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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
& JULIET (STEPHEN SONDHEIM) |
$46,680,814 | $897,708 | $116 $378 |
401,507 | 425,790 | 415 | 94.32% |
|
A WONDERFUL WORLD: THE LOUIS ARMSTRONG MUSICAL (STUDIO 54) |
$4,191,235 | $523,904 | $92 $298 |
45,620 | 63,808 | 64 | 71.50% |
|
ALADDIN (NEW AMSTERDAM) |
$68,387,147 | $1,315,137 | $100 $350 |
682,435 | 721,886 | 418 | 94.52% |
|
ALL IN: COMEDY ABOUT LOVE (HUDSON) |
$10,901,030 | $1,557,290 | $201 $425 |
54,208 | 54,208 | 56 | 100.00% |
|
ALL OUT: COMEDY ABOUT AMBITION (NEDERLANDER) |
$2,190,595 | $730,198 | $129 $449 |
19,162 | 20,247 | 17 | 96.00% |
|
ART (MUSIC BOX) |
$24,255,123 | $1,426,772 | $186 $547 |
128,822 | 130,869 | 131 | 98.59% |
|
BACK TO THE FUTURE: THE MUSICAL (WINTER GARDEN) |
$1,875,633 | $1,875,633 | $156 $497 |
12,061 | 11,824 | 8 | 102.00% |
|
BEETLEJUICE (PALACE) |
$10,535,188 | $877,932 | $93 $299 |
113,004 | 156,560 | 95 | 72.41% |
|
BOOP! THE BETTY BOOP MUSICAL (BROADHURST) |
$933,732 | $466,866 | $72 $297 |
13,059 | 13,644 | 12 | 95.90% |
|
BOOP! THE MUSICAL (BROADHURST) |
$8,819,764 | $551,235 | $74 $297 |
118,301 | 142,125 | 125 | 83.44% |
|
BUENA VISTA SOCIAL CLUB (SCHOENFELD) |
$48,409,941 | $1,075,776 | $134 $475 |
360,071 | 371,346 | 354 | 97.00% |
|
BUG (FRIEDMAN) |
$693,988 | $346,994 | $87 $375 |
7,944 | 8,918 | 14 | 89.05% |
|
CABARET AT THE KIT KAT CLUB (AUGUST WILSON) |
$34,176,044 | $899,370 | $117 $799 |
286,683 | 325,280 | 304 | 88.13% |
|
CALL ME IZZY (STUDIO 54) |
$5,190,977 | $370,784 | $99 $378 |
50,550 | 82,956 | 98 | 61.64% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
CHESS (IMPERIAL) |
$20,071,937 | $1,824,722 | $175 $497 |
115,538 | 120,018 | 83 | 96.47% |
|
CHICAGO (AMBASSADOR) |
$33,556,396 | $645,315 | $102 $277 |
328,274 | 449,280 | 416 | 73.07% |
|
CULT OF LOVE (HAYES) |
$2,176,702 | $435,340 | $106 $346 |
20,468 | 22,659 | 39 | 90.18% |
|
DEAD OUTLAW (LONGACRE) |
$5,593,341 | $466,112 | $75 $297 |
76,881 | 91,176 | 87 | 85.77% |
|
DEATH BECOMES HER (LUNT-FONTANNE) |
$66,750,093 | $1,283,656 | $113 $499 |
588,352 | 615,783 | 413 | 95.56% |
|
ELF (MARQUIS) |
$1,214,944 | $1,214,944 | $133 $399 |
9,163 | 11,200 | 7 | 81.80% |
|
ENGLISH (TODD HAIMES) |
$3,268,784 | $363,198 | $72 $292 |
44,594 | 48,576 | 66 | 91.66% |
|
EUREKA DAY (FRIEDMAN) |
$2,493,294 | $356,185 | $83 $299 |
29,977 | 35,365 | 55 | 84.81% |
|
FLOYD COLLINS (VIVIAN BEAUMONT) |
$6,691,182 | $514,706 | $83 $277 |
81,700 | 103,586 | 98 | 79.91% |
|
GLENGARRY GLEN ROSS (PALACE) |
$35,845,723 | $2,240,358 | $219 $799 |
163,649 | 165,862 | 127 | 98.65% |
|
GOOD NIGHT, AND GOOD LUCK (WINTER GARDEN) |
