Discover the highly acclaimed musical 'Kinky Boots' coming to Hagerstown MD at the historic Maryland Theatre. Experience the heartwarming story of Charlie and Lola as they embark on a journey of self-discovery and acceptance. Don't miss this spectacular production featuring award-winning talent and unforgettable performances.
Get ready for an unforgettable experience as Roanoke's brightest stars take the stage in 'Matilda the Musical' at Mill Mountain Theatre. Don't miss your chance to witness the magic of this award-winning show, which has taken both London's West End and Broadway by storm.
The Bergen County Players, one of America's longest-running little theater companies, is proud to announce its 2023/24 season with an ambitious, joyous, and playful year of audience-pleasing musicals and innovative plays for its 91st season.
The Granada Theatre has announced the 7th Annual Granada Theatre Legends Gala on Saturday, September 16, 2023. This annual event is one of Santa Barbara's most highly anticipated evenings and features inspiring honorees, extraordinary talent, and dedicated patrons of the arts all in one place to support Santa Barbara's performing arts community.
United Solo, the world’s largest solo theatre festival, will open its 15th season at New York City’s Theatre Row on September 26, 2023, with a performance of two-time Lambda Literary Award Finalist Letty Neely’s play, “Pulling It All Into the Current.” Running through November 19, 2023, the festival features daily performances of a diverse group of shows from around the world.
The NextGen Summer Party Host Committee includes Cynthia Addai-Robinson, Camilla Belle, Matt Bomer, Yvette Nicole Brown, Sherry Cola, Lana Condor, Colman Domingo, Janina Gavankar, Jason George, Max Greenfield, Harvey Guillén, Olivia Holt, Glen Powell, Harry Shum Jr., Tiffany Smith, and more.
Music Theater Heritage has announced the cast and creatives for its 2023 summer production of A CHORUS LINE. One of the most prolific American musicals ever created, A CHORUS LINE is one of only ten musicals to be awarded the Pulitzer Prize for Drama.
Truepenny Projects presents the world premier of Lyra and the Ferocious Beast by Tatiana Nya Ford. Directed by Tessara Morgan and featuring David Brasington, J Purnell Hargrove, Isaiah Harvey, Francesco Leandri, Alex Mungo, Mecca Verdell, and Caitlin Weaver.
Produced by Alain Johannes (Queens of the Stone Age, Them Crooked Vultures, PJ Harvey), Matt Wallace (Faith No More, Maroon 5) and Des Rocs mastermind Danny Rocco, Dream Machine plays like a bolt of energy coursing through the glory days of rock, metal, and grunge, united within his signature sound. Watch the new video now!
Teatro Paraguas will host Art Goodtimes and Robyn Hunt reading their poetry as part of the ongoing series Poetry at Paraguas. The reading takes place on Sunday, August 6, 2023 at 5:00 p.m. at Teatro Paraguas.
Fairly outdated morals go hand in hand with a strikingly modern laddish attitude, while a melodramatic ending eagerly awaits. It’s a relatively wordy and stuffy production, but it celebrates a neglected, forgotten playwright who had quite the knack for a witty response.
FUNNY GIRL, the sensational musical comedy revival, is coming to the Orpheum Theatre for a limited one-week engagement from October 10 to 15. Tickets will be available starting on Friday, July, 14 at 10am.
National Sawdust, the acclaimed non-profit that commissions, produces, and presents genre-spanning new music and interdisciplinary works, has announced that it has purchased its building in Williamsburg, Brooklyn, and revealed the programming that will animate the venue this fall.
Mexican singer and filmmaker Amanda Acevedo met Mick Harvey several years ago in Mexico City while Harvey was on tour with P.J. Harvey, but it wasn’t until 2021 that their current project burst into life, as the pair shared musical and other ideas across the oceans and through the ether between Australia and Mexico.
Chisa Hutchinson's latest offering, “Redeemed,” is as vitally important a piece as the Festival has to offer this year. Rooted in the often-distorted dialogue this country continues to have about race, Hutchinson uses the play to address the under-explored question of what it really might take for true reconciliation and redemption.