Lindsay Thomas

Review: THE COLORS OF DANCE at San Francisco Ballet Is Truly a Thing of Beauty

What did our critic think of THE COLORS OF DANCE at San Francisco Ballet? BroadwayWorld reviews SFB's 'The Colors of Dance,' a gorgeous new program of 3 contemporary ballets running through March 19th at the War Memorial Opera House.

Review: GISELLE at San Francisco Ballet Casts an Otherworldly Spell

What did our critic think of GISELLE at San Francisco Ballet? BroadwayWorld reviews SFB's stunning production of 'Giselle,' a classic ballet that still has the power to startle and move us, running through March 5th at the War Memorial Opera House.

Review: NEXT@90 FESTIVAL - BLANC / SCHREIER / POSSOKHOV PREMIERES at San Francisco Ballet Presents a Trio of Striking Dances Set to Glorious Music

What did our critic think of NEXT@90 FESTIVAL - BLANC / SCHREIER / POSSOKHOV PREMIERES at San Francisco Ballet? BroadwayWorld reviews the 3rd program of San Francisco Ballet's 'next@ 90 festival' of world premieres, running through February 7th. It's a consistently transporting evening of dance.

Review: NEXT@90 CANIPAROLI / BREINER / OISHI PREMIERES at San Francisco Ballet Shows Just How Thrillingly Relevant Ballet Can Be

What did our critic think of NEXT@90 CANIPAROLI / BREINER / OISHI PREMIERES at San Francisco Ballet? BroadwayWorld reviews the 2nd program of San Francisco Ballet's 'next@90' festival featuring immensely rewarding world premieres by Val Caniparoli, Bridget Breiner & Yuka Oishi.

Review: NEXT@90 GARLAND / ROBERTS / ROWE PREMIERES at San Francisco Ballet Offers a Trio of World Premieres

What did our critic think of NEXT@90 GARLAND / ROBERTS / ROWE PREMIERES at San Francisco Ballet? BroadwayWorld reviews the first program of San Francisco Ballet's 'next@90' festival featuring an eclectic lineup of world premieres by choreographers Robert Garland, Jamar Roberts & Danielle.

SEATTLE CRITIC'S CHOICE AWARDS (JAY'S PICKS) 2022

Dear Readers, I don’t need to tell you, it’s been a crazy year. Many theaters just coming back to life or ramping up again post pandemic. But even with all the chaos, Seattle still comes up with some amazing shows from theaters large and small. Here’s a list of my personal picks for outstanding shows and performers from the past year, 2022.

Review: MR. DICKENS AND HIS CAROL at The Seattle Rep

Charles Dickens’ “A Christmas Carol” is an enduring classic. We all know this. It’s never been out of publication since its first publishing in 1843. It has spawned numerous movie, TV, and stage adaptations from the serious to the Muppets. Now the Seattle Rep has come along with a World Premiere of Samantha Silva’s “Mr. Dickens and His Carol”, based on her book of the same name. Taking a supposed look at the creation of this classic tale, this historical fiction is heavy on the fiction and light on the history, cutting a wide swath with its poetic license about the author and turning him into a pompous buffoon in a story and a production in desperate need of an editor.

Photo/Video: First Look At BRUCE At Seattle Rep

Bruce, the new musical based on Carl Gottlieb's The Jaws Log, a novel about the making of the iconic film, officially opened on June 8 at Seattle Rep,and played its final performance June 26th. Get a first look at photos and video from the production.

BWW Review: BRUCE at The Seattle Rep

Dear Readers, I need to ask you a question. Have you seen the movie “Jaws”? The original and first big summer blockbuster from 1975. Read our review. 

BWW Update: PACIFIC NORTHWEST BALLET BIDS ADIEUX TO PRINCIPAL DANCERS JEROME AND LAURA TISSERAND. at McCaw Hall

Pacific Northwest Ballet will be bidding an adieux passionnés to principal dancers Jerome Tisserand and Laura Tisserand at the end of the company’s 2020-2021 season: The couple have announced that they will be leaving Seattle this summer, to accept positions with Les Ballets de Monte-Carlo.

Photo/Video: First Look At BRUCE At Seattle Rep

Bruce, the new musical based on Carl Gottlieb's The Jaws Log, a novel about the making of the iconic film, officially opened on June 8 at Seattle Rep,and played its final performance June 26th. Get a first look at photos and video from the production.