THE MUNY 2023 SEASON Equity Principal Actors - Municipal Theatre of St. Louis Auditions

THE MUNY 2023 SEASON - NYC EPA

MUNICIPAL THEATRE ASSOCIATION OF ST LOUIS

SIGNUP INFO

Signups begin Jan 4, 11:45 am (EST)

LOCATION

Actors' Equity New York Audition Center

165 W 46th St

New York, NY 10036

AUDITION DATE

Thu, Jan 12, 2023

9:30 AM to 5:30 PM (EST)

Lunch 1:00 PM - 2:00 PM

CONTRACT

MSUA

$1190 weekly minimum (pending negotiations)

SEEKING

Equity actors for principal roles in The MUNY's 2023 Season (See breakdown).

All ethnicities, backgrounds, gender identities, sizes, and abilities are encouraged to audition for all available roles.

The Muny serves a diverse, nationwide audience and strives to hire performers that reflect the diversity of our audience. This theatre exists as a safe and creative place whose mission is to enrich lives by producing exceptional musicals that are accessible to all. The Muny is committed to maintaining a diverse and inclusive environment and is proud to be an equal employment opportunity workplace.

PREPARATION

Please prepare a short song in a style appropriate to the season’s shows. Bring sheet music, picture/resume and your repertoire book; an accompanist will be provided.

PERSONNEL

Artistic Director/Executive Producer: Mike Isaacson

Expected to attend:
Artistic Associate: Michael Baxter
Casting Assistant: Kamal Lado
Casting: The Telsey Office
Casting Directors: Rachel Hoffman and Rashad Nayor

See breakdown for production specific personnel

OTHER

DATES

See breakdown for production specific dates

OTHER

http://www.muny.orghttp://www.muny.org>http://www.muny.org www.muny.org

The season rehearses and performs in St. Louis, MO.

Actors are cast on a per show basis and not as part of a repertory company.

An Equity Monitor will not be provided. The producer will run all aspects of audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended. Singer’s masks can be found at www.broadwayreliefproject.com/singersmask.

We encourage members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.

The maximum capacity in the holding room is: 80
The maximum capacity in the audition room is: 52

THE MUNY’S COVID-19 VACCINATION POLICY: In an effort to provide the safest possible workplace, The Muny requires that all backstage employees be fully vaccinated, including the CDC recommended booster when eligible. The CDC currently defines “fully vaccinated” as those who have received two doses of the Pfizer-BioNTech or Moderna shots or one dose of the Johnson and Johnson shot. Fully vaccinated individuals who received the Pfizer-BioNtech or Moderna shots are eligible for the booster shot five months from their last dose, and individuals who received the Johnson and Johnson shot are eligible two months from their last dose. The Muny will require the booster for eligible employees no later than 2 weeks before the start of employment or within 10 days of eligibility for those who become eligible during their employment.

As we are continually working with local and national health officials, as well all the unions and guilds, we reserve the right to update and alter the above language.

Please check our website for further information –
http://www.muny.org/auditionshttp://www.muny.org/auditions>http://www.muny.org/auditions www.muny.org/auditions

BEAUTIFUL THE CAROLE KING MUSICAL

Book by Douglas McGrath

Songs by Gerry Goffin & Carole King, Barry Mann & Cynthia Weil

Director: Marcia Milgrom Dodge

Choreographer: Patricia Wilcox

Music Director: TBD

Casting: The Telsey Office/Rashad Naylor/Peter Dunn

Dates:

Rehearsal: June 1 – June 11

Performances: June 12 – June 18 (7 Performances)

SEEKING

:

[CAROLE KING] Character is female (cis, trans or non-binary), Caucasian, 16-29. A unique, funny, and vulnerable girl born to a Jewish family in Brooklyn; a reluctant star with no pretense and a passion for music. Carole begins the musical as an enthusiastic, young songwriter of 16 and we follow the ups and downs of both her career and personal life as she turns into the superstar she is known as today. Mezzo-Soprano (F3-F5) with a powerful, distinctive voice. Piano skills are a plus.

[GERRY GOFFIN] Character is male (cis, trans or non-binary), Caucasian, late teens-late 20s. Carole King's first husband and song writing partner born to a Jewish family, writing lyrics to many of her early hits. Smoldering, dark and handsome with a rebel vibe; although sexy, he is innately sympathetic, wounded, and tortured; an ambitious artist always striving for more. Baritone/Tenor (C3-G4) voice.

