Ballet Black is a diverse company, comprised of black and Asian dancers, that has been annually performing their charismatic brand of dance in London since 2001.
Exploration through world culture, original voices, and iconic masters are on display throughout the 2018-2019 ballet and contemporary dance season at the John F. Kennedy Center for the Performing Arts. The upcoming ballet and dance season-among the nation's most robust and eclectic-features a breadth of dynamic and world-class choreography performed by today's preeminent companies. Brought to life onstage by virtuosic dancers and visionary designers, the season encompasses compelling and thought-provoking works, collaborations across genres, and quintessential classics steeped in tradition.
The 2017 BroadwayWorld UK Awards honour the best productions from the past year around the country and the best long-running West End shows. Voting is open until midnight on Friday, 8 December, with the winners announced soon afterwards.
International ballet superstar Ivan Putrov has assembled a cast of award-winning dancers for his latest Men in Motion programme exploring the changing role of the male dancer. Spanning 100 years in 100 minutes, Men in Motion pays homage to great dancers and choreographers of the past and showcases some of the most exciting artists of the present. Broadway World has an exclusive first look below!
Ballet Black continue to move from strength to strength. Having recently secured funding and completed work on a more spacious London studio, they now tour nationally with their acclaimed narrative ballet, Red Riding Hood as the main attraction in this varied triple bill.
Following its world premiere as part of Brighton Festival earlier this year, choreographer and stage designer Theo Clinkard announces details of This Bright Field autumn tour 2017.
San Francisco Ballet announces ten promotions, eight new Company members, and six apprentices for the 2017-18 Season. Soloist Jennifer Stahl has been promoted to principal dancer, and Isabella DeVivo, Jahna Frantziskonis, Esteban Hernandez, and Steven Morse have been promoted to soloist. In addition, SF Ballet Apprentices Alexandre Cagnat, Shene Lazarus, Davide Occhipinti, Nathaniel Remez, and Isabella Walsh have been promoted to the corps de ballet. Ulrik Birkkjaer and Ana Sophia Scheller join the Company as principal dancers and Solomon Golding, Gabriela Gonzalez, Blake Johnston, Madison Keesler, Wona Park, and Joseph Warton have joined SF Ballet as corps de ballet members. Ethan Chudnow, Anatalia Hordov, Carmela Mayo, Swane Messaoudi, Larisa Nugent, and Benjamin Pearson of San Francisco Ballet School have been promoted to the rank of apprentice.
Former Secret Service agent, Frank Farmer is hired to protect superstar Rachel Marron from an unknown stalker. Each expects to be in charge a€' what they don't expect is to fall in love...
This Bright Field, by choreographer and stage designer Theo Clinkard, receives its world premiere on Thursday 25 May as part of Brighton Festival 2017.
Martin Crimp's 1993 play feels sharply contemporary in this slick revival from Lyndsey Turner, with its layered deconstruction of the way that we treat both art and life as commodities - and how we mistreat one another - opening up industry satire into a far-reaching portrait of social malaise.
Joining Aisling Loftus and Matthew Needham in THE TREATMENT are Gary Beadle, Ian Gelder, Ben Onwukwe, Julian Ovenden, Ellora Torchia, Indira Varma, and Hara Yannas. THE TREATMENT begins previews at the Almeida Theatre on Monday 24 April and runs until Saturday 10 June. The press night is Friday 28 April. BroadwayWorld has a sneak peek at the company in rehearsal below!
This year's triple bill marks Ballet Black's sixteenth year since Cassa Pancho founded the company in 2001. Their message remains the same as their fan base continues to grow: diversity. This small company of only eight dancers can now comfortably sell out London's large Barbican theatre for several consecutive nights and their tours of the country continue for months after. Their work whether old or new always demonstrates a glorious level of technique, precision and grace that keeps audiences coming back.
Arthur Pita returns to The Place with the dark but thrilling double bill Stepmother/Stepfather. Stepfather is a revisit of the work Pita first created in 2007 for CandoCo Dance. He was approached by HeadSpaceDance to support a full evening's work and felt it would be the perfect time to resurrect this tale of selfishness, incest and murder. The evening is preceded by Stepmother, a new piece acting as a 'sister' work to the more established Stepfather.
Stepmother leads us into a menacing world where macabre folklore meets the terrifying grotesque. Fairy tales distort into nightmares as familiar characters from Snow White to Hansel and Gretel are pursued by a force of monstrous and abusive stepmothers.
Joining Aisling Loftus and Matthew Needham in THE TREATMENT will be Gary Beadle, Ian Gelder, Ben Onwukwe, Julian Ovenden, Ellora Torchia, Indira Varma, and Hara Yannas. The Treatment begins previews at the Almeida Theatre on Monday 24 April and runs until Saturday 10 June.
Award-winning Director and Choreographer, Arthur Pita in collaboration with HeadSpaceDance returns to London to present his latest production STEPMOTHER/STEPFATHER - a wickedly gruesome double bill of dark dance. STEPMOTHER/STEPFATHER will tour to Birmingham and Bournemouth before its London premiere at The Place from 2nd to 11th March, followed by visits to Canterbury, Salford Quays and Newcastle. Tickets are on sale at all venues.