Review: THE SOUND OF MUSIC at TPAC'S Jackson Hall
by Catherine Burford - Oct 14, 2026
When I was around the age of three, my parents showed me the movie adaptation of The Sound of Music for the first time. Combined with the 1960 videotaped broadcast of Broadway’s Peter Pan starring Mary Martin, this movie started my love for the world of theatre.
Jeff Harnar to Perform I KNOW THINGS NOW at Birdland
by Stephi Wild - Sep 30, 2026
Jeff Harnar will present a special encore performance of his solo show I KNOW THINGS NOW MY LIFE IN SONDHEIM'S WORDS in memory of Sondra Lee at Birdland Jazz, featuring music director Jon Weber.
Maxim Chlumecky, Nathan Levy, Leslie Rodriguez Kritzer & Ruthie Ann Miles Will Lead THE FANTASTICKS on Broadway
by Nicole Rosky - Aug 25, 2026
Second Stage Theater just announced complete casting for the upcoming Broadway premiere of THE FANTASTICKS, directed and choreographed by Christopher Gattelli. The company of THE FANTASTICKS will feature Maxim Chlumecky (Appropriate, Harry Potter and the Cursed Child) as The Boy (Matt), Kevin del Aguila (Some Like It Hot, Frozen) as The Man Who Dies (Mortimer), David Patrick Kelly (Once, The Warriors) as The Old Actor (Henry), Leslie Rodriguez Kritzer (Spamalot, Beetlejuice) as Matt’s Mother (Mildred Hucklebee), Nathan Levy (& Juliet, Aladdin) as The Boy (Lewis), Ruthie Ann Miles (Sweeney Todd, The King and I) as Lewis’ Mother (Bessie Mae Bellomy), Zane Phillips (“The Comeback,” “Mid Century Modern,” Fire Island) as The Narrator (El Gallo), and Ahmad Simmons (Illinoise, Hadestown) as The Mute. Mr. Phillips will be making his Broadway debut.
A History of Broadway Proshots and Screen Adaptations
by Jennifer Ashley Tepper - May 31, 2026
What is a pro-shot and how is it different than an adapted film? Pro-shot is an abbreviation for professionally shot, denoting a stage play that was captured in its native habitat: a theatre. In general, a pro-shot seeks to film the exact experience that audience members would have at a live performance of the show, in contrast with a feature film which actually adapts the piece into a new form, including different locations, the removal of theatrical aesthetic, and changes to make the script work as a film as opposed to as a live theatrical show.
Review: Matthew Lombardo's WHEN PLAYWRIGHTS KILL Slays with Laughter
by R. Scott Reedy - Apr 14, 2026
Seven years ago, an already hot summer in Boston heated up even more during a pre-Broadway tryout of a truncated version of playwright Matthew Lombardo’s “Tea at Five” at the Huntington Theatre when its star, Academy Award winner Faye Dunaway, was fired after allegations that she physically and verbally assaulted crew members on the troubled production.
BWW Q&A: Trent Stork of SOUTH PACIFIC at Paramount Theatre
by Joshua Wright - Apr 7, 2026
Paramount Theatre is pulling out all the stops for its upcoming production of South Pacific, the beloved Rodgers and Hammerstein classic that sweeps audiences from the warm sea breezes of a tropical paradise to the tense backdrop of World War II.
Broadway Performer Sondra Lee Passes Away at Age 97
by Chloe Rabinowitz - Feb 25, 2026
Broadway performer Sondra Lee died of natural causes in her New York City apartment at age 97. Throughout her nine-decade career, Lee won awards as a dancer, actor, teacher, author, stage director, playwright, theatre and film consultant and painter.
Theatre Critic Blanche Marvin Dies at 100
by Stephi Wild - Jan 16, 2026
BroadwayWorld is saddened to report that actor and theatre critic Blanche Marvin has died at age 100, four days before her 101st birthday. Learn more and read her obituary here.
Photos/Video: SISTER ACT at Drury Lane Theatre
by Stephi Wild - Nov 26, 2025
Sister Act is now playing at Drury Lane Theatre, with music by Alan Menken, lyrics by Glenn Slater, book by Cheri Steinkellner and Bill Steinkellner. Check out all new photos and video from the show here!
Review: HELLO, DOLLY! at Olney Theatre Center
by Ken Kemp - Nov 19, 2025
This holiday season Olney Theatre Center's Hello, Dolly! gives audiences a chance to see a rarely performed classic on the Roberts Mainstage, in an entertaining production that harks back to the Golden Age of Broadway musicals.