The cast has been revealed for Signature Theatre's upcoming off-Broadway production of Lauren Yee’s Mother Russia. Performances are scheduled from Feb. 3 through March 15 at the Romulus Linney Courtyard Theatre.
Hardly Strictly Bluegrass (HSB) has shared the full lineup for its silver anniversary in San Francisco’s iconic Golden Gate Park from Friday, October 3 to Sunday, October 5.
Theatre Communications Group has announced the upcoming publication of three acclaimed plays: Ain’t No Mo’ by Jordan E. Cooper, Cambodian Rock Band by Lauren Yee, and Public Obscenities by Shayok Misha Chowdhury.
This summer, Levitt Pavilion Los Angeles will celebrate its 18th season of free live music with ten unforgettable evenings in MacArthur Park, one of LA's most culturally rich public spaces. With the Downtown skyline as a backdrop and a stage that captures the spirit of the city, Levitt LA invites Angelenos from all backgrounds to gather, dance, and connect under the stars.
The Arts Club Theatre Company's Canadian Premiere production of Cambodian Rock Band by Lauren Yee is coming to the historic Stanley Industrial Alliance Stage. Learn how to purchase tickets.
Chay Yew’s production for East West Players - improbably the play’s L.A. premiere seven years after its debut at South Coast Repertory – is as raw and raucous as it is timely. Yee urges us to remember the past, be watchful of the future and enjoy the holy hell out of the process.
East West Players has extended Lauren Yee's CAMBODIAN ROCK BAND through late March. Learn more and see how to purchase tickets to upcoming performances.
East West Players has revealed the cast and creative team for the Los Angeles premiere of Lauren Yee's groundbreaking play, CAMBODIAN ROCK BAND. Learn more about the production and see how to purchase tickets.
East West Players has announced its 60th Anniversary Diamond Legacy Season, helmed by recently appointed Artistic Director Lily Tung Crystal. Learn more about the lineup here!
Lincoln Center for the Performing Arts revealed upcoming presentations throughout the Fall and Winter. Learn more about the season!
Pan Asian Repertory Theatre will honor actress Ako, service organization Asian American Arts Alliance (A4), and playwright Lauren Yee at its 2024 Art & Action Benefit Dinner. Learn more about the honorees and see how to purchase tickets.
What did our critic think of CAMBODIAN ROCK BAND at TheatreSquared?
The Obie Award-winning play-with-music Cambodian Rock Band featuring songs from Dengue Fever will open in TheatreSquared's West Theatre on February 28 and will run through March 24. See photos from the production.
What did our critic think of WHAT THE CONSTITUTION MEANS TO ME at TheatreSquared? TheatreSquared always impresses me. Before the show I talked with the enjoyable cafe concierge who said he hoped I liked the show. I told him that they always do a wonderful job with every production. However, it’s the variety that intrigues me. Rarely do I recognize what is being offered. It’s exciting and never boring. I love it.
Biting humor and epic rock collide in TheatreSquared's 'Cambodian Rock Band' - A gripping journey through time and family legacies.
THE TOWN AND THE CITY FESTIVAL announces additional artists, new programming, and venues for April 26 & 27 in Lowell, MA. Single-day passes available. On sale this Friday, January 26th. New in 2024 - Comedy at Cobblestones.
Movement’s podcast, live shows and radio broadcasts uplift the voices, stories and songs of immigrant musicians, claiming public space for these artists to sing and speak their stories with complexity and nuance. The Movement team has also announced significant investment in the show via partnership with the Mellon foundation.
UCLA's Center for the Art of Performance (CAP UCLA) and KCRW present an evening-length performance featuring Meklit Hadero's Movement LIVE at The Nimoy on Saturday, October 28 at 8 pm.
Dear Readers, last night I discovered at “Cambodian Rock Band”, the latest collaboration of ACT and the 5th Avenue Theatre, that I am officially a cranky old man. This is an astounding play from an astounding playwright but infused with a rock concert vibe. Now, I’ve never been a concert guy and while the adage, “If it’s too loud then you’re too old” doesn’t really apply as it wasn’t too loud, I did find the ending “concert” to be too long. We’ll touch on that more in a minute, but did I mention how astounding this play is?
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