BWW Review: BIRDSONG, Original Theatre Online
by Louise Penn - Jun 30, 2020
The Original Theatre Company commemorate the 104th anniversary of the Battle of the Somme by bringing their adaptation of Sebastian Faulks's Birdsong to the screen. Building on the techniques used to stream during the early stages of lockdown, Birdsong loses none of its power, relevance, or sense of storytelling.
MITF's THREE AMERICAN WOMEN: A TRILOGY Ends
by BWW News Desk - Aug 1, 2010
A hard-charging lawyer from New England struggles with demands made by her Indian heritage while forever fighting the perception that all dark-skinned people with foreign accents are terrorists; a late forty-something African-American woman just wants to go home to the South, but instead gets caught up in what she perceives is racially-based con game at a local garage (a tale told in the tradition of Ulysses); and a 23-year-old girl from Taiwan (and recent American citizen) happily imagines how her life will turn out, but is stymied on how to go after what she wants, as she contemplates her own experiences with racial injustice.
MITF Presents THREE AMERICAN WOMEN: A TRILOGY, Opens 7/13
by BWW
News Desk - Jul 13, 2010
A hard-charging lawyer from New England struggles with demands made by her Indian heritage while forever fighting the perception that all dark-skinned people with foreign accents are terrorists; a late forty-something African-American woman just wants to go home to the South, but instead gets caught up in what she perceives is racially-based con game at a local garage (a tale told in the tradition of Ulysses); and a 23-year-old girl from Taiwan (and recent American citizen) happily imagines how her life will turn out, but is stymied on how to go after what she wants, as she contemplates her own experiences with racial injustice.
MITF Presents THREE AMERICAN WOMEN: A TRILOGY, Opens 7/13
by Gabrielle Sierra - Jun 30, 2010
A hard-charging lawyer from New England struggles with demands made by her Indian heritage while forever fighting the perception that all dark-skinned people with foreign accents are terrorists; a late forty-something African-American woman just wants to go home to the South, but instead gets caught up in what she perceives is racially-based con game at a local garage (a tale told in the tradition of Ulysses); and a 23-year-old girl from Taiwan (and recent American citizen) happily imagines how her life will turn out, but is stymied on how to go after what she wants, as she contemplates her own experiences with racial injustice.