Review: FARRAGUT NORTH at Theatre 68 Arts Complex - The Rosalie
The show is a blistering expose of a political campaign and the tenuous loyalty, fierce ambition and blinding hubris that takes place every day in every office across the country....
Review: EXPERIENCING LIFE (POSSIBLY) FROM BEHIND THE WHEEL IN DRIVER'S SEAT at Theatre 68 Arts Complex
The West Coast premiere of DRIVER'S SEAT at NoHo’s Theatre 68 Arts Complex gives us an actor/playwright very much on top of her game....
Review: ACCORDING TO THE CHORUS at Road Theatre Company
The ’80s are remembered as the most fun decade in recent memory but they were rife with strife and upheaval that affected everyone, even if they were living in a Broadway bubble, and this show looks back with clear-eyed, unsentimental affection....
Review: ALL IN THE TIMING at Zephyr Theatre
The performance at hand has its moments, and they are all while Patrick Warburton is on stage. He is a funny actor performing funny roles in funny scripts. I wish this group had just performed the texts as written. There are sound cues, animations, deadly pauses, and unexplainable impersonations whi...
Review: THE INHERITANCE PARTS 1 & 2 at Geffen Playhouse
THE INHERITANCE is designed to make an audience feel quite a few different kinds of emotions: sadness certainly over lives lost and squandered; seething bitterness over a country adrift; humor over the many creative ways in which smart people cope and endure; and perhaps even a strong inclination to...
Review: Musical Theatre West Hits Another Grand Slam with Fun-Filled DAMN YANKEES
A truly fun-filled, ecstatically-performed iteration of this classic musical, MTW's Broadway-caliber production (now on stage at the Carpenter Performing Arts Center through October 30) is a definite must-see. The production's trio of terrific leads---Lesli Margherita, Jeff Skowron, and James Olivas...
Review: Powerful Play NINA SIMONE: FOUR WOMEN Stirs at South Coast Repertory
Beautifully acted (and sung) by an exquisite ensemble of gifted actors, South Coast Repertory's production of NINA SIMONE: FOUR WOMEN is a thoughtful, gut-wrenching play---punctuated with spectacular musical performances---that dives deep into the soul-baring creative process of an artist hoping to ...
Review: 5-Star Theatricals' THE ADDAMS FAMILY at Kavli Theatre
With TV star Teri Hatcher ('Desperate Housewives,' 'Lois & Clark') leading the way, 5-Star Theatricals' production of 'The Addams Family' is a gag-filled laughfest, with great tunes, a cemetery full of puns, and even a wardrobe malfunction. It's real, and it's spectacular!...
Review: A GREAT WILDERNESS at the Matrix
Rogue Machine Theatre has produced several of the Samuel D. Hunter's works and in A GREAT WILDERNESS, director Elina de Santos, knows exactly which gears to pull....
Review: DRAG THE MUSICAL at The Bourbon Room
Especially thanks to Spencer Liff’s inventive staging and punchy choreography, the show is either a riotous musical bursting out of the seams of the intimate Bourbon Room or a drag revue elevated with a solid narrative, pristinely-timed punchlines, and innovative novelty routines.
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Review: THE MOUSETRAP at The Group Repertory Theatre
I was not going to pass up an opportunity to see Agatha Christie’s The Mousetrap in October—- a time when we’d all like to be a little frightened by our entertainment—- and seeing it on the seventieth anniversary of its London premiere was a delightful bonus....
Review: DESERT STORIES FOR LOST GIRLS at Latino Theatre Company In Association With Native Voices At The Autry
In this full-circle journey, for the women of DESERT STORIES FOR LOST GIRLS, for us the viewers, and for their future generations, there is the sense that healing is what life for all Native American women absolutely needs to be about....
Review: EVERYBODY at Antaeus Theatre Company
EVERYBODY, Branden Jacobs-Jenkins’ contemporary riff on a 15th-century morality play, is a creative and chaotic allegory about Christian salvation which is, in the end, an uneven production for the usually consistent Antaeus Theatre Company. ...
Review: I NEVER SANG FOR MY FATHER at Two Roads Theatre
This is a sensitively crafted and introspective drama is. It isn’t easy to watch, but it can be cathartic....
Review: OC's Segerstrom Center Welcomes Back HAMILTON Musical to Costa Mesa
Now that the initial FOMO-induced, must-see hype of its early years has quieted down, is revisiting HAMILTON again in the room where it happens still live up to the hype in 2022? The answer, at least for myself, while witnessing the recent Opening Night performance in Costa Mesa is a very resounding...
Review: THE SEARCH FOR SIGNS OF INTELLIGENT LIFE IN THE UNIVERSE at Mark Taper Forum
Bridging the 1985 original with the contemporary leaves one with a sense of disconnection...
Review: SANCTUARY CITY at Pasadena Playhouse
As directed by Zi Alikhan with a pitch-perfect technical team and acted to the nines by Ana Nicolle Chavez, Miles Fowler and Kanoa Goo, SANCTUARY CITY is the kind of intelligent evening that may get you talking before the final blackout....
Review: Sally Struthers and Company Revive Mel Brooks' YOUNG FRANKENSTEIN to Glorious Life in La Mirada
Overall--especially in this tighter, revised version lifted from London’s West End production that’s much zippier than the original--there is no denying that YOUNG FRANKENSTEIN is a witty, super funny, and genuinely enjoyable musical comedy that earns plenty of laughs and smiles along the way....
Review: OKLAHOMA at Ahmanson Theatre
It seems everybody is having one of two reactions to Director Daniel Fish’s revival of OKLAHOMA! currently playing at the Ahmanson Theatre. But love it or hate it, so much of this update of Rodgers & Hammerstein’s acclaimed 1943 musical in which a farm girl is courted by two rival suitors, works...
Review: JAGGED LITTLE PILL at Pantages Theatre Is Outstanding
As these projects go, the Alanis Morissette-scored JAGGED LITTLE PILL may not have entirely broken the mold of jukebox musicals, but it has sure put a dagger-sized gash in it and made it bleed....
Review: Worlds and Tragedy Collide In Bilingual OEDIPUS TYRANNUS at Getty Villa
Koons' moody production at the Fleishman is trying to tap into a noirish whodunnit vibe in which the story’s professed detective is the one person in the building (or in this case, the amphitheatre) who doesn’t realize that he is himself is also the murderer....
Review: 13: THE MUSICAL at Simi Valley Cultural Arts Center
In the staging of 13 at the Simi Valley Cultural Arts Center, the kids are more-than-allright; occasionally a little rough around the edges, but so is this musical. Frequent Panic helmer Barry Pearl, music director Lloyd Cooper and a rocking company of 19 give this heartfelt ode to self-discovery bo...
Review: ANIMAL FARM at A Noise Within
The best way to describe my experience at A Noise Within’s production of Peter Hall, Adrian Mitchell, and Richard Peaslee’s 1984 musical version of Animal Farm is that when the ensemble came out to bow and I only counted 11 actors, my jaw dropped....
Review: LAVENDER MEN at Skylight Theatre
Taffeta’s dialog is often an attack on the audience rather than a composition about Lincoln. A passive character study with a blow-horn built in so that you don’t doze off into your own fantasy about who she is and what SHE represents....
Review: Tony Award-Winning HADESTOWN Enchants Audiences at OC's Segerstrom Center
An enchanting, deeply resonant, and wholly entertaining reimagining of a classic Greek myth, HADESTOWN---now on stage at Orange County's Segerstrom Center for the Arts in Costa Mesa, CA through August 21, 2022---is a beautifully layered piece of imaginative theater that stirs as it entertains and is...
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