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OFF-BROADWAY THEATER REVIEWS

The latest reviews and critic recommendations from Off-Broadway
BWW Review:  See SUMMER SHORTS SERIES A at 59E59 Theaters

BWW Review: See SUMMER SHORTS SERIES A at 59E59 Theaters

by Marina Kennedy — August 2, 2017
59E59 Theaters is currently presenting a real summertime treat for theatergoers, Summer Shorts 2017, Festival of New American Short Plays. We attended Series A, a superb variety of wonderfully performed pieces with moments that will make you laugh and touch your heart....
BWW Review:  PLACES Performed at 59E59 is an Outstanding Production Now Going to Edin

BWW Review: PLACES Performed at 59E59 is an Outstanding Production Now Going to Edinburgh Fringe

by Marina Kennedy — July 31, 2017
Places is an outstanding production written and performed by Romy Nordlinger, directed and developed by Kate McHugh. The solo show, complemented by multi-media, was just performed at 59E59 Theaters as part of East to Edinburgh, the theatre's annual preview for the Edinburgh Festival....
BWW Review:  Kirsten Childs' THE BUBBLY BLACK GIRL SHEDS HER CHAMELEON SKIN Tackles R

BWW Review: Kirsten Childs' THE BUBBLY BLACK GIRL SHEDS HER CHAMELEON SKIN Tackles Racial Identity Issues

by Michael Dale — July 31, 2017
Connoisseurs of American musical theatre wishing to make a point about the genre's ability to dramatize even the most unlikely of subjects often cite examples like SWEENEY TODD's vengeful barber on a killing spree or THE PAJAMA GAME's labor/management dispute, but bookwriter/lyricist/composer Kirste...
BWW Review: GENERATION ME Captivates at New York Musical Festival

BWW Review: GENERATION ME Captivates at New York Musical Festival

by Kristen Morale — July 30, 2017
As part of the New York Musical Festival, Generation Me is absolute perfection in its ability to prove how kindness and cruelty are of the same unfortunate hand. How people, so certain in their anger or jealousy, are sometimes so blind to what really matters: what can you do to help me?...
BWW Review: The Unforeseen Known that is Potomac Theatre Project's ARCADIA

BWW Review: The Unforeseen Known that is Potomac Theatre Project's ARCADIA

by Kristen Morale — July 26, 2017
Written by Tom Stoppard, directed by Cheryl Faraone and presented by the Potomac Theatre Project as a start to its wondrous 31st season, Arcadia truly tests the limits of what constitutes a good show by not only compelling the audience to listen and understand, but also to feel and experience: a mix...
BWW Review:  Andrea Frierson's ME & ELLA Pays Tribute To Her Legendary Influence

BWW Review: Andrea Frierson's ME & ELLA Pays Tribute To Her Legendary Influence

by Michael Dale — July 23, 2017
Even if you've never heard a note sung by Ella Fitzgerald (and if that's the case, you should stop reading this review immediately and look up some of her recordings on YouTube) Andrea Frierson's duo-bio solo show, ME & ELLA, can be related to by anyone whose life was influenced by a popular artist ...
BWW Review:  Oscar Isaac Stars in Sam Gold's Jaunty Rendering of HAMLET

BWW Review: Oscar Isaac Stars in Sam Gold's Jaunty Rendering of HAMLET

by Michael Dale — July 20, 2017
Though your ticket says you're seated at The Public's Anspacher Theater, don't be surprised if once director Sam Gold's jaunty mounting of Shakespeare's Hamlet shifts into gear, you find yourself wondering if you may have stumbled into some indie production playing in the back room of a hipster bar ...
BWW Review:  In Anne Kauffman's Incisive Encores! Production, ASSASSINS Seems More Re

BWW Review: In Anne Kauffman's Incisive Encores! Production, ASSASSINS Seems More Relevant Than Ever

by Michael Dale — July 15, 2017
A folk-singing black man with an optimistic view of America looks back at our nation's history of angry white people finding no better way to cope with their grievances than by firing a gun at the president....
BWW Review:  Dominique Morisseau Attacks The School-To-Prison System in PIPELINE

