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Review: FLYBY, Southwark Playhouse

The Last Five Years meets Gravity to introduce their unfortunate lovechild. Daniel steals a spacecraft and leaves Earth; his ex-girlfriend, Emily, is left behind. A trio of scientists breaks down their complicated relationship while Daniel records his days orbiting the planet. On paper, Theo Jamieson’s new musical is a thrilling original concept. The core idea and its philosophical foundations are utterly compelling, so it’s a real shame that they bear very little weight against a shallow plot and uninteresting characters. Adam Lenson (credited as co-creator too) directs with profound empathy for the human race, trying hard to bring to life our harrowing need to feel connected. The material fails him. 

Gina Beck and Michael Simkins Join GUYS & DOLLS at the Bridge Theatre

 Gina Beck (Matilda; The Sound of Music; Show Boat; Wicked; Phantom of the Opera, Les Misérables) and Michael Simkins (John Gabriel Borkman; Backstairs Billy; The Unfriend; Fracked!; Yes, Prime Minister; MAMMA MIA!) will be joining the cast of Guys & Dolls at the Bridge Theatre from 02 September.

Hannah Waddingham, HAMILTON & More Voice Support For West End Pay Raise Campaign

Hannah Waddingham, the West End cast of Hamilton, and more have voiced their support for Equity's Stand Up For 17% campaign. The newly-launched campaign calls for a 17% pay raise for West End performers and stage management, among other improvements. Miriam Margolyes, Matthew Modine, The Mouse Trap and Moulin Rouge have also shared their support.

Review: SOUTH PACIFIC, Theatre Royal, Glasgow

Julian Ovenden and Gina Beck reprise their roles from the Chichester Festival Theatre production, and lead a sensational cast of over thirty including Rob Houchen, Joanna Ampil and Sera Maehara. Featuring a full orchestra, this ravishing musical is set to be the must-see theatrical event of the year.

Review: SOUTH PACIFIC, Sadler's Wells

The show is based on the Pulitzer Prize-winning book Tales of the South Pacific and made its Broadway debut in 1949; it is surprisingly progressive, despite its age, making it a relatively unproblematic revival. It also helps that it contains some of musical theatre’s most recognisable songs, including “I’m Gonna Wash That Man Right Outa My Hair”, “Some Enchanted Evening”, and “There Is Nothing Like a Dame”.

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