[CYNTHIA WEIL] Character is female (cis, trans or non-binary), Caucasian, 25-40. A lyricist born to a Jewish family working at 1650 Broadway, she and her song writing partner Barry Mann form a friendly rivalry with Carole and Gerry. She becomes one of Carole's best friends and closest confidants and forms a flirtatious relationship with Barry. Sophisticated, smart and chic with a quick wit and humor. Has great comic timing and strong Mezzo/Belt (F3-E5) voice.

[BARRY MANN] Character is male (cis, trans or non-binary), Caucasian, 25-40. A songwriter born to a Jewish family working at 1650 Broadway who becomes romantically involved with his lyricist, Cynthia. Barry is a perfect blend of humorous neuroses, charm, intelligence and drive, but appealing and likeable. A bit of a player, Barry falls in love with Cynthia and spends much of his time convincing her to marry him. Has great comic timing. Tenor (C3-A4) pop/rock voice. Guitar skills a plus.

[DON KIRSHNER] Character is male (cis, trans or non-binary), Caucasian, 40-50. A successful record producer and music publisher born to a Jewish family working at 1650 Broadway. He launches the careers of Carole, Gerry and Cynthia and helps foster the friendly rivalry between the teams of Goffin/King and Mann/Weil. Fast-talking, energetic force of nature; powerful, direct and sometimes intimidating; a hit maker. Baritone (A2-C4) voice.

[GENIE KLEIN] Character is female (cis, trans or non-binary), Caucasian, 40-50. Carole's overprotective and loving Jewish mother. Once an aspiring playwright, she has been broken down by life and her husband’s infidelity; protective of Carole and unforgiving of her husband’s mistakes. Non-singing role.

DISNEY’S BEAUTY AND THE BEAST

Music by Alan Menken

Lyrics by Howard Ashman & Tim Rice

Book by Linda Woolverton

Director: John Tartaglia

Choreographer: Patrick O’Neill

Music Director: TBD

Casting: The Telsey Office/Peter Dunn/Rachel Hoffman, CSA

Dates:

Rehearsal: June 11 – June 21

Performances: June 22 – June 30 (9 Performances)

SEEKING

:

[BELLE] Character is female (cis, trans or non-binary), any ethnicity, 20-30. A vibrant, caring, intelligent girl who wants more out of life than an ordinary existence. She is optimistic, fun-loving, independent and eager to experience life. Contemporary soprano with a strong and clear mix/belt to an F.

[BEAST] Character is male (cis, trans or non-binary), any ethnicity, late 20s-late 30s. A prince transformed into a terrifying beast for his lack of compassion. He is hot-tempered, volatile and hopeless but has a warm, loving heart buried beneath his gruff exterior. Strong singer with a commanding speaking voice and presence. Baritone to an F.

[GASTON] Character is male (cis, trans or non-binary), any ethnicity, late 20s-late 30s. The egotistical, larger-than-life, toxically masculine villain determined to marry Belle. He is manipulative, yet charming and earnest. Baritone.

[LEFOU] Character is male (cis, trans or non-binary), any ethnicity, 20s-30s. Gaston’s bumbling sidekick. He is loyal, energetic, and optimistic, but not the sharpest knife in the drawer. Character baritone to an F#.

[MAURICE] Character is male (cis, trans or non-binary), any ethnicity, 50-60. Belle’s loving, eccentric father. A child at heart and inventor in his own world. Baritone.

[COGSWORTH] Character is male (cis, trans or non-binary), any ethnicity, 30s-50s. A tightly-wound, enchanted mantle clock and the head of the Beast’s household. He is uptight, strict, and punctual but also hard-working, faithful, and thorough. Baritone.

[LUMIERE] Character is male (cis, trans or non-binary), any ethnicity, 30-45. A very suave, very French, very debonair enchanted candelabra. He is a loyal and steadfast servant to the Beast. Baritone to a F#.

[MRS. POTTS] Character is female (cis, trans or non-binary), any ethnicity, 30s-50s. A warm-hearted, maternal, enchanted teapot. She is loyal, caring and playful. Warm mezzo soprano voice.