BWW Review: Dominique Morisseau Attacks The School-To-Prison System in PIPELINE

by Michael Dale — July 11, 2017
In December of 2015, shortly before her excellent drama SKELETON CREW opened Off-Broadway, playwright Dominique Morisseau essayed an article for American Theatre titled 'Why I Almost Slapped a Fellow Theatre Patron, and What That Says About Our Theatres.'...
BWW Review: AMERIKE - THE GOLDEN LAND at Folksbiene

BWW Review: AMERIKE - THE GOLDEN LAND at Folksbiene

by Amy Oestreicher — July 10, 2017
103 seasons and going strong - and not just because of nostalgia. The National Yiddish Theatre Folksbiene has reimagined 'Amerike - The Golden Land', the 1984 musical by Zalmen Mlotek and Moishe Rosenfeld, appropriately running near Ellis Island. Weaving incredible stories with fantastic songs, mult...
BWW Review:  Madcap Frolic BASTARD JONES Riffs On Henry Fielding's Bawdy Classic

BWW Review: Madcap Frolic BASTARD JONES Riffs On Henry Fielding's Bawdy Classic

by Michael Dale — July 7, 2017
While it's not unexpected to have the title character of a musical based on Henry Fielding's infamously bawdy 1749 novel "The History of Tom Jones, a Foundling" be introduced to the audience while enjoying the afterglow of a lusty time with an agreeable lass, what's a bit surprising at first about B...
BWW Review: Horton Foote's THE TRAVELING LADY Arrives At The Cherry Lane

BWW Review: Horton Foote's THE TRAVELING LADY Arrives At The Cherry Lane

by Michael Dale — July 2, 2017
As America's great playwrights go, Horton Foote, who passed on in 2009, just shy of his 93rd birthday, was perhaps the most understated of them all.  In a prolific career that involved golden age television dramas, Academy Award winning screenplays and dozens of stage works, his favorite source of ...
BWW Review:  The Romance of Backstage Haunts Third Rail Projects' GHOST LIGHT

BWW Review: The Romance of Backstage Haunts Third Rail Projects' GHOST LIGHT

by Michael Dale — June 27, 2017
The newest offering at Lincoln Center's Claire Tow Theater features a beautiful dreamscape depicting a woman in a small boat being guided through swelling ocean waves by a friendly face painted on the moon. As designed by Brett J. Banakis (set), Montana Levi Blanco (costumes) and Eric Southern (ligh...
BWW Review: BASTARD JONES Rocks the House at the Cell Theatre

BWW Review: BASTARD JONES Rocks the House at the Cell Theatre

by Kristen Morale — June 25, 2017
"It's not unusual to be loved by anyone…" Admittedly, this is the wrong Tom Jones and yes, I may have stolen this little pun from the show's opening narrative, but that Mr. Jones was on the perfect track to describing what chaos ensues in the life of a man whom everyone adores: the literary Tom Jo...
BWW Review: Gentlemen Prefer Booty in Kirsten Childs' BELLA: AN AMERICAN TALL TALE

BWW Review: Gentlemen Prefer Booty in Kirsten Childs' BELLA: AN AMERICAN TALL TALE

by Michael Dale — June 24, 2017
The recent Signature Theatre revival of Suzan Lori-Parks' VENUS, based on the true story of Saartjie Baartman, depicted a 19th Century African woman who was subjected to exploitation because of white people's fascination with her prominent posterior.  But the mood is considerably lighter over at Pl...
BWW Review: MY EYES WENT DARK at 59E59 Theaters is Intriguing Drama

BWW Review: MY EYES WENT DARK at 59E59 Theaters is Intriguing Drama

by Marina Kennedy — June 19, 2017
My Eyes Went Dark, written and directed by Matthew Wilkinson, is now onstage at 59E59 Theaters. This emotional, thought-provoking drama is inspired by real-life events.The play is part of the annual Brits Off-Broadway festival that will be held at the 59E59 Theaters through July 2nd....
BWW Review:  Kevin Spacey Aces CLARENCE DARROW at Arthur Ashe Stadium

