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OFF-BROADWAY THEATER REVIEWS

The latest reviews and critic recommendations from Off-Broadway
BWW Review: Christine Pedi, Stephanie Umoh and
Stephanie D'Abruzzo Shine Brightly in

BWW Review: Christine Pedi, Stephanie Umoh and Stephanie D'Abruzzo Shine Brightly in The York's JERRY'S GIRLS

by Michael Dale — August 12, 2017
After Florenz Ziegfeld spent the early decades of Broadway's 20th Century 'glorifying the American Girl,' a young composer/lyricist named Jerry Herman spent a good hunk of the second half showcasing extraordinary women....
BWW Review: SUMMER SHORTS Series B at 59E59 Theaters and Why We Love Them

BWW Review: SUMMER SHORTS Series B at 59E59 Theaters and Why We Love Them

by Marina Kennedy — August 9, 2017
Summer Shorts 2017 is now onstage at 59E59 Theaters. We attended series B and enjoyed each of the short form theatre pieces that featured superb playwriting, expert direction, and outstanding performances....
BWW Review:  Tina Howe's SINGING BEACH Addresses Deteriorating People and a Deteriora

BWW Review: Tina Howe's SINGING BEACH Addresses Deteriorating People and a Deteriorating Earth

by Michael Dale — August 9, 2017
Given her distinguished career that includes such significant works at PAINTING CHURCHES, COASTAL DISTURBANCES and PRIDE'S CROSSING, a new play by Tina Howe is certainly a noteworthy event....
BWW Review: A REAL BOY at 59E59 Theaters Brings Important Issues to the Stage

BWW Review: A REAL BOY at 59E59 Theaters Brings Important Issues to the Stage

by Marina Kennedy — August 8, 2017
The World Premiere of 'A Real Boy' is now onstage at 59E59 Theaters through August 27. Written by Stephen Kaplan and directed by Audrey Alford, this cleverly staged show provides a view of how parenting, education, and government policy can affect a young child....
Peter & Will Anderson Present a Fabulous SONGBOOK SUMMIT at 59E59 Theaters

Peter & Will Anderson Present a Fabulous SONGBOOK SUMMIT at 59E59 Theaters

by Marina Kennedy — August 6, 2017
Peter and Will Anderson, the brilliant musicians known as The Anderson Twins, have produced and created Songbook Summit at 59E59 Theaters with presentations that celebrate great American Songbook composers during the month of August....
BWW Review:  Taylor Caldwell Leads a Terrific Young Cast in Carole King and Maurice S

BWW Review: Taylor Caldwell Leads a Terrific Young Cast in Carole King and Maurice Sendak's REALLY ROSIE

by Michael Dale — August 6, 2017
New York City wasn't exactly the most magical place for a child to grow up in back in 1975. Crime and poverty rates were inhumanely high and when the city begged for federal assistance, the president, at least according to a Daily News headline, replied 'Drop Dead.'...
BWW Review:  Director Lear deBessonet's Luscious, Lusty and Laugh-Out-Loud Funny A MI

BWW Review: Director Lear deBessonet's Luscious, Lusty and Laugh-Out-Loud Funny A MIDSUMMER NIGHT'S DREAM

by Michael Dale — August 5, 2017
It was fifty years ago that The Summer of Love attracted throngs of lunatics, lovers and poets to New York's Central Park in a free-spirited embrace of life's passions and pleasures. That same spirit is now joyously celebrated in the park's Delacorte Theater, where director Lear deBessonet's luscio...
BWW Review:  See SUMMER SHORTS SERIES A at 59E59 Theaters

BWW Review: See SUMMER SHORTS SERIES A at 59E59 Theaters

by Marina Kennedy — August 2, 2017
59E59 Theaters is currently presenting a real summertime treat for theatergoers, Summer Shorts 2017, Festival of New American Short Plays. We attended Series A, a superb variety of wonderfully performed pieces with moments that will make you laugh and touch your heart....
BWW Review:  PLACES Performed at 59E59 is an Outstanding Production Now Going to Edin

