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Review: ROMEO & JULIET at GreenStage

GreenStage brings the classic tale of ROMEO & JULIET to life with wit and charm and heaps of teenage angst. Beneath the canopy of trees, the denizens of Old Verona weave their magic. Whether you are Team Capulet or Team Montague, you’ll enjoy the battle. The timeless tale of love is full of laughs, passion, and manipulation.

Review: THE SIGN IN SIDNEY BRUSTEIN'S WINDOW at Intiman Theatre

THE SIGN IN SIDNEY BRUSTEIN’S WINDOW is a complicated story about complex people dealing with complex issues that reveals some simple truths. Ideals and reality clash with reverberating effects. The play forces you to consider your beliefs, commitments, the value of honesty, and what we bring and take from relationships. You will be challenged, provoked, prodded, and rewarded.

Crossroads Comedy Theater Announces Signature Fall and Halloween Programs

Spooky season is around the corner, and Crossroads Comedy Theater has announced the start of a new October tradition with their slate of Halloween-themed programming. Shows run October 21 through October 31 at Plays & Players Theatre (1714 Delancey Pl, Philadelphia, PA) at various times.

BWW Review: TWO MILE HOLLOW from Intiman Theatre

Dear Readers, if you too are sick of the dysfunctional white family play then you’re not alone. Leah Nanako Winkler, author of “Two Mile Hollow”, currently being offered from Intiman Theatre, has certainly had enough of them. So much so that she wrote her own version of one. And while I appreciate the dissection of the trope, her play as well as the Intiman production did so in such an incoherent, over the top, muddled way, that I failed to find it all that funny, just loud.

BWW Review: THE MYSTERY OF IRMA VEP at Intiman Theatre

There’s certainly a lot than can be said for Intiman Theatre’s current production of Charles Ludlam’s “The Mystery of Irma Vep”. It’s a classic bit of camp from a bygone era starring two very funny performers (Jesse Calixto and Helen Roundhill), and directed by Jasmine Joshua, a fantastic performer in their own right and the producer who brought us that fantastic gender bent production of “Little Shop of Horrors” a few years back. So much going for it that it even made my “Top 10 Seattle Productions to Look Forward To in 2022” list. Unfortunately, as much as it had going for it, it also had plenty going against it. A script definitely from a bygone era and a company that kept getting mired in their own jokes, making this a fun show but not the gut buster I was hoping for.

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