BWW Review: Kevin Spacey Aces CLARENCE DARROW at Arthur Ashe Stadium

by Michael Dale — June 18, 2017
Ask any New York Mets fan and they'll tell you that one of the unique quirks about watching a game at the teams' Flushing home - be it the now-demolished Shea Stadium or the current Citi Field - is the frequent rumbling of planes coming in and out of LaGuardia airport....
BWW REVIEW: Jim Brochu Returns With Drama Desk-Winning Mostel Tribute ZERO HOUR

BWW REVIEW: Jim Brochu Returns With Drama Desk-Winning Mostel Tribute ZERO HOUR

by Michael Dale — June 19, 2017
When playwright/actor Jim Brochu was announced as the 2010 Drama Desk Outstanding Solo Performance Award winner for his loving tribute to the great Zero Mostel, ZERO HOUR, circumstances of the evening set up an opportunity for him to open his acceptance speech with an incredibly funny, totally filth...
BWW Review:  Norm Lewis and Carolee Carmello Make For A Meatier SWEENEY TODD

BWW Review: Norm Lewis and Carolee Carmello Make For A Meatier SWEENEY TODD

by Michael Dale — June 17, 2017
The new Off-Broadway production of SWEENEY TODD just got a whole lot meatier.  No, the chef hasn't been adding more filling to the tasty meat pies audience members can enjoy before the performance.  The new reason for checking into the Barrow Street Theater is a chance to see two top shelf singer/...
BWW Review:  Martyna Majok's Bittersweet and Humorous COST OF LIVING Explores The Men

BWW Review: Martyna Majok's Bittersweet and Humorous COST OF LIVING Explores The Mending of Various Wounds

by Michael Dale — June 21, 2017
Though the lonely, out-of-work truck driver Eddie continued to text love notes to his estranged wife's cell phone number long after her death, he never expect to get an answer....
BWW Review: INVINCIBLE at 59E59 Theaters is a Must-See Play by Torben Betts

BWW Review: INVINCIBLE at 59E59 Theaters is a Must-See Play by Torben Betts

by Marina Kennedy — June 14, 2017
See the US premiere of 'Invincible' now at 59E59 Theaters through July 2. Written by Torben Betts and directed by Stephen Darcy, this entertaining yet emotive show features a stellar cast....
BWW Review: Black Roman Lives Matter in Trump-Themed JULIUS CAESAR

BWW Review: Black Roman Lives Matter in Trump-Themed JULIUS CAESAR

by Michael Dale — June 13, 2017
For the past 400+ years, the title character in William Shakespeare's Julius Caesar has been traditionally regarded as one of the good guys. Oh sure, there was that time back in '37 when Orson Welles staged a production that had the Roman ruler interpreted as a stand-in for Mussolini, but The Bard's...
BWW Review: Rebecca Hall Intrigues in  Clare Lizzimore's Psychological Drama ANIMAL

BWW Review: Rebecca Hall Intrigues in Clare Lizzimore's Psychological Drama ANIMAL

by Michael Dale — June 12, 2017
The confusion one might feel trying to follow Atlantic Theater Company's production of British playwright Clare Lizzimore's psychological study, Animal, is no doubt an intentional reflection of the emotional state of its central character....
BWW Review: Matthew Perry's THE END OF LONGING or The One About The Sexist Male Fanta

BWW Review: Matthew Perry's THE END OF LONGING or The One About The Sexist Male Fantasies

by Michael Dale — June 9, 2017
In the opening scene of MCC's American premiere production of THE END OF LONGING, playwright/star Matthew Perry, playing the drunk, caustic and cocky Rolling Stone photographer Jack, looks deeply into the eyes of Stephanie, his latest attempt at a cocktail lounge pickup....
BWW Review: Michaels Urie and McGrath are Comic Dynamos in THE GOVERNMENT INSPECTOR

BWW Review: Michaels Urie and McGrath are Comic Dynamos in THE GOVERNMENT INSPECTOR

by Michael Dale — June 5, 2017
Though Anton Chekhov popularized the notion that there's nothing sadder than a Russian comedy, playgoers seeking a few more yuks than can be found in a night at THE CHERRY ORCHARD can look to one of The Good Doctor's countrymen, Nikolai Gogol, whose rip-roaring classic The Government Inspector is gr...
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