a shoe on her way to work. What ensues from the incident is a bleak reflection on middle-class anxiety.

BWW Review: A MONSTER CALLS, Chichester Festival Theatre

Produced by The Old Vic, in association with Bristol Old Vic, Oliver award-winning A Monster Calls is making its way around the UK on tour, and has just closed its appearance at Chichester Festival Theatre.

BWW Review: ALONE IN BERLIN, Royal and Derngate

Given the turbulent times that we live in, a new stage adaptation of Hans Fallada's Alone in Berlin would seem like a smart choice for an ambitious theatre (or theatres, as this is a co-production with York Theatre Royal, in association with Oxford Playhouse).

BWW Review: ENDGAME/ROUGH FOR THEATRE II, Old Vic

Hot on the heels of Trevor Nunn's recent production at Jermyn Street Theatre, Samuel Beckett's plays continue to grace London in all their bleak splendour. Starring Alan Cumming and Daniel Radcliffe, Richard Jones' captivating production at the Old Vic brings together Endgame and Rough for Theatre II in a provocative diptych about the perils and pleasures of retrospection.    

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