[BABETTE] Character is female (cis, trans or non-binary), any ethnicity, 20s-30s. A saucy, enchanted feather-duster and the object of Lumiere’s affections. She is the playful, gorgeous, seductive French maid. Dances. Mezzo soprano.

[MADAME DE LA GRANDE BOUCHE] Character is female (cis, trans or non-binary), any ethnicity, 35-55. A former opera diva-turned-enchanted wardrobe. She is caring and refined, loud and the life of the party. Legit operatic soprano.

[CHIP] Boy, any ethnicity, 8-11. An adorable, inquisitive, enchanted teacup who is the child of Mrs. Potts. Innocent, playful, and bright-eyed. Unchanged soprano voice.

CHESS

Book by Richard Nelson

Music by Björn Ulvaeus and Benny Andersson

Lyrics by Tim Rice

Director & Choreographer: Josh Rhodes

Associate Director & Choreographer: Lee Wilkins

Music Director: TBD

Associate Music Director: Michael Horsley

Casting: The Telsey Office/Destiny Lilly/Priya Ghosh

Dates:

Rehearsal: June 24 – July 4

Performances: July 5 – July 11 (7 Performances)

SEEKING

:

[FLORENCE VASSY] Character is female (cis, trans or non-binary), any ethnicity, age 28-40. Freddie's Chess Second (Advisor). Born in Hungary, raised in America. She is clever, intelligent, theatrical, vivacious, volatile. Independent and strong, with a tender and vulnerable side that she attempts to conceal. Vocally has a strong low register, with a thrilling belt/mix.

[FREDDIE TRUMPER] Character is male (cis, trans or non-binary), any ethnicity, age 28-40. American Chess Champion. Arrogant and temperamental, but a genius; his chess playing is revolutionary. Difficult childhood that haunts him. Sexy, dangerous and obsessive. Impulsive, charismatic. Rock tenor.

[ANATOLY SERGIEVSKY] Character is male (cis, trans or non-binary), any ethnicity, age 28-40. Russian Chess Champion. Unexpectedly charming. An intelligent, sensitive and passionate man with a gentle sense of humor. Impressionable. Restless with the life he finds himself trapped in until he meets Florence. Becomes torn between his love for the game, Florence, his wife, his country, etc. until he is practically shattered by the pressure. High baritone.

[IVAN MOLOKOV] Character is male (cis, trans or non-binary), any ethnicity, age 35-50. Anatoly's Chess Second and an associate of the KGB. Intense, dark, mysterious, intellectually formidable. An excellent, subtle manipulator. Bass/Baritone.

[WALTER DE COURCEY] Character is male (cis, trans or non-binary), any ethnicity, age 35-50. Freddie's Agent, secretly working as a CIA agent. Seemingly respectable, trustworthy. Fast talking, 1980s wheeling and dealing kind of guy, with an edge. Baritone.

[THE ARBITER] Character is male (cis, trans or non-binary), any ethnicity, age 28-50. Head of the World Chess Championship, officiates over all matches. Sharp, international businessman. The epitome of cool.” Powerful, bold, commanding, controlling, dominating. Smooth, but with a very quick temper. Eccentric. Rock high baritone.

[SVETLANA SERGIEVSKY] Character is female (cis, trans or non-binary), any ethnicity, age 28-50. Anatoly's wife. Domestic, wholesome, strong willed. A striking contrast to Florence's sophistication. Strong alto/belt, with a little bit of head voice.

WEST SIDE STORY

Book by Arthur Laurents

Music by Leonard Bernstein

Lyrics by Stephen Sondheim

Based on a Conception of Jerome Robbins

Director: Rob Ruggerio

Choreographer: Parker Esse

Music Director: James Moore

Casting: The Telsey Office/Alex Cortinas/Steven Gutierrez/Lindsay Levine

Dates:

Rehearsal: July 4 – July 14

Performances: July 15 – July 21 (7 performances)

SEEKING

:

[TONY] Character is male (cis, trans, or non-binary), Polish, 18+ to play 18. A dreamer with a romantic and very loyal heart. Former leader of the Jets who has left the gang lifestyle and is now focused on a better version of himself. Tony finds himself violently torn between his friendships and love. Falls deeply in love with Maria and meets an untimely death. Genuine, kind and sincere. Tenor (Bb to Hi C).

