Ido Levran

The 60s sci-fi immersive musical comedy Wild Women of Planet Wongo, a wacky B-movie inspired sci-fi comedy about a planet of Amazonian women who first encounter men when two bumbling astronauts crash on their planet, is coming virtually to the Philidelphia Fringe Festival after successful productions in New York City and Chicago.

The 60s sci-fi immersive musical comedy Wild Women of Planet Wongo, a wacky B-movie inspired musical about a planet of Amazonian women who first encounter men when two bumbling astronauts crash on their planet, is coming virtually to the Pittsburgh Fringe Festival after successful productions in New York City and Chicago.

The 60s sci-fi immersive musical Wild Women of Planet Wongo, a wacky B-movie inspired sci-fi comedy about a planet of Amazonian women who first encounter men when two bumbling astronauts crash on their planet, is coming virtually to the Front-Row Fringe Festival after successful productions in New York City and Chicago.

The 60s sci-fi immersive musical Wild Women of Planet Wongo, a wacky B-movie inspired sci-fi comedy about a planet of Amazonian women who first encounter men when two bumbling astronauts crash on their planet, is coming virtually to the Front-Row Fringe Festival after successful productions in New York City and Chicago.

Due to popular demand and critical acclaim, Fake Friends, a theater and media collective led by Michael Breslin and Patrick Foley, is thrilled to announce a rebroadcast of Circle Jerk, a “Best of 2020” queer comedy about white gay supremacy.

This Is Who I Am is a compelling emotional tale, defying our expected limits of technology to bring us a deep, profound human connection over a video call. With clever, layered uses of language and deeply poignant discussions, Amir Nizar Zuabi’s play shows us that human connection isn’t just possible under these circumstances, but able to thrive.

Amir Nizar Zuabi's This Is Who I Am, directed by Evren Odcikin, opens officially on Sunday, December 13, at 4pm EST. This world premiere run of the play-all performances of which take place live-now runs December 5 - January 3.

Arizona Theatre Company's (ATC) digital season continues with Idris Goodwin's break beat play, The Realness, which follows T.O. from the suburbs to the big city to immerse himself in authentic hip hop culture and the journey for his heart and true identity.

Legend has it that landmark blues guitarist, singer and songwriter Robert Johnson, who played mostly on street corners and juke joints with little commercial success or public recognition in his short life traded his soul to the devil in exchange for his incredible technique that influenced everyone from Muddy Waters to The Rolling Stones.

Fake Friends has announced that Circle Jerk, a queer comedy about white gay supremacy, has added two live performances on October 24 and 25 at 7:30pm, followed by on-demand rebroadcasts at circlejerk.live through November 7.

PlayCo, as the kickoff to its 20th year, and Woolly Mammoth Theatre Company, in association with American Repertory Theater at Harvard University, the Guthrie Theater, and Oregon Shakespeare Festival, will present Amir Nizar Zuabi's This Is Who I Am, directed by Evren Odcikin, November 29 - December 27.

Fake Friends, a new theater and media collective led by Michael Breslin and Patrick Foley, has announced that Circle Jerk, a queer comedy about white gay supremacy, will have an extended run at circlejerk.live from October 18–November 7, 2020.

Fake Friends, a new theater and media collective led by Michael Breslin and Patrick Foley, is set to premiere Circle Jerk, a queer comedy about white gay supremacy, at circlejerk.live.

Wendy MacLeod's hilarious comedy, SLOW FOOD, is the latest in Arizona Theatre Companya's series of online digital play readings, this one co-directed by the company's Artistic and Associate Artistic Directors, Sean Daniels and Chanel Bragg. Featuring delightful performances by Daina Griffith, Joel Van Liew, Brian Beacock, this play is top of the menu!

Arizona Theatre Company's serves up a savory serving of Wendy MacLeod's delicious comedy, SLOW FOOD. Featuring delightful performances by Daina Griffith, Joel Van Liew, and Brian Beacock.

Arizona Theatre Company is continuing its series of online play readings with Wendy MacLeod's comedy for anyone who's ever been 'hangry,' Slow Food, beginning at 5 p.m. on Sept. 15. The reading will be available through Sept. 19.

Arizona Theatre Company on August 18 will launch the first of its series of creative digital performance offerings with Alma, the story of a daughter and her mother and the thread of the American dream.

Arizona Theatre Company (ATC) has lined up a series of online lessons, conversations and chats this week and next, many tying into the live reading of The White Chipby the Off-Broadway cast of Artistic Director Sean Daniels' journey to sobriety, in a benefit for ATC and The Voices Project, a grassroots recovery advocacy organization.

2017 Regional Theatre Tony Award Recipient Dallas Theater Center (DTC), in association with the Theatre Division of Meadows School of the Arts at Southern Methodist University (SMU), presents Frankenstein at the Kalita Humphreys Theater. Directed by DTC's Associate Artistic Director Joel Ferrell, Frankenstein begins on Feb. 2 and runs through March 4. A Pay-What-You-Can performance will be Sunday, Feb. 4 at 2 p.m.

2017 Regional Theatre Tony Award Recipient Dallas Theater Center (DTC), in association with the Theatre Division of Meadows School of the Arts at Southern Methodist University (SMU), presents Frankenstein at the Kalita Humphreys Theater. Directed by DTC's Associate Artistic Director Joel Ferrell, Frankenstein begins on Feb. 2 and runs through March 4. A Pay-What-You-Can performance will be Sunday, Feb. 4 at 2 p.m., and Press Night will be Wednesday, Feb. 7 at 7:30 p.m. Tickets to Frankenstein are on sale now at www.DallasTheaterCenter.org and by phone at (214) 880-0202.