At its annual meeting today, the Guthrie Theater (Joseph Haj, Artistic Director) reflected on the organization's 2020–2021 fiscal year, which began September 1, 2020, and ended August 31, 2021.
The Guthrie Theater today announced casting for its 47th production of Charles Dickens’ A Christmas Carol, featuring a world-premiere adaptation by Chicago-based theatermaker Lavina Jadhwani, directed by Joseph Haj.
East West Players, in partnership with San Francisco’s EnActe Arts and New York City’s Hypokrit Productions, presents the virtual world premiere of Lavina Jadhwani’s THE SITAYANA (OR HOW TO MAKE AN EXIT) beginning September 25, 2021.
Shattered Globe Theatre has extended the application deadline for its Global Playwright Series through Tuesday, August 31, 2021.
The Sitayana is an artful transposition of the Hindu epic The Ramayana told from Sita's point of view.
In an unprecedented opportunity, audiences can experience Goodman Theatre productions in three ways in just one week—one in-person, when the theater reopens this Friday, one online and one in Chicago parks this summer.
Shattered Globe Theatre has announced The Global Playwright Series, a new play development program specifically aimed at BIPOC, LGBTQIA+, neurodiverse and disabled writers and those who fall within intersections of these identities.
It’s a summer “homecoming” for Goodman Theatre audiences! On July 30, Chicago’s theater since 1925 will resume live, in-person performances following a 16-month COVID-19 pandemic period of darkened stages.
The Guthrie Theater today announced its 2021–2022 Season, including the national tour of What the Constitution Means to Me by famed writer Heidi Schreck; a world-premiere adaptation of A Christmas Carol by Lavina Jadhwani, featuring all-new creative design; Lorraine Hansberry’s heralded A Ra
Renaissance Theaterworks has announced their 2021-2022 season, the first full season at the 255 S Water Street Theatre, with the plays originally lined up for their 2020-2021 season: THE CAKE, by Bekah Brunstetter; ACTUALLY, by Anna Ziegler, and MUTHALAND, written and performed by Minita Gandhi.
Advance Gender in the Arts has announced all 35 thought partnerships for IGNITE, a national program for US based women and non-binary emerging theatre artists of color paired with BIPOC women and non-binary national theatre leaders.
The Guthrie Theater today announced it will reopen its facility to the public on Thursday, July 8, 2021, and mount seven productions in its 2021–2022 Season, beginning with a limited-run production in October on the McGuire Proscenium Stage and an all-new production of its cherished holiday classi
East West Players (EWP), the largest producing organization of Asian American artistic work, has announced that it is postponing its upcoming production of Lavina Jadhwani's The Sitayana (Or “How to Make an Exit”), originally scheduled May 14-June 6th.
East West Players in partnership with San Francisco's EnActe Arts and New York City's Hypokrit Productions will present the virtual world premiere of The Sitayana (Or “How to Make an Exit”), by Lavina Jadhwani.
Play On Shakespeare today announced their spring 2021 season.
East West Players in partnership with API Rise will present From Number to Name, a world premiere two night event devised and directed by powerhouse artist, activist and elected political representative Kristina Wong (Kristina Wong For Public Office), Saturday, April 10 and Sunday, April 11th,
Despite a tumultuous fiscal year that ended on August 31, 2020, Board Chair James L.
East West Players will launch its 55th anniversary season Between Worlds, an innovative and interdimensional experience that expands the scope of our storytelling to the digital stage.
NNPN has announced the election of Sonia Fernandez, Aimée Hayes, Kim Heil, Lavina Jadhwani, and Olivia Lilley to NNPN's Board of Directors.
Midsommer Flight, a company that has been presenting high quality, accessible productions of Shakespeare’s plays in Chicago’s parks since 2012, today announced a series of three virtual panel discussions addressing some of the theatre industry’s most challenging topics, to be held on three suc
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