[MARIA] Character is female (cis, trans, or non-binary), Puerto Rican, 18+ to play 18. Romantic, idealistic and craving independence, with a naivety that makes her vulnerable. Recently moved from Puerto Rico for an arranged marriage to Chino. She falls deeply in love with Tony and finds herself at the center of the violent conflict between the two gangs. Her quiet strength ultimately centers the play. Bernardo's sister. Classical soprano to high C.

[BERNARDO] Character is male (cis, trans, or non-binary), Puerto Rican, 20s. A proud, protective, handsome man coming to terms with life in America and the discrimination he continues to face. Bernardo seeks to carve out territory for himself and the rest of the Sharks in the Upper West Side. Maria's brother and Anita's boyfriend. Leader of the Sharks. An excellent dancer with strong ballet/jazz technique. Baritone (G to E).

[ANITA] Character is female (cis, trans, or non-binary), Puerto Rican, 20s. Feisty and assertive. She is friend and confidante to Maria, and desperately tries to shield her from the dangers of the gang conflict. Bernardo's girlfriend, she is unapologetically passionate about finding a good life in America. An excellent dancer with strong ballet/jazz technique. Mezzo-Soprano (F to F).

[DOC] Character is male (cis, trans, or non-binary), 50-65. The owner of the candy store where the Jets hang out. He tries to guide the Jets youthful angst and provides a safe haven for Tony. Old fashioned and wise in his ways. A moral compass.

[CHINO] Character is male (cis, trans, or non-binary), Puerto Rican, 20s. An angry and, at times, naive Shark who turns murderous and vengeful once when he feels betrayed. Suitor to Maria and friend of Bernardo's. Strong dancer.

[RIFF] Character is male (cis, trans, or non-binary), 20s. The impulsive and quick-tempered current leader of the Jets. Tony’s best friend, they relate like brothers but on different paths. He seeks to eliminate the Sharks and establish his own gang's dominance, and is eventually murdered by Bernardo. An excellent dancer with strong ballet/jazz technique. Baritone (A to G).

[KRUPKE] Character is male (cis, trans, or non-binary), 30-60s. The local beat cop who works under Lieutenant Schrank. He has no patience for the gang’s conflict and tries to keep tensions from erupting between them. Regularly mocked by the local gangs. His bark is worse than his bite.

[GLADHAND] Character is male (cis, trans, or non-binary), 30-50s. Character with good comic timing. Age and type are very open – his humor is born of circumstance and his drive to keep peace in a tense situation.

[A-RAB] Character is male (cis, trans, or non-binary), 18+ to play 16-20s. Member of the Jets. An excellent dancer with strong ballet/jazz technique who sings well.

[ANYBODYS] Character is female (cis, trans, or non-binary), 18+ to play 16-20s. A confident tomboy type who is desperate to become a member of the Jets. The other Jets mock her for her ambitions, but generally appreciate their company. She/they ultimately earn their place in the Jets. An excellent dancer with strong ballet/jazz technique who sings well.

[ACTION] Character is male (cis, trans, or non-binary), 18+ to play 16-20s. Member of the Jets. Reactive and hungry for “action.” An excellent dancer with strong ballet/jazz technique who sings well.

[LT. SCHRANK] Character is male (cis, trans, or non-binary), 40-60s. A local plain-clothes police detective frustrated by the ongoing violence between the Jets and Sharks. Blunt, brash, and unapologetic, underneath he is just as prejudiced against the Sharks as the Jets are. He is obstinate, hard, and gets some enjoyment from riling up the Jets in order to gather information.

[SNOWBOY] Character is male (cis, trans, or non-binary), 18+ to play 16-20s. Member of the Jets. An excellent dancer with strong ballet/jazz technique who sings well.

[BABY JOHN] Character is male (cis, trans, or non-binary), 18+ to play 16-20s. Member of the Jets. An excellent dancer with strong ballet/jazz technique who sings well.

[BIG DEAL] Character is male (cis, trans, or non-binary), 18+ to play 16-20s. Member of the Jets. An excellent dancer with strong ballet/jazz technique who sings well.

