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HISTORY OF THEATRE: ABOUT, BY, FOR, AND NEAR World Premiere to be Presented at ACT This Month

History of Theatre: About, By, For, and Near brings to life the real, but ignored or forgotten, stories of Black theatre artists.

HISTORY OF THEATRE: ABOUT, BY, FOR, AND NEAR World Premiere to be Presented at ACT This Month

With 2023 comes ACT's 47th World Premiere play, History of Theatre: About, By, For, and Near, a boldly theatrical, thought-provoking exploration of the lives of those who've paved the way for the American theatre we have today. Written by local actor-playwright and ACT Core Company member Reginald André Jackson and staged by beloved local director Valerie Curtis-Newton, History of Theatre: About, By, For, and Near brings to life the real, but ignored or forgotten, stories of Black theatre artists. The play weaves these stories together, putting them into their rightful place as integral parts of the American theatre tapestry, while examining the work still to come. History of Theatre will open for previews on January 28 (opening and media invite night February 2); tickets are on sale now at ACTtheatre.org or by calling the ACT Box Office at (206) 292-7676.

Travel back in time - 200 years to be precise - with your host, Sister Blacknall, and see our ancestral artists come to vivid life, ensuring that this time, they will be remembered. Reginald André Jackson's wildly original play challenges the stories we've been told about who makes theatre, and who it is for, creating a spellbinding evening that is both illuminating and inspiring. History Of Theatre: About, By, For, and Near takes audiences on a journey from 1820 to the mid-1930s, through the lens of a contemporary artist making their way in our very own Seattle theatre scene. Witness the forgotten impact of The Rabbit's Foot founder Pat Chapelle, who created the first all-Black touring vaudeville troupe in 1900, the boundary-breaking actors Ira Aldridge and Rose McClendon, and members of Seattle's own Negro Repertory Company.

ACT Artistic Director John Langs said, "In June 2020, we were in the middle of the pandemic working on a digital presentation for our audience, when our country erupted. As fate would have it, ACT was sharing space with Reginald André Jackson, just as the theatre industry was absorbing the wakeup call of 'We See You, White American Theatre' and others who were standing up for change. A vital conversation began about how we, as artists and makers of theatre, might respond. Reginald was inspired to explore the stories of unsung Black heroes of the stage - those whose stories had been whitewashed or erased. He found that Seattle had a unique part in this story. So, by asserting Black artists' rightful place as integral parts of American theatre history with this play, he's created opportunities to speak frankly about the challenges of the present. Through this lens, the idea of the History of Theatre: About, By, For and Near project was born and has become a story ACT is proud to see on its stage."

Playwright Reginald André Jackson shares, "It's important to me that these stories be told because as a society and an industry, we're still dealing with cultural issues that are 200 years old. My hope is that this play provides some enlightenment for audiences - perhaps inspires them to feel empowered to address inequities in their communities. For certain, I hope that people within this industry ask themselves, 'why didn't I know this?' and motivates them to consider what can be done to effect change and grow the concept of what we can become."

Director Valerie Curtis-Newton said, "We've had wave upon wave, generation after generation of black artists in the Northwest trying to carve out our place and our space in a predominantly white city. And that makes what we do that much more difficult and that much more significant. I think that I'm most interested in people becoming truly aware of the contribution of Black theater artists to the American theater: a legacy that is writers, producers, directors, as well as actors."

History of Theatre: About, By, For and Near will run January 28-February 12, 2023 at ACT Theatre. Single tickets are on sale now at ACTtheatre.org or by calling the ACT Box Office at (206) 292-7676.

MEET THE CAST

History of Theatre is an ensemble piece with each of the actors portraying a variety of historical and modern figures. The production will feature performances from Reginald André Jackson, Tracy Michelle Hughes, Dedra D. Woods, Be Russell, Arlando Smith, R. Hamilton Wright, Amy Thone, and Malcolm J. West. Understudies for this production include Alexandria J. Henderson and Anne Allgood.

The creative team features playwright Reginald André Jackson, director Valerie Curtis-Newton, movement by Donald Byrd, scenic design by Jennifer Zeyl, costume design by Cathy Hunt, lighting design by Robert J. Aguilar, sound design by Larry Fowler, projection design by Juniper Shuey, dramaturg Martine Kei Green-Rogers, stage management by Ruth Eitemiller, assistant stage management by Hazel Rose Gibson, dialect coach Amani Dorn, and production assistant Noah Sarkowsky.

ABOUT REGINALD ANDRÉ JACKSON (Playwright)

Jackson is a Seattle actor/playwright and ACT Core Company member who appeared in Sweat, Romeo and Juliet, The Crucible, and Fathers & Sons. He has also worked at Arena Stage, The Shakespeare Theatre, 5th Avenue, Seattle Children's Theatre, Intiman, Lake Tahoe Shakespeare, Seattle Shakespeare Company, Book-It Repertory Theatre, Artist's Repertory Theatre, Village Theatre, and more. He received a 2018 Gregory Award for his performance as Wolf in Seattle Repertory Theatre's production of Two Trains Running. And was awarded the 2010 American Alliance of Theatre and Education Award in the category of adaptation, for his stage version of the Christopher Paul Curtis novel Bud, Not Buddy. Jackson is also proud to have been selected as a 2019 Lunt Fontanne 10 Chimneys Fellow. He most recently played Macbeth, for Seattle Shakespeare Company.

ABOUT VALERIE CURTIS-NEWTON (Director)

Currently the Head of Directing at the University of Washington School of Drama, Curtis-Newton also serves as the Founding Artistic Director for The Hansberry Project, a professional African American theatre lab. She has worked with professional theatres across the country including: The Guthrie Theatre, Denver Center for the Performing Arts, Seattle Rep, Playmakers Repertory Company, Actors' Theatre of Louisville, Alabama Shakespeare Festival, Intiman Theatre, Seattle Children's Theatre, The Mark Taper Forum, New York Theatre Workshop, and Southern Repertory Theatre among others.

TICKETS:

Tickets start at $39. We are proud to offer a range of ticket prices for all our plays, including pay what you choose tickets for each performance, making theatre affordable for everyone.

To purchase tickets, visit https://cloud.broadwayworld.com/rec/ticketclick.cfm?fromlink=2218961®id=17&articlelink=https%3A%2F%2FACTtheatre.org?utm_source=BWW2022&utm_medium=referral&utm_campaign=article&utm_content=bottombuybutton1



Review: HISTORY OF THEATRE: ABOUT, BY, FOR, AND NEAR at ACT Theatre Photo
A new work by ACT Theatre and the Hansberry Project, HISTORY OF THEATRE: ABOUT, BY, FOR, and NEAR will take you on a journey through time and space to meet the people who forged the foundations for Blacks in theater. The show dispels myths about minstrelsy, delves into the hows and whys of black face, and covers key players of early theater in America. Unheard voices are released, forgotten stars are remembered, and a rich legacy is revealed.

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Review: METAMORPHOSES at Seattle Repertory Theatre Photo
Compelling storytelling is the focus of METAMORPHOSES at Seattle Rep. Every choice is made with intention, and every facet of the show is a work of collaboration. The gods, the humans, and the demigods are all shown to have strengths and weaknesses. With stories that reach back into the eons of the past, METAMORPHOSES leads you to laugh, to hurt, and to reflect on what it means to be human.

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