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Exclusive: Read Jennifer Ashley Tepper's THE UNTOLD STORIES OF BROADWAY, VOLUME 4- Spotlight on The Minskoff Theatre

Earlier this month, Dress Circle Publishing released THE UNTOLD STORIES OF BROADWAY, VOLUME 4, the latest in a series by acclaimed historian and producer Jennifer Ashley Tepper. Can't wait to get your hands on it? While you're waiting for your copy, let BroadwayWorld hold you over with a special sneak peek from a chapter all about the Minskoff Theatre.

UN DÍA COMO HOY: MY FAIR LADY se estrenaba en Broadway

Un 15 de marzo de 1956, el Mark Hellinger Theatre acogía por primera vez MY FAIR LADY. El musical basado en la obra teatral PIGMALIÓN subía el telón por primera vez con el libreto y las letras de Alan Jay Lerner y la música de Frederic Loewe.

Student Blog: Lolita, My Love: How a Script Killed a Score

In my opinion, the show was in a constant state of confusion. John Barry's score was extremely 70's jazz-funk inspired. The songs were all akin to pop songs, except for a small few. Lerner's lyrics were quite good, but with a lackluster score they became bland. The script was the biggest problem.

Asolo Rep Presents 'The Creation of CAMELOT' Zoom Event

Brush up on your Arthurian knowledge with celebrated musical theatre historian and graphic designer Charles Troy for an in-depth digital (via Zoom) exploration into the creation of the Tony Award-winning musical sensation Camelot. Guests will also have the opportunity to learn more about Asolo Rep's upcoming concert version, running March 17 - 31.

VIDEO: Go Inside the Revival for Encores! LOVE LIFE with Victoria Clark, Brian Stokes Mitchell, Kate Baldwin & More

The third installment of Encores! Inside the Revival features director Victoria Clark, Encores! Music Director Rob Berman and Consulting Producer for Musical Theater, and previous Encores! Artistic Director Jack Viertel as they revisit, Love Life a year later and discuss their process of imagining Kurt Weill and Alan Jay Lerner’s rarely seen 1948 musical. 

PODCAST: THE BROADWAY GINGER Talks CAMELOT, Pasek and Paul, and More in Season Finale

The American Musical Theatre was built on great songwriters whose names can't be said without their partners'. OKLAHOMA!, THE SOUND OF MUSIC, and CINDERELLA might as well be credited to one hyphenated name, Rodgers-and-Hammerstein. Today, they take a look at some equally inseparable duos with an emphasis on Lerner & Loewe and their masterpiece, CAMELOT.

BWW Blog: Ranking Lerner and Loewe Collaborations

If you ask any theatre kid about the Golden Age of Musical Theatre, the first two people who come to mind are none other than Richard Rodgers and Oscar Hammerstein II.

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