Charles Grant News

We're heading into the final week of voting for the 2019 BroadwayWorld Portland Awards, brought to you by TodayTix! Vote today to make sure your favorite local theatre's achievements and performers are recognized!

There's just two weeks left to vote for the 2019 BroadwayWorld Portland Awards, brought to you by TodayTix! The people have spoken nominations are set, and now you can vote to make sure your favorite local theatre's achievements and performers are recognized!

There's just a few weeks left to make your voice heard and submit your votes for the 2019 BroadwayWorld Portland Awards, brought to you by TodayTix! The people have spoken nominations are set, and now you can vote to make sure your favorite local theatre's achievements and performers are recognized!

It's December! Voting is now underway for the 2019 BroadwayWorld Portland Awards, brought to you by TodayTix! Now you can vote to make sure your favorite local theatres and performers are recognized. Check out the first set of stats below.

Voting is NOW OPEN and the first votes are in for the 2019 BroadwayWorld Portland Awards, brought to you by TodayTix! The nominees are set, and now you can vote to make sure your favorite local theatres and performers are recognized!

In preparation for a Spring 2020 season, Rübsam presents his company SENSEDANCE in an informal showing  at the Ailey Studios, 405 West 55 Street   Sunday, November 17 at 6:00pm. (studio will be open for seating at 5:30 pm)

This October, Brittany K. Allen will star in the world premiere of her play Redwood at Portland Center Stage at The Armory.

This October, Brittany K. Allen will star in the world premiere of her play Redwood at Portland Center Stage at The Armory. In Redwood, a young Black woman's relationship with her white boyfriend is thrown into turmoil when her uncle's exploration of their family's lineage reveals that her ancestors were enslaved by her boyfriend's ancestors. Guided by a hip-hop dance class chorus, this singular American story is about finding a way to live and love in a present that's overpopulated with ghosts.

Charly Evon Simpson's JUMP, which is having its National New Play Network rolling world premiere courtesy of Milagro Theatre and Confrontation Theatre, explores the obstacles that we too frequently put between ourselves and real human connection.

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature LITTLE SHOP, PIPPIN, MAMMA MIA and More!

MAMMA MIA! is a silly musical, but it's perfect fun for a carefree summer day.

To celebrate OCT's 30th season, we're reviving this award-winning musical! Best friends, Frog and Toad, have an adventure for each season of the year: sledding down snowy hills, planting springtime flowers, splashing in summer swimming holes, and raking up autumn leaves. Along their way, they celebrate the differences that make each of them unique, but also makes their friendship so special.

This production of A CHRISTMAS CAROL has everything you could want a great script, a superb cast with excellent direction, and plenty of theatre magic to make you feel like a kid at Christmas.

Portland Playhouse's fun, festive, family favorite A CHRISTMAS CAROL transforms the Hampton Opera Center into Dickensian England, directed by Brian Weaver and Cristi Miles for a run through December 30. BroadwayWorld has a first look at the cast in action below!

In 'We Want the Funk: A Rustbelt Lullaby on the One,' charismatic Chuck resolves to trust in the notion that economic depression and cultural oppression can be overcome by creating music. Chuck can't play an instrument, but he devotes his energy to forming a funk band to connect his community to their grander calling. That calling might be a literal ticket out of the slums if their band hits it big across the nation; but Chuck, who Goodwin describes as a 'ghetto spiritual leader,' is more interested in the transcendent aspect of music.

Death of Kings weaves Richard II, Henry IV (parts 1 and 2), Henry V, Henry VI (parts 1, 2, and 3), and Richard III, into a fast-moving onslaught of conflict and mayhem that ceaselessly emphasizes the play's theme and title: the succession of royal lineage via death, murder, and dethronement.

Tommy Tune returns to the New York stage in a splendid concert production.