$48,276,657 | $3,713,589 | $311 $825 |
154,837 | 152,315 | 99 | 101.62% |
|
GYPSY (MAJESTIC) |
$40,767,676 | $1,235,384 | $121 $447 |
331,394 | 418,170 | 263 | 79.27% |
|
HADESTOWN (WALTER KERR) |
$41,879,853 | $805,382 | $112 $449 |
372,641 | 381,624 | 416 | 97.64% |
|
HAMILTON (RICHARD RODGERS) |
$128,950,063 | $2,479,809 | $233 $1500 |
550,747 | 624,928 | 416 | 98.28% |
|
HARRY POTTER AND THE CURSED CHILD (LYRIC) |
$69,332,610 | $1,333,319 | $116 $900 |
581,491 | 668,874 | 415 | 86.90% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
HELL'S KITCHEN (SHUBERT) |
$50,368,073 | $968,617 | $96 $397 |
522,229 | 606,112 | 416 | 86.16% |
|
JEFF ROSS: TAKE A BANANA FOR THE RIDE (NEDERLANDER) |
$1,415,788 | $176,973 | $45 $195 |
32,141 | 74,655 | 63 | 43.24% |
|
JOHN PROCTOR IS THE VILLAIN (BOOTH) |
$17,121,925 | $684,877 | $111 $697 |
151,994 | 149,768 | 194 | 101.47% |
|
JUST IN TIME (CIRCLE IN THE SQUARE) |
$49,394,418 | $1,266,524 | $226 $975 |
218,353 | 212,630 | 309 | 102.68% |
|
LEFT ON TENTH (JAMES EARL JONES) |
$2,062,703 | $412,541 | $89 $267 |
22,922 | 42,600 | 40 | 53.82% |
|
LIBERATION (JAMES EARL JONES) |
$3,898,372 | $324,864 | $68 $347 |
58,284 | 100,795 | 95 | 57.85% |
|
LITTLE BEAR RIDGE ROAD (BOOTH) |
$4,805,924 | $436,902 | $89 $287 |
54,159 | 68,530 | 89 | 79.10% |
|
MAMMA MIA! (WINTER GARDEN) |
$36,194,449 | $1,645,202 | $146 $398 |
250,172 | 252,003 | 167 | 99.32% |
|
MARJORIE PRIME (HAYES) |
$1,616,253 | $269,375 | $78 $269 |
21,181 | 23,240 | 40 | 91.10% |
|
MAYBE HAPPY ENDING (BELASCO) |
$58,544,259 | $1,125,851 | $146 $575 |
400,681 | 405,488 | 416 | 98.82% |
|
MJ (NEIL SIMON) |
$67,933,749 | $1,306,418 | $131 $399 |
515,713 | 576,992 | 416 | 89.38% |
|
MOULIN ROUGE! THE MUSICAL (AL HIRSCHFELD) |
$53,973,369 | $1,037,949 | $105 $549 |
510,895 | 540,800 | 416 | 94.48% |
|
OEDIPUS (STUDIO 54) |
$6,999,961 | $777,773 | $112 $327 |
62,852 | 66,990 | 66 | 94.34% |
|
OH, MARY! (LYCEUM) |
$57,916,862 | $1,113,786 | $158 $425 |
366,303 | 372,320 | 416 | 98.38% |
|
OPERATION MINCEMEAT: A NEW MUSICAL (GOLDEN) |
$32,026,285 | $696,224 | $120 $475 |
266,809 | 282,820 | 358 | 94.49% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
OTHELLO (ETHEL BARRYMORE) |
$46,707,510 | $3,113,834 | $377 $897 |
123,996 | 124,087 | 119 | 99.93% |
|
OUR TOWN (ETHEL BARRYMORE) |
$2,957,232 | $985,744 | $125 $397 |
23,546 | 25,440 | 24 | 92.53% |
|
PIRATES! THE PENZANCE MUSICAL (TODD HAIMES) |
$8,058,516 | $474,030 | $90 $372 |
89,484 | 94,510 | 130 | 94.89% |
|
PUNCH (FRIEDMAN) |
$2,328,721 | $291,090 | $71 $325 |
33,170 | 40,131 | 63 | 82.73% |
|
PURPOSE (HAYES) |
$15,153,366 | $561,236 | $125 $580 |
