Review: THE REVIEW, THEN EVE AND MORE at The Orlando Fringe Festival
Week two of the festival carries on with lawyers, Biblical transformation, bare honesty, and a firecracker First Lady.
The latest reviews and critic recommendations from Orlando.
Week two of the festival carries on with lawyers, Biblical transformation, bare honesty, and a firecracker First Lady.
This one-man show is adapted from a work of a similar name, I Miss the War, which was originally commissioned by the BBC to mark the 50th anniversary of the 1967 Sexual Offences Act.
The second week of the festival kicks off with polyamory, English breakfast, the Emerald City, and UFOs.
The festival's first weekend closes out with grief, 'inspiration porn', and a cacophony of kazoos.
What did our critic think of INTIMI(DATING), SINGLE RIDER SONGBOOK, AND MORE at The Orlando Fringe Festival?
Day two of the festival brings us a not-so-high-school-musical, a magician's beef with American Airlines, and a ghost of parties past.
Fugly dogs and an AI of a queer aunt kick off BroadwayWorld's coverage of the 35th annual fringe festival.
The stage production does make a lot of strides that strengthens the endurance and popularity of this love story.
There’s a strange dichotomy that exists in live theater.
The Marriage of Bette and Boo is a play written by Christopher Durang, a playwright who rose to prominence in the 1980s and is best known for his absurdist comedies.
Ride the Cyclone is one of those cult musicals - shows that didn’t have much financial success in their original runs but were later adopted by theatre kids everywhere, eventually gaining viral popularity via TikTok.
Paris Clayton III’s world premiere production is a compelling, historically-grounded drama that unfortunately finds itself hindered by the 'unintended insularity' of its writer-director.
We learn that the suburban fantasy is not sustainable, primarily because such a fantasy can only ever be a dream.
Orlando Shakes’ 'Bare Bard' production of Henry VI Part III is a high-stakes, dangerous, and riveting 'palette cleanser' for the theatre purist.
What did our critic think of GIRL LOSER at Bacchus Theatre Collective?
What did our critic think of THE PIN-UP GIRLS at Winter Park Playhouse?
Theater West End has once again delivered a hit with this production of COMPANY.
What did our critic think of THE LIGHTNING THIEF at Bay Street Players?
Orlando Shakes’ production of FAT HAM is a sensory-rich, unapologetically Black, and proudly queer reimagining of Hamlet that trades Shakespearean tragedy for hard-won joy.
Yo ho ho! Ahoy mateys! X marks the spot on this musical based on the 2013 novel by Phyllis Root.
Tiara’s Hat Parade is based on the 2021 book written by Kelly Starling Lyons and was adapted for the stage by Paige Hernandez.
Theater West End was wise to split Angels in America in the season as two separate performances, each with their own block in the schedule.
When it comes to theater, seeing an original work is always a gamble.
What did our critic think of THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE at Theatre South?
In a production that marries 16th-century gravitas with 21st-century urgency, Director Monica Long Tamborello finds a delicate balance between Act I’s playful hope and Act II’s harrowing descent, reminding us that while the feud is ancient, the loss of innocence remains a devastatingly contempor
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REDRUM The Unauthorized Parody Musical of The Shining Dr. Phillips Center (10/22-11/01) |
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THE RAT PACK LOUNGE Winter Park Playhouse (9/24-10/18) |
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The Best Halloween Ever Orlando Family Stage (10/10-11/01) |
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Feltman: World's First Hot Dog Orlando Family Stage - Black Box Theater (10/23-10/23) |
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Hairspray Riverside Theatre (4/15-5/09) |
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Dear Evan Hansen Ritz Theater Sanford (10/02-10/11) |
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Zayn at Kia Center Kia Center (11/09-11/09) |
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The Mouse & The Mustache Riverside Theatre (1/28-2/21) |
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Dirty Rotten Scoundrels Daytona Playhouse (3/26-4/11) |
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Walter Cronkite is Dead Daytona Playhouse (6/10-6/13) |