Get in the mood for the rapidly approaching holiday season by going to the Lyric Stage Company of Boston's production of THE THANKSGIVING PLAY, a sharp and funny satire by Native American playwright Larissa FastHorse that holds a mirror up to reflect the craziness of political correctness on steroid
From October 25 to November 30, 2019, SpeakEasy Stage Company will present the New England premiere of ADMISSIONS, the winner of the 2018 Drama Desk Award for Outstanding Play.
Gloucester Stage Company is the first theater in the country to produce THE LIFESPAN OF A FACT following its SRO limited run on Broadway.
New Repertory Theatre presents BECOMING DR.
Two dozen nominations of outstanding actors, directors, designers and ensembles were announced today by The Boston Theater Critics Association (BTCA), with winners to be revealed at the 37th Annual Elliot Norton Awards on Monday, May 20, 2019 at 7 PM, at the Huntington Avenue Theatre.
What does God want, and who truly knows? Who gets to decide what is right? These are just a couple of the questions raised in Hansol Jung's wrenching new play, CARDBOARD PIANO, in its New England premiere at New Repertory Theatre.
The Independent Reviewers of New England (IRNE) today announced the nominees for the 23rd Annual IRNE Awards, which honor the best of the previous year's actors, directors, choreographers, designers and companies across the full spectrum of large, mid-size and fringe theater companies.
Eighty years after the Broadway premiere of Lillian Hellman's THE LITTLE FOXES, the Lyric Stage Company production, under the direction of Scott Edmiston, demonstrates that the classic American drama has lost none of its punch.
Actors' Shakespeare Project's 15th Season continues with Nat Turner in Jerusalem, performed at Hibernian Hall in Roxbury.
Actors' Shakespeare Project's 15th Season continues with Nat Turner in Jerusalem, performed at Hibernian Hall in Roxbury.
Renowned British playwright Caryl Churchill is the author of a pair of one-act plays merged into Commonwealth Shakespeare Company's UNIVERSE RUSHING APART: BLUE KETTLE and HERE WE GO, playing through the weekend in the Black Box Theater at Babson College's Sorenson Center for the Arts in Wellesley.
It is probably an unintended coincidence that the Lyric Stage Company's production of Jen Silverman's two-hander, THE ROOMMATE, passes the Bechdel Test with flying colors, even as FUN HOME, based on Alison Bechdel's graphic novel/memoir is onstage down the street at the Boston Center for the Arts.
New Repertory Theatre's mission is "to produce plays that speak powerfully to the vital ideas of our time," a statement which they adhere to vigorously.
Commonwealth Shakespeare Company, Founding Artistic Director Steven Maler, announced the cast of the first production of its 2018-19 Season: Universe Rushing Apart: Blue Kettle & Here We Go, two one-act plays by Caryl Churchill, directed by Bryn Boice.
Greater Boston Stage Company has lined up a dream ensemble for their season finale, CALENDAR GIRLS, based on the 2003 Miramax motion picture.
Known nationally and internationally for its professional cultivation of vibrant new plays, the Contemporary American Theater Festival (CATF) at Shepherd University welcomes the 2018 company to Shepherdstown, West Virginia.
Calendar Girls is a delightful, heartfelt comedy based on the true story of eleven English Ladies Club members who posed nude for a calendar to raise money for the Leukemia Research Fund.
Director Scott Edmiston has to thank the guy who wrote a taut adaptation of Eugene O'Neill's Pulitzer Prize-winning play ANNA CHRISTIE, thus positioning him to lead a seamless production which combines inventive stagecraft, stunning design elements, and a group of actors who seem born to their roles
THE BAKELITE MASTERPIECE is the Boston area premiere of Kate Cayley's two-hander, directed by Jim Petosa, with stellar performances by Benjamin Evett and Laura Latreille.
Gloucester Stage Company presents the world premiere of playwright Jim Frangione's FLIGHT OF THE MONARCH following an overwhelming audience response to a reading last fall.
