David Blake News

UK-based Seabourne has garnered numerous commissions and awards in international competitions for his solo, chamber and orchestral works and song cycles

The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

Today, the London production of THE LION KING welcomes 11 new cast members, including Janique Charles, Gary Jordan and Dominique Planter who take over the principal roles of 'Nala', 'Zazu' and 'Shenzi' respectively. Now in its 18th triumphant year, over 14 million people have seen Disney's award-winning musical at the Lyceum Theatre.

Personalities from stage and screen attended Tuesday night's prestigious Clapperboard Awards Ceremony which celebrates the achievements of young creative talent from across Merseyside.

BroadwayWorld.com, the largest theatre site on the net, now reaches over five million monthly viewers, covering theatre and beyond in over 100 U.S. cities and 30 international regions.

Playwright Laurie Brooks examines the events that led to the infamous Salem Witch Trials from a different perspective with her intriguing and thought-provoking work, AFFLICTED Daughters of Salem. Unlike Arthur Miller's masterpiece, The Crucible, this play focuses our attention solely on the young girls who wound up making the accusations that started the wheels in motion. What we're privy to are the private thoughts and desires of a group of young girls who meet in the woods under the moonlight with the mystical slave Tituba. What comes through is their unhappiness with the way they feel their individuality is being repressed by their strict Puritan community. Since they can see nearby Quakers experiencing a great deal more freedom, they've come to resent the way of life they feel has been imposed upon them. Metro Theater Company's production at the Missouri History Museum (through March 22, 2015) is a taut and vivid presentation that ends with the audience being asked specific questions as to whether these young women should be held accountable for their acts. Their response may shock you. It will certainly provide food for thought.

AOP (American Opera Projects), and the Schomburg Center for Research in Black Culture will co-present an evening of scenes from Nkeiru Okoye's folk opera Harriet Tubman: When I Crossed That Line to Freedom that tells of how a young girl born in slavery, becomes Harriet Tubman, the legendary Underground Railroad conductor. The musical excerpts will be followed by an artist Q&A moderated by WQXR's Terrance McKnight. The concert will be presented today, December 9, 2013 at 6:30 PM at the Langston Hughes Auditorium: 515 Malcolm X Boulevard, New York, NY 10037-1801.

AOP (American Opera Projects), and the Schomburg Center for Research in Black Culture will co-present an evening of scenes from Nkeiru Okoye's folk opera Harriet Tubman: When I Crossed That Line to Freedom that tells of how a young girl born in slavery, becomes Harriet Tubman, the legendary Underground Railroad conductor. The musical excerpts will be followed by an artist Q&A moderated by WQXR's Terrance McKnight. The concert will be presented on Monday, December 9, 2013 at 6:30 PM at the Langston Hughes Auditorium: 515 Malcolm X Boulevard, New York, NY 10037-1801.

Playwright Cormac McCarthy has crafted an intriguing work with THE SUNSET LIMITED, and even though he skimps on fully developing his characters, there is still plenty to chew on here. It's also the inaugural production of Theatre Lab, and I'm always happy to welcome a new company to the local theatre scene. This particular piece may be especially light on action and heavy on dialogue, but Cormac's use of wit keeps things humming along without becoming too static. The Theatre Lab has put together a strong production powered by two excellent performances.

I love horror movies, especially the kind of cheesy stuff from the 1950's and 1960's that director Roger Corman was famous for. It's been said that he shot the cult favorite, The LITTLE SHOP OF HORRORS, in four days, and it certainly has a look that would suggest as much. But, underneath its filthy veneer is a bizarre black comedy that deserved a far better fate than the faded copies that clog up discount DVD bins. So, Howard Ashman (book and lyrics) and Alan Menken (music) dusted off the basic premise of this crazy little film, and crafted a clever and funny off-Broadway musical which, in turn, spawned a motion picture. Stray Dog Theatre closes their tenth season on a high note with a very imaginative and well cast production of this creepy classic.

GYPSY is the penultimate stage mother musical, but it's also a look at the decline of vaudeville and the rise of burlesque during the depression, and it's ultimately a look at how the famous stripper, Gypsy Rose Lee, made her debut in show business. Jules Styne (composer), Stephen Sondheim (lyricist), and Arthur Laurents (book) have constructed a sturdy classic that's interesting to watch at a time when reality television has essentially revived the Ted Mack Amateur Hour, and all the baggage that comes with that. Stray Dog Theatre continues their stellar season with a rousing production of this popular standard.

Amanda Whittington's new play, The Thrill of Love, directed by James Dacre, will run at the newly opened St. James Theatre from tonight, 27 March to Saturday 4 May, with press night today 3 April 2013. The production comes to the St. James Theatre following its world premiere at the New Vic Theatre, Newcastle-under-Lyme and a further run at the Stephen Joseph Theatre, Scarborough.

Amanda Whittington's new play, The Thrill of Love, directed by James Dacre, will run at the newly opened St. James Theatre from Wednesday 27 March to Saturday 4 May, with press night on Wednesday 3 April 2013. The production comes to the St. James Theatre following its world premiere at the New Vic Theatre, Newcastle-under-Lyme and a further run at the Stephen Joseph Theatre, Scarborough.

The St. Louis Theater Circle has just announced the nominees for the 2013 Louie Awards, honoring excellence in professional theater. The ceremony is set to take place on March 11 at the Gaslight Theater (358 North Boyle Avenue). To reserve tickets, email stltheatercircle@sbcglobal.net.

The original cast album of Spring Awakening (music by Duncan Sheik with book and lyrics by Steven Sater) is still in heavy rotation in my iPod, not only because it's a terrifically catchy score, but because of its dramatic power as well. And though some may try to draw comparisons to the touring company that came to the Fox in 2009, there's really nothing to be gained by doing that. Stray Dog Theatre's current presentation is a much more intimate and "in your face" production that may well carry more impact. It certainly affected me deeply, in fact, I could hardly sleep after seeing the show, with the songs and performances spinning around my brain in continual motion. This is a beautiful and haunting rendering that provides must-see entertainment for any theatre-goer.