Review: BACKSTROKE, Starring Tamsin Greig
Cycles of fractured motherhood spin and splinter across generations in Anna Mackmin’s new play.
Johan Persson News
Interview: 'I Feel Like I'm Blazing a Trail': Performer Marisha Wallace on Her Amazing Career and Upcoming Solo Concert In London
Marisha Wallace will be bringing her “biggest ever headline show” to the Adelphi Theatre for one-night only on 11 March.
Interview: 'Everyone Is Aware of Bringing Chekov Into a Shakespeare Building": Actor Shannon Tarbet On THREE SISTERS at The Globe
With a starry The Seagull opening soon at The Barbican, the peerless playwright is in vogue right now, his unstable worlds of uneasy transition chiming with the nervous times.
Review: STALLED, King's Head Theatre
Set in a corporate building’s executive ladies’ room in Seattle and with its tagline promising us a story of “holding on, letting go and everything in between”, Liesl Wilke’s new musical Stalled makes its world premiere at Kings Head Theatre.
Review: THREE SISTERS, Sam Wanamaker Playhouse
The Prozorov sisters are desperate for entertainment.
MY NEIGHBOUR TOTORO Sets West End Cast
The full West End company has been announced for the multi-award winning stage adaptation of Studio Ghibli's My Neighbour Totoro.
Review Roundup: Did OLIVER! Leave Audiences Wanting More?
Cameron Mackintosh’s new production of Lionel Bart’s iconic musical, OLIVER!, which he has fully reconceived with director and choreographer Matthew Bourne, has now opened at the Gielgud Theatre.
Review: OLIVER!, Gielgud Theatre
After blowing audiences away in Chichester, Matthew Bourne’s addictive version of Lionel Bart’s beloved OLIVER! lands in the West End in truly glorious form.
Listen: OLIVER! 2024 London Cast Recording Now Streaming
The new 2024 cast recording from the London company of Oliver! is now available on digital.
Critics' Choice: Franco Milazzo's Top 30 Immersive Shows of 2024
In 2024, the immersive genre in London and beyond grew and grew and grew, with the independent sector overshadowing the biggest names.
Critics' Choice: Gary Naylor's Best Theatre of 2024
There's praise for plays old and new and musicals, well, mainly old
Review Roundup: NATASHA, PIERRE & THE GREAT COMET OF 1812 at the Donmar Warehouse
Discover what the critics thought about Natasha, Pierre & the Great Comet of 1812 at London's Donmar Warehouse.
Review: NATASHA, PIERRE & THE GREAT COMET OF 1812, Donmar Warehouse
“Nothing is trivial, and nothing is important, it’s all the same.
Review: NUTCRACKER, London Coliseum
It has been some time coming.
Photos: NATASHA, PIERRE, AND THE GREAT COMET OF 1812 Makes its UK Premiere
All new photos have been released for the UK premiere of Dave Malloy’s Natasha, Pierre & The Great Comet Of 1812 which marks new Artistic Director Tim Sheader’s directorial debut at the venue.
Review: CARLOS ACOSTA'S NUTCRACKER IN HAVANA, Southbank Centre
Carlos Acosta's touring show is a delightful Christmassy treat
Review: MATTHEW BOURNE'S SWAN LAKE: THE NEXT GENERATION, Sadler's Wells
Even 30 years after he created it, Matthew Bourne’s Swan Lake is still his defining production.
Review: THE LITTLE FOXES, Young Vic
We love watching a rich family crumble on stage.
Photos: THE LITTLE MERMAID at Bristol Old Vic
Production photos have been released for Bristol Old Vic's Christmas spectacular, The Little Mermaid.
Critics' Choice: Louise Penn's 2024 Highlights
From the bold new musicals aimed at Gen Z audiences, to classic play revivals and experimental dance productions, London has offered a variety of shows across its stages this year.
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