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Athol Fugard News

Birth Place: Middleburg, Cape Province, SOUTH AFRICA

Theatrical Outfit Announces 50th Anniversary Season

Theatrical Outfit has announced their 50th Anniversary Season with 5 mainstage productions of classics and modern works, 4 new plays, 3 special anniversary events, 2 productions with new and returning community partners and 1 brand new commission.

BWW Q&A: Ben Beatty Talks MASTER HAROLD...AND THE BOYS at Geffen Playhouse

Geffen Playhouse audiences are getting a rare opportunity to experience Athol Fugard's 'MASTER HAROLD'…AND THE BOYS, the deeply personal drama set in a 1950s South African tea shop where a single rainy afternoon exposes the realities of race, power, and betrayal between a white teenager and the two Black waiters who have helped raise him.

Cast Set For SIZWE BANZI IS DEAD From Crossroads Theatre Company

Crossroads Theatre Company will present SIZWE BANZI IS DEAD, directed by Ricardo Khan alongside Tony winner John Kani. Atandwa Kani and Kelcey Watson star in the apartheid-era classic at the New Brunswick Performing Arts Center.

Review: MASTER HAROLD...AND THE BOYS at Geffen Playhouse

The Southland has had its share of memorable Fugard stagings, and the newly-opened revival of “MASTER HAROLD” at the Geffen Playhouse boasts an impressive roster of artists and creatives – onstage and off – who bring this tale vibrantly to life.

Meet the Cast of PROOF, Now Playing on Broadway

Performances are underway for Proof, ahead of a Thursday, April 16 opening night at the Booth Theatre. Learn more about the show and meet the cast of Proof here!

MASTER HAROLD... AND THE BOYS Heads To Cape Town in April

Following a critically praised Johannesburg season, Athol Fugard's seminal drama Master Harold… and the Boys travels to Cape Town for a strictly limited season at Artscape Arena from 9 – 18 April 2026.

Review: JEEVES AND WOOSTER IN PERFECT NONSENSE at Schoolhouse Theater

Those dramatis personae (ha!) and more are animated to a fare thee well by only two – count ‘em – two actors, Mr. Guy and Mr. Lang, who bring to their poly-personality assignments proficient physical suppleness and chameleon-like chops. I started to keep track of how many characters they essay, and then gave up – their number outpaced my jottings. Within a single scene, the two actors might exit and enter the stage as four different characters with seamless precision. It’s a wonder audience members don’t suffer whiplash. 

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