Unwritten explores the United States Constitution as a living document, asking whose voices
have been included, excluded, and contested in the shaping of American democracy.
Through physically driven ensemble work and a movement language that shifts between
tension, rupture, and collective force, the piece examines the distance between the ideals
embedded in the nation’s founding documents and the lived realities of the people
governed by them.
Rather than offering a fixed historical retelling, Unwritten approaches the Constitution as an
evolving site of power, omission, and possibility. The ballet considers amendment not only
as a legal process, but as a metaphor for civic struggle, resistance, and the ongoing work of
representation.
“Unwritten is about engaging with the Constitution not as something fixed, but as something
continuously shaped—by who is included, who is excluded, and who pushes to redefine it,”
said McEwen. “I’m interested in the tension between the ideals a system claims to hold and
the lived realities it produces, and how movement can make that tension visible, physical,
and immediate.”
Created in the lead-up to the 250th anniversary of the United States, Unwritten continues
MorDance’s commitment to positioning ballet as a space for contemporary dialogue and
civic engagement.
MorDance's World Premier of Unwritten at New York Live Arts Schedule
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