Set in a corporate building’s executive ladies’ room in Seattle and with its tagline promising us a story of “holding on, letting go and everything in between”, Liesl Wilke’s new musical Stalled makes its world premiere at Kings Head Theatre.
The Prozorov sisters are desperate for entertainment. Plagued by their dreary provincial life, they yearn for the lights and excitement of Moscow, but have to make do with the visiting soldiers. When their only brother marries, their sister-in-law isn’t exactly what they dreamed of. Her lacking sense of fashion and initial insecurity builds up to a sharp bossiness upon becoming Mrs Prozorov, leaving Olga, Masha, and Irina at the mercy of the new lady of the house. If you had to choose one work that represented what Chekhov brings to the table, it would be this.
The full West End company has been announced for the multi-award winning stage adaptation of Studio Ghibli's My Neighbour Totoro. Learn more about the cast here!
Cameron Mackintosh’s new production of Lionel Bart’s iconic musical, OLIVER!, which he has fully reconceived with director and choreographer Matthew Bourne, has now opened at the Gielgud Theatre.
After blowing audiences away in Chichester, Matthew Bourne’s addictive version of Lionel Bart’s beloved OLIVER! lands in the West End in truly glorious form.
The new 2024 cast recording from the London company of Oliver! is now available on digital. Recorded in front of live audiences at Chichester Festival Theatre last year, the recording features iconic songs like “Food, Glorious Food”, “Consider Yourself”, and more. Listen to it here!
In 2024, the immersive genre in London and beyond grew and grew and grew, with the independent sector overshadowing the biggest names.
There's praise for plays old and new and musicals, well, mainly old
Discover what the critics thought about Natasha, Pierre & the Great Comet of 1812 at London's Donmar Warehouse. Directed by Tim Sheader, this UK premiere of Dave Malloy's musical features a stellar cast and captivating performances. Read insights from BroadwayWorld, The New York Times, and more.
“Nothing is trivial, and nothing is important, it’s all the same.' Conflict rages around the world, and yet normal life (with its requisite anxieties) is expected to go on regardless. This is the situation in which Tolstoy’s War and Peace characters find themselves; the Napoleonic Wars continue, but high society and family dramas will never rest.
It has been some time coming. For nearly 15 years English National Ballet enthusiastically performed Wayne Eagling’s Nutcracker, a traditional but rather staid production with a fuzzy narrative and lacking opportunity for the company to shine.
All new photos have been released for the UK premiere of Dave Malloy’s Natasha, Pierre & The Great Comet Of 1812 which marks new Artistic Director Tim Sheader’s directorial debut at the venue. Check out the photos here
Carlos Acosta's touring show is a delightful Christmassy treat
Even 30 years after he created it, Matthew Bourne’s Swan Lake is still his defining production. Just why hasn’t he yet surpassed this masterpiece?
We love watching a rich family crumble on stage. From Oedipus and his mother to Chekhov’s families fractured by existential angst, to Ibsen’s split by socio-politics paradigm shifts. The Hubbards, the family of former plantation owners in Lilian Hellman’s The Little Foxes, could be the spiritual successor of them all
Production photos have been released for Bristol Old Vic's Christmas spectacular, The Little Mermaid. Check out the new photos and learn more about this production here!
From the bold new musicals aimed at Gen Z audiences, to classic play revivals and experimental dance productions, London has offered a variety of shows across its stages this year. Louise Penn celebrates her pick of the work of the West End and smaller off-West End spaces.
Go inside the rehearsal for the UK premiere of Dave Malloy’s Natasha, Pierre & The Great Comet Of 1812 which marks new Artistic Director Tim Sheader’s directorial debut at the Donmar House. See the photos.
Seven years after it closed on Broadway in 2017, Natasha, Pierre and the Great Comet of 1812 is finally arriving in London at the Donmar Warehouse in December. The show, written by Dave Malloy, takes a seventy-page segment of Leo Tolstoy’s War and Peace (Part Eight, to be specific) and transforms it into a sung-through musical. The titular characters of Natasha Rostova and Pierre Bezukhov are respectively played by Chumisa Dornford-May and Declan Bennett.
Recently, we had the chance to talk with Aaron Sidwell, who takes on the infamous role of Bill Sikes. We discussed what made him want to be involved in Oliver!, how he is able to take on such an emotionally demanding role and what makes this production so special compared to other versions of the musical.
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