BWW Review: PLACES Performed at 59E59 is an Outstanding Production Now Going to Edinburgh Fringe

by Marina Kennedy — July 31, 2017
Places is an outstanding production written and performed by Romy Nordlinger, directed and developed by Kate McHugh. The solo show, complemented by multi-media, was just performed at 59E59 Theaters as part of East to Edinburgh, the theatre's annual preview for the Edinburgh Festival....
BWW Review:  Kirsten Childs' THE BUBBLY BLACK GIRL SHEDS HER CHAMELEON SKIN Tackles R

BWW Review: Kirsten Childs' THE BUBBLY BLACK GIRL SHEDS HER CHAMELEON SKIN Tackles Racial Identity Issues

by Michael Dale — July 31, 2017
Connoisseurs of American musical theatre wishing to make a point about the genre's ability to dramatize even the most unlikely of subjects often cite examples like SWEENEY TODD's vengeful barber on a killing spree or THE PAJAMA GAME's labor/management dispute, but bookwriter/lyricist/composer Kirste...
BWW Review: GENERATION ME Captivates at New York Musical Festival

BWW Review: GENERATION ME Captivates at New York Musical Festival

by Kristen Morale — July 30, 2017
As part of the New York Musical Festival, Generation Me is absolute perfection in its ability to prove how kindness and cruelty are of the same unfortunate hand. How people, so certain in their anger or jealousy, are sometimes so blind to what really matters: what can you do to help me?...
BWW Review: The Unforeseen Known that is Potomac Theatre Project's ARCADIA

BWW Review: The Unforeseen Known that is Potomac Theatre Project's ARCADIA

by Kristen Morale — July 26, 2017
Written by Tom Stoppard, directed by Cheryl Faraone and presented by the Potomac Theatre Project as a start to its wondrous 31st season, Arcadia truly tests the limits of what constitutes a good show by not only compelling the audience to listen and understand, but also to feel and experience: a mix...
BWW Review:  Andrea Frierson's ME & ELLA Pays Tribute To Her Legendary Influence

BWW Review: Andrea Frierson's ME & ELLA Pays Tribute To Her Legendary Influence

by Michael Dale — July 23, 2017
Even if you've never heard a note sung by Ella Fitzgerald (and if that's the case, you should stop reading this review immediately and look up some of her recordings on YouTube) Andrea Frierson's duo-bio solo show, ME & ELLA, can be related to by anyone whose life was influenced by a popular artist ...
BWW Review:  Oscar Isaac Stars in Sam Gold's Jaunty Rendering of HAMLET

BWW Review: Oscar Isaac Stars in Sam Gold's Jaunty Rendering of HAMLET

by Michael Dale — July 20, 2017
Though your ticket says you're seated at The Public's Anspacher Theater, don't be surprised if once director Sam Gold's jaunty mounting of Shakespeare's Hamlet shifts into gear, you find yourself wondering if you may have stumbled into some indie production playing in the back room of a hipster bar ...
BWW Review:  In Anne Kauffman's Incisive Encores! Production, ASSASSINS Seems More Re

BWW Review: In Anne Kauffman's Incisive Encores! Production, ASSASSINS Seems More Relevant Than Ever

by Michael Dale — July 15, 2017
A folk-singing black man with an optimistic view of America looks back at our nation's history of angry white people finding no better way to cope with their grievances than by firing a gun at the president....
BWW Review:  Dominique Morisseau Attacks The School-To-Prison System in PIPELINE

BWW Review: Dominique Morisseau Attacks The School-To-Prison System in PIPELINE

by Michael Dale — July 11, 2017
In December of 2015, shortly before her excellent drama SKELETON CREW opened Off-Broadway, playwright Dominique Morisseau essayed an article for American Theatre titled 'Why I Almost Slapped a Fellow Theatre Patron, and What That Says About Our Theatres.'...
BWW Review: AMERIKE - THE GOLDEN LAND at Folksbiene

BWW Review: AMERIKE - THE GOLDEN LAND at Folksbiene

by Amy Oestreicher — July 10, 2017
103 seasons and going strong - and not just because of nostalgia. The National Yiddish Theatre Folksbiene has reimagined 'Amerike - The Golden Land', the 1984 musical by Zalmen Mlotek and Moishe Rosenfeld, appropriately running near Ellis Island. Weaving incredible stories with fantastic songs, mult...
BWW Review:  Madcap Frolic BASTARD JONES Riffs On Henry Fielding's Bawdy Classic

