Review: 101 DALMATIANS: THE MUSICAL, Eventim Apollo
by Clementine Scott
- Jul 25, 2025
101 Dalmatians is a solid retelling of a classic that feels life-affirming without being too sentimental. It’s a reliable choice for a family evening, that is, if you can get over those freakish dog puppets.
Review: THE CONSTANT WIFE, Starring Rose Leslie
by Cheryl Markosky
- Jul 7, 2025
It's a bold move for the Royal Shakespeare Company to slip in a remake of W Somerset Maugham's 1920s lesser-known comedy about infidelity in amongst more serious offerings like King Lear and Timon of Athens.
Review: QUADROPHENIA: A MOD BALLET, Sadler's Wells
by Louise Penn
- Jun 26, 2025
This is a production that falls into the above average category but not yet a 'great' achievement. It tries to do a little too much and falls short in some of the storytelling, despite having a real sense of heart and commitment.
A lot of imagination, love and money has gone into this, with great video work and powerful dancing, but the orchestrations didn't work for me.
Review: DISNEY'S HERCULES, Theatre Royal Drury Lane
by Kat Mokrynski
- Jun 25, 2025
After years in development and several stagings across the globe, Disney’s Hercules has crashed like a lightning bolt into the Theatre Royal Drury Lane. The show, with a book by Robert Horn and Kwame Kwei-Armah, music by Alan Menken and lyrics by David Zippel, is an adaptation of the 1997 Disney film of the same name, an animated musical that follows the son of Zeus and Hera, Hercules, as he must earn his rightful place on Mount Olympus and face off against his evil uncle, Hades.
Review: THE MIDNIGHT BELL, Sadler’s Wells
by Alice Cope
- Jun 13, 2025
This sultry production from Matthew Bourne unfolds not as a single sweeping story, but as a mosaic of interwoven vignettes, each one a glimpse into the lives of the lonely, the hopeful and the heartbroken.
Interview: Oliver Edward of & JULIET at Stage Operettenhaus Hamburg
by Martin Ganeider
- Jun 7, 2025
First things first, Oliver Edward, born and raised in Vienna, one of the most liveable cities in the world, graduated from Arts Educational School London, joined the first HAMILTON production in a foreign language in 2022 to portray John Laurens/Philip Hamilton and to cover the leading man A.HAM.
Review: BLACK SABBATH - THE BALLET at Kennedy Center
by Emily Berger
- Jun 7, 2025
This is BRB’s Kennedy Center premiere and a testament to both BRB’s Director Carlos Acosta CBE and the Center for supporting risky endeavors like this that seek to stretch the boundaries of what ballet is and should be.
Interview: Theatre Life with Carlos Acosta
by Elliot Lanes
- May 30, 2025
Today’s subject Carlos Acosta is currently living his theatre Life as the Artistic Director of Birmingham Royal Ballet. He has been in the position since January of 2020. Carlos’ work can be seen at the Kennedy Center in the Opera House from June 4th to the 8th when Birmingham Royal Ballet presents Black Sabbath- The Ballet.
Review Roundup: What Did Critics Think of MRS WARREN'S PROFESSION?
by Aliya Al-Hassan
- May 23, 2025
Vivie Warren is a woman ahead of her time. Estranged from her wealthy mother, she delights in a glass of whisky, a good detective story, and is determined to carve herself a sparkling legal career in an age ruled by men. Her mother, however, is a product of that old patriarchal order. Exploiting it has earned Mrs. Warren a fortune and paid for her daughter’s expensive education – but at what cost?
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