120,064 | 124,334 | 214 | 96.54% |
|
RAGTIME (VIVIAN BEAUMONT) |
$17,134,784 | $1,223,913 | $153 $449 |
111,618 | 111,618 | 106 | 100.00% |
|
REAL WOMEN HAVE CURVES: THE MUSICAL (JAMES EARL JONES) |
$5,361,652 | $412,435 | $66 $295 |
81,223 | 109,720 | 104 | 74.03% |
|
REDWOOD (NEDERLANDER) |
$12,860,456 | $756,497 | $106 $476 |
124,386 | 146,431 | 127 | 85.78% |
|
ROB LAKE MAGIC WITH SPECIAL GUESTS THE MUPPETS (BROADHURST) |
$781,726 | $260,575 | $39 $297 |
20,205 | 28,464 | 24 | 70.73% |
|
ROMEO + JULIET (CIRCLE IN THE SQUARE) |
$7,833,254 | $1,119,036 | $171 $975 |
45,736 | 44,472 | 56 | 102.84% |
|
SIX: THE MUSICAL (LENA HORNE) |
$37,631,709 | $723,687 | $106 $349 |
351,733 | 427,865 | 415 | 82.23% |
|
SMASH (IMPERIAL) |
$12,596,568 | $839,771 | $94 $305 |
133,340 | 162,265 | 115 | 82.51% |
|
STEPHEN SONDHEIM'S OLD FRIENDS (FRIEDMAN) |
$7,672,683 | $548,049 | $120 $400 |
64,318 | 70,087 | 109 | 91.88% |
|
STEREOPHONIC (GOLDEN) |
$1,982,958 | $991,479 | $159 $377 |
12,448 | 12,448 | 16 | 100.00% |
|
STRANGER THINGS: THE FIRST SHADOW (MARQUIS) |
$40,331,344 | $1,008,284 | $101 $399 |
394,390 | 489,358 | 307 | 81.27% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
SUFFS (MUSIC BOX) |
$1,349,647 | $1,349,647 | $170 $373 |
7,923 | 7,784 | 8 | 101.80% |
|
SUNSET BLVD. (ST. JAMES) |
$38,358,154 | $1,322,695 | $114 $599 |
330,110 | 369,968 | 231 | 89.21% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$47,252,474 | $908,701 | $113 $499 |
415,896 | 442,390 | 415 | 94.02% |
|
THE GREAT GATSBY (BROADWAY) |
$57,002,764 | $1,096,207 | $103 $624 |
549,102 | 617,760 | 416 | 88.91% |
|
THE LAST FIVE YEARS (HUDSON) |
$8,941,190 | $638,656 | $98 $425 |
91,514 | 105,512 | 109 | 87.33% |
|
THE LION KING (MINSKOFF) |
$106,781,983 | $2,053,500 | $155 $477 |
686,358 | 708,928 | 418 | 96.81% |
|
THE OUTSIDERS (JACOBS) |
$64,345,030 | $1,237,404 | $153 $548 |
419,836 | 423,936 | 414 | 99.04% |
|
THE PICTURE OF DORIAN GRAY (MUSIC BOX) |
$21,154,440 | $1,322,152 | $189 $797 |
111,266 | 110,373 | 111 | 100.81% |
|
THE QUEEN OF VERSAILLES (ST. JAMES) |
$9,258,581 | $841,689 | $100 $299 |
93,304 | 110,082 | 81 | 85.33% |
|
TWO STRANGERS (CARRY A CAKE ACROSS NEW YORK) (LONGACRE) |
$5,183,696 | $575,966 | $95 $375 |
54,844 | 68,055 | 65 | 81.79% |
|
WAITING FOR GODOT (HUDSON) |
$23,836,509 | $1,489,782 | $214 $599 |
116,496 | 116,880 | 120 | 99.68% |
|
WICKED (GERSHWIN) |
$126,549,673 | $2,433,648 | $157 $375 |
805,068 | 805,068 | 418 | 100.00% |
| TOTAL | $1,947,789,476 | $1,023,256 | $133.33 $470.84 |
14,609,195 | 16,112,586 | 13347 | 90.67% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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