This is a production that falls into the above average category but not yet a 'great' achievement. It tries to do a little too much and falls short in some of the storytelling, despite having a real sense of heart and commitment. A lot of imagination, love and money has gone into this, with great video work and powerful dancing, but the orchestrations didn't work for me.
After years in development and several stagings across the globe, Disney’s Hercules has crashed like a lightning bolt into the Theatre Royal Drury Lane. The show, with a book by Robert Horn and Kwame Kwei-Armah, music by Alan Menken and lyrics by David Zippel, is an adaptation of the 1997 Disney film of the same name, an animated musical that follows the son of Zeus and Hera, Hercules, as he must earn his rightful place on Mount Olympus and face off against his evil uncle, Hades.
Performances of Hercules are now underway at Theatre Royal Drury Lane, which will run until 28 March 2026. Check out all new photos from the show and learn more here!
The National Theatre and Wales Millennium Centre have released rehearsal photos from the return of Nye, Tim Price's epic Welsh fantasia, directed by Rufus Norris, which charts the life of Aneurin 'Nye' Bevan and his battle to create the NHS.
A tasty unanticipated treat, these potent and entertaining Rodgers & Hammerstein dream ballets are delights to be lovingly unwrapped and enjoyed.
This sultry production from Matthew Bourne unfolds not as a single sweeping story, but as a mosaic of interwoven vignettes, each one a glimpse into the lives of the lonely, the hopeful and the heartbroken.
First things first, Oliver Edward, born and raised in Vienna, one of the most liveable cities in the world, graduated from Arts Educational School London, joined the first HAMILTON production in a foreign language in 2022 to portray John Laurens/Philip Hamilton and to cover the leading man A.HAM.
This is BRB’s Kennedy Center premiere and a testament to both BRB’s Director Carlos Acosta CBE and the Center for supporting risky endeavors like this that seek to stretch the boundaries of what ballet is and should be.
You can now get a first look at Come Fall in Love – The DDLJ Musical, the new English musical comedy based on one of the biggest blockbuster films in the history of Indian cinema. Learn more and see how to purchase tickets.
Today’s subject Carlos Acosta is currently living his theatre Life as the Artistic Director of Birmingham Royal Ballet. He has been in the position since January of 2020. Carlos’ work can be seen at the Kennedy Center in the Opera House from June 4th to the 8th when Birmingham Royal Ballet presents Black Sabbath- The Ballet.
Vivie Warren is a woman ahead of her time. Estranged from her wealthy mother, she delights in a glass of whisky, a good detective story, and is determined to carve herself a sparkling legal career in an age ruled by men. Her mother, however, is a product of that old patriarchal order. Exploiting it has earned Mrs. Warren a fortune and paid for her daughter’s expensive education – but at what cost?
Imelda Staunton leads a blistering revival
After many years in the 12-step programme of Alcoholics Anonymous, James agrees to become the sponsor of newcomer Luka. On the cusp of Step 5, their conversations must turn to confessionals, with progress hinging on Luka revealing secrets that could lead back to alcohol. But it’s clear that James also has dangerous truths in his past, truths that threaten the trust on which both their recoveries depend.
Production images have been released for Matthew Bourne’s award-winning THE MIDNIGHT BELL, which opened at the Everyman Theatre, Cheltenham on Thursday 15 May, ahead of a 17-week countrywide tour including performances at Sadler’s Wells from Tuesday 10 until Saturday 21 June 2025.
Plays like The Fifth Step don't come around often. Those whose layered philosophical exoskeleton props up their own dramatic contradictions in quietly superb theatre. At its core, though less pure black comedy and more complex introspective drama coated in dark irony than what you’d expect from David Ireland, it has that delicious push-and-pull that only Ireland can write. It’s a potluck of themes. Alcoholism, recovery, resentment, masculinity, spirituality, family, class, what-have-you populate a play that’s as tense as it is caustic.
You can now get a first look at photos of the West End transfer of David Ireland’s acclaimed new play The Fifth Step, starring Jack Lowden and Martin Freeman. See photos here!
All new photos have been released for the major revival of Bernard Shaw’s Mrs. Warren’s Profession. The production is currently in previews at the Garrick Theatre and opens on 22 May.
It's a big deal to have an entire evening dedicated to your work, so kudos to Christopher Wheeldon, who's achieved this accolade in his early 50s. Wheeldon deserves recognition, as he's a renowned choreographer of skill and range with an ever-increasing canon. And Ballet to Broadway: Wheeldon Works shows us the scope of the creative - from lyrical modern ballet to stylish jazz via contemporary explorations.
Following a sell-out run at the Royal Court, the play everyone is talking about is transferring to the West End. John Lithgow reprises his role as Roald Dahl in the West End transfer of Mark Rosenblatt's critically acclaimed play. Directed by Nicholas Hytner, The Royal Court's production of Giant is now open at the West End's Harold Pinter Theatre.
It’s 1983 and beloved author Roald Dahl is about to release The Witches. Snobbish and short-tempered, he’s currently under scrutiny for the antisemitic language he used in a book review that spoke against Israel’s murderous invasion of Lebanon. Collected in his childhood kitchen are Dahl, his wife-to-be Felicity, and his publisher Tom Maschler. They’re waiting for a sales executive sent by Dahl’s American publisher in order to compel him to retract and apologise. His piece didn’t go down well in the States and his numbers are now at stake. Directed by Nicholas Hytner, Mark Rosenblatt’s playwriting debut has rinsed most of the awards found in British theatre at this point. The playwright has received two nods at the Critics’ Circle Theatre Awards last month as well as an Olivier, while John Lithgow and Directed by Nicholas Hytner, Mark Rosenblatt’s playwriting debut has rinsed most of the awards found in British theatre at this point. The playwright received two nods at the Critics’ Circle Theatre Awards last month as well as an Olivier, while John Lithgow and Elliot Levey bagged the acting categories at the latter. It deserves every ounce of praise. Giant is timely. It’s sophisticated. It’s complex. It’s nuanced. It’s everything an excellent play should be. Each side of the argument is so passionate and eloquent, yet one, though just, reeks of hatred. At a stage when Kneecap have seen their US visa revoked after speaking out against the Palestinian genocide at Coachella and JK Rowling continues to spew transphobic hate, Giant’s West End transfer is utterly momentous.
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