Review: AKHNATEN at Los Angeles Opera
by Andrew Child - March 13, 2026
Glass feels to be in direct conversation with grand opera, layering incantations from the chorus over triangulations of notes played nearly ad nauseam on violas to evoke something of the mystery that shrouds ancient Egypt in western culture....
Review: BEETLEJUICE at Hollywood Pantages
by Evan Henerson - March 13, 2026
With all its visual delights on full display, the non-Equity production directed by Catie Davis (from the original direction by Alex Timbers) is a carnival of the macabre....
Review: RED HARLEM at Company Of Angels
by Evan Henerson - March 06, 2026
In the premiere of RED HARLEM at Company of Angels, director Bernadette Speakes’s production offers some frequently dynamic staging which is brought down by a mixed bag of acting performances and the heavy-handed messaging of Henderson’s script....
Review: HONOUR by Ruskin Group Theatre
by Shari Barrett - March 01, 2026
Director Max Mayer keeps the action authentic and story realistically contrite after helping execute the play’s workshop, making this production an especially meaningful return to the material....
Review: RICHARD III at A Noise Within
by Evan Henerson - February 27, 2026
Embodied by the exciting Ann Noble and surrounded by a solid cast, Richard and his dastardly deeds are every inch at home within the world of Guillermo Cienfuegos’s sweet and seedy production of RICHARD III for A Noise Within....