Alice Birch News

Anatomy of a Suicide begins performances on February 1 and opens on Tuesday, February 18 at Atlantic Theater Company's Linda Gross Theater (336 West 20th Street). The production is a limited engagement through March 15, 2020.

Atlantic Theater Company (Neil Pepe, Artistic Director; Jeffory Lawson, Managing Director) has announced initial casting for the US premiere production of Anatomy of a Suicide by Alice Birch (Revolt. She Said. Revolt Again.) and directed by Obie Award winner Lileana Blain-Cruz (Marys Seacole).

Discord and Din Theatre presents Revolt. She Said. Revolt Again. April 12-26, 2020 at Buddies in Bad Times Theatre.

With recent roles in Noises Off and Exit the King, Amy Morgan can now be seen at the Royal Court performing in Gurpreet Kaur Bhatti's A Kind of People. Set during a party on a Friday night, this new play examines seven people and asks wider questions about communities in Britain today. BroadwayWorld spoke with Amy about her character, Victoria, the rehearsal process and how the play compares to her previous work in theatre.

After a spectacular 2019, it's time to look ahead to 2020; as we start a new decade, where resolutions will no doubt be broken in minutes, Pleasance have a fantastic theatre offering presenting a snapshot of the social and cultural world of the moment. This dynamic season presents ten important shows across two of Pleasance's Islington spaces.

Red Stitch Actors' Theatre today announced a powerful 2020 season featuring three world premiere productions - all developed at Red Stitch - two Australian premieres and the Victorian debut of two new plays.

The Donmar Warehouse announces casting for Lyndsey Turner's new production of Caryl Churchill's Far Away. BAFTA-winning actress Jessica Hynes will make her Donmar debut in the role of Harper alongside Aisling Loftus as Joan and Simon Manyonda as Todd. Casting for the role of Young Joan is to be announced at a later date.

Award-winning production company Element Pictures (The Favourite, Room, The Lobster, Dublin Murders) have released first look imagery from the highly anticipated TV adaptation of Sally Rooney's international literary phenomenon, Normal People.

The Donmar Warehouse announces the full cast for Teenage Dick, Mike Lew's darkly comic take on Shakespeare's Richard III, directed by Donmar Artistic Director Michael Longhurst. Joining previously announced cast Daniel Monks and Susan Wokoma are Callum Adams, Alice Hewkin, Siena Kelly and Ruth Madeley.

The Barbican today announces its full January to August 2020 Theatre and Dance programme in the Barbican Theatre and The Pit. Tickets go on sale to Barbican Members Plus on Friday 25 October 2019 and to Barbican Members on Monday 28 October 2019. From only £54, Barbican Members get priority booking, discounted tickets (subject to availability) and pay no booking fees. They can also take advantage of exclusive behind-the-scenes events and the Members' Lounge. Tickets go on sale to the general public on Friday 1 November 2019.

Alice Birch's [BLANK] comprises 100 scenes, any number of which can be selected and performed in any order a?" it's all in the hands of the creative team. For Maria Aberg's production at the Donmar Warehouse, an all-female company has been cast and 22 of the scenes have been pulled together. The common thread between all of the scenes is the experience of women in the criminal justice system, whether they work for it, are in prison themselves, or are victims of crime.

Soho Rep, responding to popular demand, announces a one-week extension of Zawe Ashton's for all the women who thought they were Mad, directed by Whitney White (What to Send Up When It Goes Down).

Soho Rep. kicks off its 2019-20 season with the U.S. Premiere of Zawe Ashton's for all the women who thought they were Mad. Directed by Whitney White (What to Send Up When It Goes Down), Ashton's play is a feverish inquiry and exposé. In it, multigenerational African diasporic voices gather around a woman, Joy. With Ashton's trenchant, irreverent, and lyrical writing, Soho Rep. continues its tradition of presenting works by playwrights whose experimentation with language, social commentary, and piercing wit turn the theater into a space that brims with possibility and danger.

Paines Plough have today announced a special one-off event at the Criterion Theatre on 18th November and a transfer of Sam Steiner's YOU STUPID DARKNESS! to Southwark Playhouse, a co-production with Theatre Royal Plymouth. The announcements mark the final programming from former co-Artistic Directors James Grieve and George Perrin. Charlotte Bennett and Katie Posner are set to announce their new season for the company on Friday 4 October.

London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From Annie Baker's latest to Ealing comedy and a royal reunion, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews, interviews and features!

The Donmar Warehouse today announces that Susan Wokoma, fresh from her acclaimed performance as Bottom in A Midsummer Night's Dream at the Open Air Theatre and Channel 4's Year of the Rabbit, joins the cast of Teenage Dick in the role of Elizabeth York.

Soho Rep. announces its 2019-20 season, kicking off with Zawe Ashton's for all the women who thought they were Mad.

The Donmar Warehouse and Clean Break today announce full casting for the world premiere of [BLANK] a new play by Alice Birch. Directed by Maria Aberg, full casting includes Ayesha Antoine, Shona Babayemi, Sophia Brown, Jackie Clune, Grace Doherty, Lucy Edkins, Zaris-Angel Hator, Zainab Hasan, Joanna Horton, Thusitha Jayasundera, Petra Letang, Leah Mondesir-Simmonds, Kate O'Flynn, Ashna Rabheru, Jemima Rooper and Taya Tower.

For forty years Clean Break is proud to have produced ground-breaking plays by some of Britain's best playwrights. A selection of these progressive, brilliant artists come together to share what they have learnt from working with Clean Break, what the future holds for women playwrights and why complicated, multifaceted representations of women on our stages are more essential than ever.