LITTLE SHOP OF HORRORS

Book and Lyrics by Howard Ashman

Music by Alan Menken

Based on the film by Roger Corman, screenplay by Charles Griffith

Director: Maggie Burrows

Choreographer: William Carlos Angulo

Music Director: TBD

Casting: The Telsey Office/Priya Ghosh/Rachel Hoffman, CSA

Dates:

Rehearsal: July 14 – July 24

Performances: July 25 – July 31 (7 Performances)

SEEKING

:

[SEYMOUR KRELBORN] Character is male (cis, trans, or non-binary), any ethnicity, mid-20s-30s. A struggling introvert who comes from poverty but has a hero’s heart. Genuine and soft exterior with a strong moral center. Is equally at home in comedy and pathos. Bari-tenor. Vocal Range: A2 - G4, sings musical theatre style but also cuts loose into a rock sound.

[AUDREY] Character is female (cis, trans, or non-binary), any ethnicity, mid 30s-40s. A kind and caretaking woman who works at the flower shop with Seymour. Funny, warm and forgiving. She has low self-esteem, but beautiful dreams of happiness and security. Vocal Range: G#3 - D5 Soprano with strong rock mix/belt.

[CRYSTAL, RONNETE & CHIFFON] All three characters are female (cis, trans, or non-binary), black, mid-20s-30s. Our musical guides through the evening, sometimes acting as a Greek Chorus – they know what’s coming. Vocal Ranges: low alto to belt soprano, strong R&B style.

[MR. MUSHNIK] Character is male (cis, trans, or non-binary), any ethnicity, mid-50s-60s. Seasoned owner of the failing Skid Row flower shop and Seymour’s boss. Presents as a pessimist but does have some hope and thirst. He is a good man who is given the chance to turn into a greedy one, and (sadly), takes it. Baritone. Vocal Range: G2-F4

[ORIN SCRIVELLO, D.D.S./

OTHER

S] Character is male (cis, trans, or non-binary), any ethnicity, mid 20s-40s. Egotistical dentist with sadistic tendencies and a passion for leather. Audrey’s abusive boyfriend who gets drunk on power and privilege. Doubles as other roles (Wino #2, Customer, Radio Announcer, Mr. Bernstein, Mrs. Luce, Skip Snip, and Patrick Martin), a strong comic with great transformational skills. Vocal Range: Bass (a la Johnny Cash) or Bari-tenor.

[VOICE OF THE PLANT “AUDREY II”] Character is male (cis, trans, or non-binary), any ethnicity, Any age. The voice is that of a seductive, street-smart ‘villain’ – a cross between Wolfman Jack and Barry White. Baritone with extension. Vocal Range: G2 - G4 with strong R&B style.

[“AUDREY II” MANIPULATION/

OTHER

S] Any gender, any ethnicity, 18+ to be a puppeteer. A strong mover and can create multiple characters. Has comedic chops. Experience with puppetry is a plus. Non-singing role.

RENT

Book, Music and Lyrics by Jonathan Larson

Director: Lili-Anne Brown

Choreographer: Breon Arzell

Music Director: Jermaine Hill

Casting: The Telsey Office/Alexis Brown/Charlie Hano/Bethany Knox, CSA

Dates:

Rehearsal: July 24 – August 3

Performances: August 4 – August 10 (7 Performances)

SEEKING

:

ALL ROLES OPEN TO CIS, TRANS AND NON-BINARY PERFORMERS.

[ROGER] Character is male (cis, trans, or non-binary), any ethnicity, 20s-30s. Leader of a rock band. He is able to project raw pain with charisma. Guitar skills are a plus. Strong tenor. Has an excellent rock singing voice.

[MARK] Character is male (cis, trans, or non-binary), any ethnicity, 20s-early 30s. Underfunded, underground filmmaker, he has turned his back on his affluent upbringing. Likeable, if occasionally high strung, he is almost the narrator of the show. Baritone/second tenor.

[COLLINS] Character is male (cis, trans, or non-binary), Black, mid 20s-30s. Philosopher, teacher, anarchist, AIDS activist. Sings a huge, emotional, gospel-style ballad. Low, soulful baritone voice.

[BENNY] Character is male (cis, trans, or non-binary), Black, 20s-30s. A striver, who grew up in the projects and made it to the Ivy League, he wants to be the next Quincy Jones. Slick and cocky, a smooth operator. Pop baritone/second tenor.

[MAUREEN] Character is female (cis, trans, or non-binary), any ethnicity, 20s-30s. Funny, outrageous and sexually free; an attention-hungry East Village performance artist. Huge, versatile rock & roll belt voice.

