The Cleveland Orchestra Announces 104th Severance Hall Season Beginning October 2021
by Stephi Wild
- May 23, 2021
With the 104th season, which marks the 20th season of the ensemble's acclaimed partnership with Music Director Franz Welser-Möst, the Orchestra will welcome audiences back to Severance Hall as a more flexible, innovative, versatile, and empathetic institution, strengthened by the lessons of the past 14 months.
BWW Review: BLITHE SPIRIT Provides Spirited Laughs at Theatre Baton Rouge
by Tara Bennett
- May 6, 2021
Historically, Noel Coward’s BLITHE SPIRIT has been a regular favorite from the West End to Broadway and beyond, with no signs of stopping after seeing the running production on Theatre Baton Rouge’s stage. Directed by Clay Donaldson, the evening was a welcome respite from the 'real world,' providing moments of laugh-out-loud effervescence that are much needed during a pandemic.
The Met Announces Four-Week Schedule for Nightly Met Opera Streams
by Chloe Rabinowitz
- Dec 1, 2020
The Met has announced themed lineups for four weeks of its Nightly Met Opera Streams, a free series of encore Live in HD presentations and classic telecasts streamed on the company's website during the coronavirus closure. The schedule includes a week of In Plain English, an Epic Proportions week, followed by a week of Holiday Fare, and more.
Met Announces Three-Week Schedule For Nightly Met Opera Streams
by Stephi Wild
- Aug 20, 2020
The Met has announced a specially-curated, three-week schedule for its Nightly Met Opera Streams, a free series of encore Live in HD presentations and classic telecasts streamed on the company website during the coronavirus closure. The schedule includes an All-Verdi week, a 20th-Century Classics week, and an All-French week.
Bridgehampton Chamber Music's Summer Festival At Home Rolls Out Five Programs July 26
by A.A. Cristi
- Jun 29, 2020
The Bridgehampton Chamber Music Festival, which for 36 years has presented summer chamber music concerts on Long Island's East End, will this year present Summer Festival at Home: five hour-long programs premiering on consecutive Sundays at 6:30 pm beginning July 26 on the BCMF YouTube channel and remaining available for one week.
The Royal Conservatory Of Music's 2020-21 Concert Season Announced
by A.A. Cristi
- Jun 9, 2020
Dr. Peter Simon, Michael and Sonja Koerner President & CEO of The Royal Conservatory of Music, Mervon Mehta, Executive Director of Performing Arts, and James Anagnoson, Dean of The Glenn Gould School, today revealed details of the diverse concerts that will make up the 12th concert season at The Royal Conservatory of Music.
OPERA America Invites Artists, Administrators and More to A TOAST TO 50 YEARS
by Chloe Rabinowitz
- May 15, 2020
OPERA America is inviting artists, administrators, trustees, and audiences to 'A Toast to 50 Years,' a celebration of opera's progress and of OPERA America's 50th Anniversary, taking place today, Friday, May 15, from 4:30 to 5:00 p.m. EDT.
How To #meetopera Online This Week
by A.A. Cristi
- Apr 13, 2020
Opera companies across North America are offering a rich array of streaming content, allowing audiences to #meetopera online. Here is what's available:
BWW Review: Giggles Galore at the Met? You Bet�"from PASQUALE and FALSTAFF on Demand
by Richard Sasanow
- Apr 12, 2020
Luckily for viewers on the Metropolitan Opera's “Met on Demand”—with selections available free in this time of COVID-19, on your laptop or as apps for your phone or tablet—there were a couple of knee-slappers thrown in among the drama of AIDA, PARSIFAL and ROMEO ET JULIETTE this week. Two of my favorites were there: Donizetti's DON PASQUALE and Verdi's FALSTAFF.
The Hinterlands Present Double Edge Theatre's LEONORA AND ALEJANDRO
by Stephi Wild
- Mar 5, 2020
As part of a year-long contemporary performance series Assemblage, Detroit-based performance company The Hinterlands presents Double Edge Theatre (Ashfield, MA) in their hallucinatory work Leonora & Alejandro: La Maga y el Maestro April 2-5 at the Jam Handy Building. The production is a co-presentation by Detroit Public Theatre.
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