Amy Roche News

Warm, Wacky, and Wonderful: Good Theater's Revival of YOU CAN'T TAKE IT WITH YOU

by Carla Maria Verdino-Süllwold — April 17, 2023

Moss Hart and George S.

Good Theater Presents YOU CAN'T TAKE IT WITH YOU Beginning This Month

by Stephi Wild — March 14, 2023

Good Theater will present the Pulitzer Prize-winning comedy YOU CAN’T TAKE IT WITH YOU as the finale of its 20th anniversary season, running March 29th through April 23rd.

Photos: Good Theater Presents the World Premiere of JANE AUSTEN'S LADY SUSAN

by Chloe Rabinowitz — October 22, 2021

Good Theater is presenting the world premiere of the acclaimed adaptation of the Jane Austen short novel LADY SUSAN.

BWW Review: Good Theater Reopens with Scintillating World Premiere of Rob Urbinati's LADY SUSAN

by Carla Maria Verdino-Süllwold — October 22, 2021

The Good Theater reopened its doors last night with a breathtakingly stunning world premiere of Rob Urbinati’s new play LADY SUSAN, directed by Brian P.

Good Theater to Present the World Premiere of JANE AUSTEN'S LADY SUSAN

by Chloe Rabinowitz — October 11, 2021

Good Theater will present the world premiere of the acclaimed adaptation of the Jane Austen short novel LADY SUSAN.

BWW Review: Good Theater's ADMISSIONS Explores race, Privilege, and Parental Dilemmas

by Carla Maria Verdino-Süllwold — October 7, 2019

The Good Theater opens its season with Joshua Harmon's powerful and persuasive drama about class and race, aspiration in America, and the complexities of navigating a world where nothing is black and white, no matter how much one wishes it so.

Photo Flash: Good Theater Presents Joshua Harmon's ADMISSIONS

by A.A. Cristi — October 2, 2019

Good Theater will kick off its 18th season with the Maine premiere of the award-winning new play ADMISSIONS by Joshua Harmon.

Good Theater Presents Joshua Harmon's ADMISSIONS

by A.A. Cristi — September 27, 2019

Good Theater will kick off its 18th season with the Maine premiere of the award-winning new play ADMISSIONS by Joshua Harmon.

Good Theater Presents LIFE WITH BRIAN

by A.A. Cristi — August 30, 2019

Good Theater is excited to announce LIFE WITH BRIAN, the first special event of the 2019/2020 season.

BWW REVIEW: Minimalist and Intense CURIOUS INCIDENT OF THE DOG Packs Maximum Punch

by Carla Maria Verdino-Süllwold — October 15, 2018

Opening its 17th season, the Good Theater's stirring production of Simon Stephens' The Curious Incident of the Dog in the Night-Time takes the company to new heights of achievement.

Good Theater Adding Performances To CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME

by Stephi Wild — October 5, 2018

Good Theater has kicked off its 17th season with the Tony Award winning Best Play The Curious Incident of the Dog in the Night-Time.

Photo Flash: First Look at Good Theater's THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME

by Julie Musbach — October 3, 2018

Good Theater presents the Portland premiere of the 2015 Tony Award Winning Best Play, The Curious Incident of the Dog in the Night-Time by Simon Stephens adapted from the novel by Mark Haddon, playing October 3-28 at the St.

Good Theater Presents THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME

by Julie Musbach — September 18, 2018

Good Theater is celebrating its 17th season with the company's biggest season ever.

BWW Review: YEAR OF THE ROOSTER at Dramatic Repertory Company

by Steve Feeney — March 10, 2018

Year of the Rooster is edgy and entertaining.

Photo Flash: Good Theater presents LOVE, LOSS, AND WHAT I WORE

by A.A. Cristi — February 12, 2018

Good Theater is proud to present the Maine premiere of Nora Ephron and Delia Ephron's smash hit off-Broadway comedy event, Love Loss and What I Wore, directed by Steve Underwood, featuring a rotating cast of Portland's favorite actresses.

BWW Review: Clothes As a Conceit for Life's Little Stories: Good Theater Stages LOVE, LOSS, and WHAT I WORE

by Carla Maria Verdino-Süllwold — January 20, 2018

The complex, sometimes conflicted, often poetic relationship between what we wear and self image and identity forms the framework of a delightful, delicately lyrical, and warmly wistful play by Nora and Delia Ephron, based on the book by Ilene Beckerman.