BWW Review: Madcap Frolic BASTARD JONES Riffs On Henry Fielding's Bawdy Classic

by Michael Dale — July 7, 2017
While it's not unexpected to have the title character of a musical based on Henry Fielding's infamously bawdy 1749 novel "The History of Tom Jones, a Foundling" be introduced to the audience while enjoying the afterglow of a lusty time with an agreeable lass, what's a bit surprising at first about B...
BWW Review: Horton Foote's THE TRAVELING LADY Arrives At The Cherry Lane

BWW Review: Horton Foote's THE TRAVELING LADY Arrives At The Cherry Lane

by Michael Dale — July 2, 2017
As America's great playwrights go, Horton Foote, who passed on in 2009, just shy of his 93rd birthday, was perhaps the most understated of them all.  In a prolific career that involved golden age television dramas, Academy Award winning screenplays and dozens of stage works, his favorite source of ...
BWW Review:  The Romance of Backstage Haunts Third Rail Projects' GHOST LIGHT

BWW Review: The Romance of Backstage Haunts Third Rail Projects' GHOST LIGHT

by Michael Dale — June 27, 2017
The newest offering at Lincoln Center's Claire Tow Theater features a beautiful dreamscape depicting a woman in a small boat being guided through swelling ocean waves by a friendly face painted on the moon. As designed by Brett J. Banakis (set), Montana Levi Blanco (costumes) and Eric Southern (ligh...
BWW Review: BASTARD JONES Rocks the House at the Cell Theatre

BWW Review: BASTARD JONES Rocks the House at the Cell Theatre

by Kristen Morale — June 25, 2017
"It's not unusual to be loved by anyone…" Admittedly, this is the wrong Tom Jones and yes, I may have stolen this little pun from the show's opening narrative, but that Mr. Jones was on the perfect track to describing what chaos ensues in the life of a man whom everyone adores: the literary Tom Jo...
BWW Review: Gentlemen Prefer Booty in Kirsten Childs' BELLA: AN AMERICAN TALL TALE

BWW Review: Gentlemen Prefer Booty in Kirsten Childs' BELLA: AN AMERICAN TALL TALE

by Michael Dale — June 24, 2017
The recent Signature Theatre revival of Suzan Lori-Parks' VENUS, based on the true story of Saartjie Baartman, depicted a 19th Century African woman who was subjected to exploitation because of white people's fascination with her prominent posterior.  But the mood is considerably lighter over at Pl...
BWW Review: MY EYES WENT DARK at 59E59 Theaters is Intriguing Drama

BWW Review: MY EYES WENT DARK at 59E59 Theaters is Intriguing Drama

by Marina Kennedy — June 19, 2017
My Eyes Went Dark, written and directed by Matthew Wilkinson, is now onstage at 59E59 Theaters. This emotional, thought-provoking drama is inspired by real-life events.The play is part of the annual Brits Off-Broadway festival that will be held at the 59E59 Theaters through July 2nd....
BWW Review:  Kevin Spacey Aces CLARENCE DARROW at Arthur Ashe Stadium

BWW Review: Kevin Spacey Aces CLARENCE DARROW at Arthur Ashe Stadium

by Michael Dale — June 18, 2017
Ask any New York Mets fan and they'll tell you that one of the unique quirks about watching a game at the teams' Flushing home - be it the now-demolished Shea Stadium or the current Citi Field - is the frequent rumbling of planes coming in and out of LaGuardia airport....
BWW REVIEW: Jim Brochu Returns With Drama Desk-Winning Mostel Tribute ZERO HOUR

BWW REVIEW: Jim Brochu Returns With Drama Desk-Winning Mostel Tribute ZERO HOUR

by Michael Dale — June 19, 2017
When playwright/actor Jim Brochu was announced as the 2010 Drama Desk Outstanding Solo Performance Award winner for his loving tribute to the great Zero Mostel, ZERO HOUR, circumstances of the evening set up an opportunity for him to open his acceptance speech with an incredibly funny, totally filth...
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