Amy Thone

]Intiman Theatre has announced that Amy Thone and Varinique 'V' Davis will co-star in the Seattle premiere production of The Niceties by Eleanor Burgess, directed by Sheila Daniels and associate director Jasmine Lomax. The play will be staged in the round at the Erickson Theatre (1524 Harvard Ave. Seattle WA 98122) as part of Intiman's residency at Seattle Central College, showing April 18-29, 2023. All ticket tiers are now available.

A new work by ACT Theatre and the Hansberry Project, HISTORY OF THEATRE: ABOUT, BY, FOR, and NEAR will take you on a journey through time and space to meet the people who forged the foundations for Blacks in theater. The show dispels myths about minstrelsy, delves into the hows and whys of black face, and covers key players of early theater in America. Unheard voices are released, forgotten stars are remembered, and a rich legacy is revealed.

With 2023 comes ACT’s 47th World Premiere play, History of Theatre: About, By, For, and Near, a boldly theatrical, thought-provoking exploration of the lives of those who’ve paved the way for the American theatre we have today.

Rehearsals began yesterday for Seattle Shakespeare Company's fall production of Macbeth, which runs from October 25 to November 20.

This spring, Intiman Theatre will produce the Seattle premiere of The Niceties by Eleanor Burgess. Frequent Intiman collaborator and former Associate Director Sheila Daniels will direct and Seattle favorite Amy Thone will co-star. Additional casting information will be released this winter. 

Dear Readers, let’s set the way-back machine to 1976, when a fledgling theater, ACT, put up their inaugural production of “A Christmas Carol”. Now I don’t know if I was at that one, but I very clearly remember being taken to the theater at around 7 or 8 years old to see “A Christmas Carol” at ACT when they were still down in Queen Anne. I remember being awe struck by the wizardry they could create on stage. Leaning over to my mom and asking, “How did that ghost just walk through the wall?” and my mom, being a good theater Mom saying, “Shhh, I’ll tell you after.” And thus began my love for theater. Now, several decades and one hiatus due to the pandemic later and ACT is back with that staple of holiday fare. And it’s just as magical as it ever was with a few updates to keep it up to the times.

Scrooge is about to have the most spirited night of his life! The magic of A Christmas Carol, Charles Dickens' classic story of redemption and charity, comes to life as ACT - A Contemporary Theatre presents the timeless tale on stage.

At a time when all of us could use a little bit more open heartedness, Seattle Shakespeare Company has created a collection of Shakespeare's songs, scenes, and sonnets to celebrate love and Valentine's Day. To Woo – A Shakespeare Valentine is a free, 30-minute view on demand video to share with loved ones that will be available from February 12-14, 2021.

Seattle Theater Writers Seattle's theater reviewers circle announces the Winners of Excellence in Seattle theatrical productions. Spanning dozens of theater companies and productions, from large and prominent to small and humble, the Gypsy Rose Lee Awards honor the excellence found across the area.

Seattle's critics' circle announces nominees for the 2020 Gypsy Rose Lee awards celebrating excellence in Seattle theatrical productions.

The daughter of Hans Altwies and Amy Thone has been diagnosed with rhabdomyosarcoma, a malignant cancer. Friends are raising funds to allow Hans and Amy to focus on taking care of both of their daughters above everything else during this time.

The University of Washington School of Drama will present Romeo and Jules, a gender-expansive reimagining of Shakespeare's Romeo and Juliet, featuring a large cast of undergraduates from across the UW-Seattle campus community, April 17 - 28 in the Jones Playhouse at UW.

Over the years, Dear Readers, I've seen many productions of Shakespeare's oft-produced tragedy 'Romeo + Juliet'. So many productions from so many levels of professionalism with so many different takes on how to tell the story. And to be honest, only one of them even came close to bringing the story of the star-crossed lovers to life. That is until now. ACT's current production with its vibrant staging and top-notch cast incorporating Deaf and hearing actors using American Sign Language in conjunction with the Shakespearean text has created a new standard by which all other R+J's must be judged from here on.

The votes are in and the nominees have been announced! And now, the worthy recipients of the 2018 Gypsy Rose Lee Awards are finally able to get the recognition they richly deserve.

Seattle's critics' circle announces Nominees of Excellence in Seattle theatrical productions. Spanning dozens of theater companies and productions, from large and prominent to small and humble, the Gypsy Rose Lee Awards honor the excellence found in the myriad of professional theater productions that we reviewers attend in a year.

This winter, the University of Washington School of Drama will present two works by eminent female dramatists, Rutherford and Son by Githa Sowerby, and In the Heart of America by Naomi Wallace. The productions are master's theses for our graduating MFA directors, Cody Holliday Haefner and Amanda Friou.

The University of Washington School of Drama, under the leadership of outgoing Executive Director Todd London, incoming Executive Director Lynn M. Thomas and incoming Associate Director Geoff Korf, is pleased to announce our 2018 -2019 season.

Seattle Shakespeare Company has never been one to shy away from a challenge and with their current production of "The Merchant of Venice" they certainly seem to have a challenge on their hands. As I see it they have one challenge they can, and hopefully will overcome as the production continues, the pace of the show, and one challenge inherit to the piece that they can never defeat but only embrace, the overt antisemitism.

The wealthy heiress Portia is forced to set her suitors a challenge for her hand in marriage. In order to woo her, Bassanio finances his plan with money borrowed from his friend Antonio. All would be fine except Antonio has taken out a loan from the moneylender Shylock on the assurance that his ships will make it back to the city. They don't, and Shylock demands repayment with a pound of Antonio's flesh.

In The Merchant of Venice, a diverse and vibrant city comes alive in Shakespeare's interconnected tales of friendship, love, family, business, inequality, and intolerance. Desdemona Chiang directs the play for Seattle Shakespeare Company which runs March 20 -April 15, 2018 at the Center Theatre at the Seattle Center.