BWW Review: Alison Fraser Has A Bloody Tale To Tell in Aaron Mark's SQUEAMISH
Playwright/director Aaron Mark has a habit of leaving audiences in the dark.
The latest reviews and critic recommendations from Off-Broadway.
Playwright/director Aaron Mark has a habit of leaving audiences in the dark.
I will be in Hell because I don't love my mom, the central character of Max Posner's comedic drama THE TREASURER causally admits to the audience with unemotional matter-of-factness.
Regarded by The Public Theater's artistic director Oskar Eustice as a resident company of the Astor Place venue, Elevator Repair Service's niche has always been productions with a clear focus on words, such as their fully staged complete-text reading of F.
For over twenty years, artistic director Dan Wackerman's Peccadillo Theater Company has specialized in mounting handsome productions of infrequently revived Broadway fare of notable pedigree, such as Elmer Rice's COUNSELLOR AT LAW, Dorothy Parker and Arnaud d'Usseau's LADIES OF THE CORRIDOR and, mos
The New York City premiere of No Wake, written by William Donnelly and directed by Veronica Brady is now onstage at 59E59 Theaters through Sunday, October 15.
It may have been underestimated how popular TINY BEAUTIFUL THINGS would prove to be when it opened at The Public's Shiva Theater last November.
If director Alexandra Spencer-Jones' intention was to stage an erotic word ballet that finds beauty in the well-chiseled male form through highly-stylized acts of choreographed violence, then the latest offering at New Work Stages certainly fulfills that goal.
To say that there are no dramatic highs and lows in Amy Herzog's touching new drama, Mary Jane, is by no means a criticism.
The beloved and classic premise of an idealistic teacher determined to reach out and help a classroom full of troubled and disrespectful students ('Up The Down Staircase,' 'To Sir, With Love') gets a fresh and surprising variation in Philip Dawkins' terrific new comedy/drama, Charm.
While Suzan-Lori Parks' ferocious drama from 2000, FUCKING A, enjoys an excellent new production at Signature Theatre, across the lobby of their multi-stage center, her more sensitive 1999 exploration, IN THE BLOOD, also receives a solid remounting.
It wasn't long after Mary Martin took her first Broadway flight as Peter Pan that Ann, the central character of Sarah Ruhl's sometimes-whimsical/sometimes-philosophical new drama took her own crack at the role as a 10-year-old.
Small World is an insightful and appealing play, one that will challenge your ideas about art in its different forms.
For over forty years, the New York Gilbert and Sullivan Players have been Gotham's go-to company for high-quality G&S productions produced with full choruses and orchestras in the traditional D'Oyly Carte style.
The Violin, now onstage at 59E59 Theaters, is a drama that gives audiences a compelling reason to go to the theatre.
British playwright Simon Stephens scored big his first time on Broadway, taking the 2015 Best Play Tony Award for THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME two years after receiving the same honor at the Olivier Awards.
Moshe Yassur's direction is bold and intelligent.
The thunderclap of energy that opened LOVELESS TEXAS on Friday evening was enough to jolt even the most tired of businessmen awake.
'All the world's a stage / And everybody's in the show.
LOVE IS DEAD! is a modern day penny-dreadful, though with more South Park style than Grand Guignol wit and style to balance it out.
Charolais, a truly unique and engaging show, is now onstage at 59E59 Theaters through September 24.
Snuggled at the curve of a quiet little Greenwich Village side street, the quaint and historic Cherry Lane Theatre is a perfect spot to engage in a quiet little drama.
While the underrepresentation of women playwrights in contemporary American theatre remains an important issue, the Mint Theater Company, those invaluable specialists in rediscovering interesting obscurities from authors who are no longer with us, continue their practice of highlighting their season
Now being performed by the Nu•ance Theatre Co.
It doesn't take long before Nancy Opel starts tearing your heart out as the title character of the new musical, Curvy Widow.
'If you knew in advance exactly what was going to happen in your life, and how everything was going to turn out, and if you knew you couldn't do anything to change it, would you still want to go on with your life?'
Videos
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THE DEATH CHRONICLES (portraits)|S&F Summer Season at Marist Marist University Symphonic Hall (8/01-8/01) |
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Butoh: Into the Depth New York Butoh Institute/Vangeline (7/08-7/31) |
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WHISTLE DOWN THE WIND | Stage & Film Summer Season at the Bardavon Bardavon 1869 Opera House (8/01-8/02) |
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bala.fruta./bullet.fruit | Stage & Film Summer Season at Marist Marist University Symphonic Hall (7/11-7/11) |
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PAPER MENAGERIE | Stage & Film Summer Season at the Bardavon Bardavon 1869 Opera House (7/19-7/19) |
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EN EL TIEMPO DE LAS MARIPOSAS Repertorio (1/07-12/31) |
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WHISTLE DOWN THE WIND | Stage & Film Summer Season at Bardavon Bardavon 1869 Opera House (7/31-7/31) |
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LA GRINGA Repertorio (2/08-12/31) |
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TRIP AROUND THE SUN | Stage & Film Summer Season at Marist University Marist University Symphonic Hall (7/26-7/26) |
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LAGNIAPPE | Stage & Film Summer Season at Marist University Marist University Symphonic Hall (7/11-7/11) |
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