Interview: Bess Wohl Tells Us About SMALL MOUTH SOUNDS

By: Jan. 04, 2018

Interview: Bess Wohl Tells Us About SMALL MOUTH SOUNDS

Playwright Bess Wohl whose Barcelona proved so controversial during its engagement at The Geffen Playhouse in 2016 has a new play Small Mouth Sounds opening at the Broad Stage in Santa Monica January 11. In our conversation Wohl discusses her play in depth.

Tell us about Small Mouth Sounds and what stimulated you to write the play. What is its message?

I was first inspired to write Small Mouth Sounds when I went on a silent retreat with a close friend. The retreat was her idea-- I had no idea what I was getting into, and didn't even realize we were going to be in silence. I remember that by the very first night, I was interested in writing about the experience. Something about the obstacle of being in silence coupled with the intense need from all of the retreat participants to find some kind of answer, felt like it could be fertile ground. I hate to reduce a play to any one "message," but as I've come to learn about the piece along with my collaborators and audiences, I am discovering that the play seems to be about (in no particular order) the difficulty and joy of human connection, the search for meaning or "enlightenment," and the ways in which we do or do not change. Is change impossible or inevitable? Or, somehow, weirdly both?

How do you feel audience will respond to the silence? Will they be able to figure out all that is happening without hearing words?

When I first began sharing the piece with audience, I had no idea. Early workshops of the play were very instrumental in teaching me how people watching the play would interpret it. I would poll audience members afterward to find out what they had understood, what was unclear, and where they felt the story was over-explained. As the play has been performed more and more, it's been fascinating to watch audiences engage with the detective work of watching the play. This is definitely a play that demands some effort from audiences, and in many ways I think what they take away from it is very personal, and directly related to what they put in. I am interested in the way that, in silence, we all project our own opinions, predictions and biases onto each other. It happens all the time in life, and it happens when you watch plays. My hope is that the act of watching the play and actively solving its mysteries is part of the pleasure of experiencing it.

Barcelona was fascinating because from moment to moment I did not know what would transpire. I feel the same intrigue will be present in this play as well, maybe even more so.

I have always felt that part of the fun of watching any play is the simple joy of not knowing what's going to happen next. That sense of possibility and anticipation, and even in some cases misdirecting the audience, is something I love to explore in my writing. I try to think of every story-- no matter the genre-- as a mystery. I like to try to create a sense of intrigue about human behavior, no matter how small. Why do we the things we do? Will we overcome or succumb to our worst impulses? There are mysteries everywhere in daily life, and I'm interested in leaning into that feeling onstage. I think so much of the drama and tension of exciting theatre can be reduced to a simple question: "What's going to happen?"

Do you have a mentor playwright? Someone whose work has stimulated you to create?

I come to playwriting from an acting background, so most of my early teachers were acting teachers. From acting I learned an inside-out approach to character that has helped me a lot as a playwright. I tend to try to put myself in each role and imagine if I could find a path through it as an actor, and that helps me find where the holes in my writing are. In general, I am deeply inspired and stimulated by the work of my peers and friends. Anytime I go to the theatre, it pushes me to create and tell my own stories.

Tell us about the cast and director and what special work they are bringing to the play.

I have been so lucky to work on this piece with incredible collaborators-- actors, designers, Rachel Chavkin, the director-- in every stage of development. Since the play has so much silence in it, each collaborator has brought important elements of story and texture throughout, and Rachel has been instrumental in shaping the rhythms and flow of the events with her own impeccable sense of music and pace. The current cast of the play is absolutely glorious in their ability to rigorously maintain the essence of each character, and yet find little moments of personal flair and interpretation. This play has no room to hide; there is no way for an actor to coast on dialogue but be mentally or spiritually elsewhere. They have to be fully invested or the play doesn't happen. Their deep commitment, great skill and ability to be completely present with their full hearts and souls is a beautiful thing.

For tickets and further info, visit:

(photo credit: Joanna Eldredge Morrissey)



Cast Set For ON YOUR FEET at La Mirada Photo
Cast Set For ON YOUR FEET at La Mirada

La Mirada Theatre For The Performing Arts has announced full casting for the Southern California regional premiere of a brand-new production of the smash-hit musical, ON YOUR FEET! THE STORY OF EMILIO & GLORIA ESTEFAN. Find out who is starring in the show here!

Double Bill of SCALIA/GINSBURG and TRIAL BY JURY Comes to Pacific Opera Project Photo
Double Bill of SCALIA/GINSBURG and TRIAL BY JURY Comes to Pacific Opera Project

 Pacific Opera Project presents the LA premiere performances of Scalia/Ginsburg in a double bill with Gilbert & Sullivan’s Trial by Jury. Learn more about the production and find out how to get tickets here!

Dia de los Muertos Block Party Returns to 24th Street Theatre in November Photo
Dia de los Muertos Block Party Returns to 24th Street Theatre in November

24th Street Theatre is back on November 2 with its annual, free Dia de los Muertos block party, headlined this year by Latin surf band The Space Sanchos and, direct from México City, singer-songwriter Rafael Mendoza. Learn more about the event and how to attend here!

Santa Monica Playhouse and Il Dolce Theatre Company Present ROMEO AND JULIET- LOVE IS A FI Photo
Santa Monica Playhouse and Il Dolce Theatre Company Present ROMEO AND JULIET- LOVE IS A FIRE

Santa Monica Playhouse and Il Dolce Theatre Company present 'Romeo and Juliet - Love is a Fire,' a tragic play by William Shakespeare. Experience the timeless tale of love and loss in this captivating production.

From This Author - Don Grigware

  Don Grigware was a writer for BroadwayWorld through December 2019.                                    &... Don Grigware">(read more about this author)


Catalina Jazz Club (10/15-10/15)Tracker
#repshow# in[i]# Zarathustra!
Avalon Hollywood (10/22-10/22)Tracker PHOTOS VIDEOS
#repshow# in[i]# La Boheme
Sally Field Performing Arts Center (9/29-10/01)
#repshow# in[i]# OTR: Such Small Hands
Chance Theater (10/11-10/11)CAST
#repshow# in[i]# The Ultimate Flamenco Dinner Show Experience
Alegria Cocina Latina (12/21-12/02)
#repshow# in[i]# Little Moon
Wallis Annenberg Center for the Performing Arts (10/26-10/26)
#repshow# in[i]# Big Hair: A Rad and Wild Love Affair
Lyric Hyperion (12/02-12/02)
#repshow# in[i]# AC/DC, Scorpions, Ozzy Osbourne Tributes & 90's Grunge Tribute
GARDEN AMP (9/29-9/29)
#repshow# in[i]# GLORIA
Caroline's L.O.F.T. (10/07-10/07)
#repshow# in[i]# Dreamers' Circus
Renee and Henry Segerstrom Concert Hall at Segerstrom Center for the Arts (10/12-10/12)

Recommended For You