BWW Reviews: none too fragile's, ON THE LINE, Compelling Script and Acting at its Finest
by Roy Berko - Jul 29, 2013
Sean Derry and Alanna Romansky, co-directors of none too fragile theater, have a knack for picking scripts that insight and excite. They reach for creating dissonance in the minds of the audience. In their short existence, the theatre has taken on the Israeli-Palestine conflict, racial hatred, and now unionism and big business. No wonder the venue bills itself as 'Akron and Northeast Ohio's home for kick-a** theater!.'
Working Theater Presents THE BEST OF THEATERWORKS: STORIES FROM THE 99%, Now thru 6/17
by BWW News Desk - Jun 14, 2012
Working Theater presents the Off-Broadway production of The Best of TheaterWorks!: Stories from the 99%. The production will feature six of the best short plays to come out of Working Theater's TheaterWorks! program. The 10-year old program teaches working men and women (bus drivers, doormen, 911 operators, DMV workers etc.) to write and perform their own short plays about their experiences at work. The classes end with a stage reading style performance where the students are teamed with professional actors and directors. This production however will be fully realized by a professional cast and crew.
Working Theater Presents THE BEST OF THEATERWORKS: STORIES FROM THE 99%, 6/14-17
by BWW News Desk - Jun 4, 2012
Working Theater presents the Off-Broadway production of The Best of TheaterWorks!: Stories from the 99%. The production will feature six of the best short plays to come out of Working Theater's TheaterWorks! program. The 10-year old program teaches working men and women (bus drivers, doormen, 911 operators, DMV workers etc.) to write and perform their own short plays about their experiences at work. The classes end with a stage reading style performance where the students are teamed with professional actors and directors. This production however will be fully realized by a professional cast and crew.
Canal Park Playhouse Launches THE BACK ROOM READING SERIES, 4/18
by Kelsey Denette - Apr 16, 2012
Canal Park Playhouse will launch THE BACK ROOM READING SERIES, a new monthly play reading series, with Susan Bernfield's TANIA IN THE GETAWAY VAN, directed by Portia Krieger. The reading of TANIA IN THE GETAWAY VAN TANIA IN THE GETAWAY VAN takes place on Wednesday, April 18 at 7 PM at Canal Park Playhouse (508 Canal Street, between Greenwich and West Streets in Tribeca).
Photo Flash: ON THE LINE At Canal Park Playhouse
by Gabrielle Sierra - Nov 11, 2011
Canal Park Playhouse will present the first NYC revival of ON THE LINE, written by Canal Park Playhouse resident playwright Joe Roland and directed by Michael Tisdale.
Photo Flash: ESPA's Site-Specific Directing
by Nicole Rosky - May 18, 2011
This spring, the students in Site-Specific Directing at Primary Stages Einhorn School of Performing Arts (ESPA) have staged theatre all over New York City: from Shakespeare in Central Park and on the High Line to Chekhov in the Russian and Turkish Baths to Sarah Kane on rooftops, libraries, and street corners. The directors concluded their class this week by fully producing eight new short plays by a group of incredible writers in and around the Dumbo neighborhood of Brooklyn.
'The Country Girl' Gets Ready To Close
by BWW News Desk - Jul 3, 2008
Clifford Odets's THE COUNTRY GIRL, directed by Mike Nichols and starring Morgan Freeman, Frances McDormand and Peter Gallagher, is now in the last three weeks of its limited engagement on Broadway at the Bernard B. Jacobs Theatre (242 West 45th Street).
Review - The Country Girl & Sharon McNight at The Metropolitan Room
by Michael Dale - May 4, 2008
I mean it with the most sincere amount of respect and admiration for both gentlemen when I write that Peter Gallagher seems to have morphed into Jerry Orbach. At least in his portrayal of Bernie Dodd, the hard-driving Broadway director convinced that when the star of his new play suddenly leaves for a Hollywood gig he can get a great turn out of the washed-up alcoholic actor whose performances twIce Thrilled him many years ago. He's the best part of Mike Nichols' new production of Clifford Odets' The Country Girl (which has undergone some text tweaking by Jon Robin Baitz). His tough, but passionate mannerisms and gruff speaking voice bring out a sense of urgency to the proceedings as he convinces a skeptical producer (Chip Zien), a reluctant actor and his long-suffering wife that his high-stakes risk can pay off big. By the end of the evening I was half expecting the man to send his star on stage with an exhilarated, 'Think of musical comedy!'