[MIMI] Character is female (cis, trans, or non-binary), Latinx, late teens-20s. A round the way girl used to male attention, with some dark secrets. She is innocent and vulnerable, yet extremely savvy. Fragile drug addict. Raw rock & roll voice with a high belt.

[ANGEL] Character is gender non conforming, Latine, late teens-early 30s. A musician and dancer who often performs as femme. Funny with lots of style. Extremely warm, loveable and nurturing. High tenor with falsetto.

[JOANNE] Character is female (cis, trans, or non-binary), Black, 20s-early 30s. Wry humor and sardonic wit, an Ivy League grad who's abandoned her debutante background. Great pop belt.

SISTER ACT

Music by Alan Menken

Lyrics by Glenn Slater

Book by Cheri Steinkellner & Bill Steinkellner

Additional Book Material by Douglas Carter Beane

Based on the Touchstone Pictures Motion Picture, Sister Act, written by Joseph Howard

Director & Choreographer: Denis Jones

Associate Choreographer: Barry Busby

Music Director: TBD

Casting: The Telsey Office/Rashad Naylor/Patrick Goodwin, CSA

Dates:

Rehearsal: August 3 – August 13

Performances: August 14 – August 20 (7 Performances)

SEEKING

:

[DELORIS VAN CARTIER] Character is female (cis, trans, or non-binary), Black, 25–40. A disco diva wannabe with a mega-watt dream of Donna Summer-eque glory. Bold, brassy, and quick on the quip—she has no faith in anything or anyone but herself. A powerhouse disco diva voice with a huge range and high belt.

[M

OTHER

SUPERIOR] Character is female (cis, trans, or non-binary), any ethnicity, 45–65. An old-school Catholic traditionalist with a spine of steel, a will of iron, an acid tongue, and a hidden heart. Strong, unwavering mezzo voice.

[CURTIS JACKSON] Character is male (cis, trans, or non-binary), Black, late 30s–50. A super cool, super confident, super smooth bad guy. A tough narcissist with flair, sex appeal, and charisma. Elegant and dangerous. Is strong-voiced with big range. Low baritone or high bari-tenor with a strong falsetto.

[LT. EDDIE SOUTHER] Character is male (cis, trans, or non-binary), Black, 25–45. A Desk Cop. He is charming and straightforward. A beautiful high baritone or tenor.

[SISTER MARY ROBERT] Character is female (cis, trans, or non-binary), any ethnicity, 18–25. A young and timid novitiate, teetering on the decision of whether to take her final vows or leave the convent to rejoin the world that intimidates her so. Her shy personality masks a huge, powerful singing voice. Sings a big Act II solo, “The Life I Never Led.” Has an unexpectedly huge belt, along with a legit mix up to the rafters.

[SISTER MARY PATRICK] Character is female (cis, trans, or non-binary), any ethnicity, 25–45. Upbeat, corny, fun, and filled with love and delight in God, food, and friendship. She is a loyal sister and head cheerleader, always ready for an adventure and a new life experience. Has a strong belt and legit voice.

[SISTER MARY LAZARUS] Character is female (cis, trans, or non-binary), any ethnicity, 60s – 70s. Tough, out of the Depression Era, full of vinegar and humor, with twice the energy of anyone half her age. She's seen them come and go, and nothing fazes this Sister. She's quick on the wisecracks and always ready to roll up her sleeves and dig in. Strong belt and legit a plus, but more importantly, able to rap and be very funny.

[MONSIGNOR O’HARA] Character is male (cis, trans, or non-binary), Caucasian, 50s–60s. Stately but benevolent, with a Going My Way twinkle. Strong character with a strong baritone voice.

[TJ] Character is male (cis, trans, or non-binary), Black, 20s–40s. Curtis' nephew. An undersized, overeager young man who would do anything to please his uncle, much to his uncle’s dismay. He’s well-intended, but doesn’t always have the brain power to think ahead. Has comic chops. Very strong tenor, with a strong disco falsetto.

[JOEY] Character is male (cis, trans, or non-binary), Caucasian, 30s–40s. Big, burly, and fiercely loyal. Joey fancies himself a master in the ways of lovemaking. Has comic chops. Strong baritone, with a strong disco falsetto.

[PABLO] Character is male (cis, trans, or non-binary), Latino, 20–35. Curtis' bodyguard who keeps mouthing off. Has comic chops. Strong baritone or tenor, with a strong disco falsetto.