Last Dance Musical LLC | New York, NY
Notice: Audition Call Type: EPA
Thursday, January 22, 2026 — Via Submission
5:55 PM - 6:00 PM (E) — New York, NY 10036
Touring Agreement Producers: Path Entertainment Group and Lionsgate Global Products & Experiences
$995 weekly minimum (Level 6)
Original Screenplay and Book by: Eleanor Bergstein
Director: Lonny Price
Associate Director: Matt Cowart
Choreographer: Darrell Grand Moultrie
Music Supervisor & Arranger: Joseph Joubert
General Manager: Alchemy Production Group
Casting Director: The TRC Company / Claire Burke, CSA & Peter Van Dam, CSA
Equity actors for roles in the touring production of DIRTY DANCING (see breakdown).
Please prepare a short pop song or a short contemporary (post-1960s) musical theatre song of your choosing. Please sing along to your own accompaniment. The Equity video submission deadline is Thursday, January 22, 2026, at 6:00pm ET.
Casting Director(s): Claire Burke, CSA or Peter Van Dam, CSA
1st Rehearsal: on or about 6/30/26
1st Performance: on or about 8/7/26
The employer will accept 126 video submissions from Equity members. Members will sign up online for one of the 126 slots. Only members who get one of the 126 slots will receive a confirmation e-mail with the preparation and submission information. After members' submissions have been viewed, the employer will notify each member who viewed their audition.
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
DIRTY DANCING (Tour)
Female Presenting, 20s. Smart, eager, appetitive for knowledge, passionately fair minded. Her mind and determination make her life happen. She doesn't have a mirror in her bedroom. A fight harder girl. We're first aware of her spirit, rather than her appearance. In the course of our story, she finds her sensuality -- and before our eyes becomes as beautiful as Penny. We don't wonder that Johnny falls in love with her. A very strong dancer.
Male Presenting, 20s. Young, charismatic, brilliant dancer, guarded quality. (Not a love me boy like John Travolta's Tony Manero.) Adored by women, charming when required, whip smart but keeps his thoughts to himself, except for Penny, whom he protects.
Male Presenting, Mid 40s–50s. A masculine and charismatic doctor whom everyone looks up to, from his family to his patients, to Johnny. Only later do we learn (and recognize) that he grew up a street kid like Johnny and they are, in many ways, alike. (Jerry Orbach in movie a good model.)
Female Presenting, 20s. Tall blonde, beautiful, brilliant dancer. A working-class princess. Trusting, kind, and vulnerable -- but with a wry understanding of the way the real world works.
Female Presenting, 20s. Black. Beautiful, young singer, invites everyone into the world of the show at the top. Caught between two worlds -- collecting money from guests giving money for Freedom Riders, and dirty dancing in the staff room with her white boyfriend. Her parents want her away from the new winds of radical thought and to become a children's librarian.
Male Presenting, 20s. Johnny's cousin. Wants more than anything else to be Johnny, tries to walk like him, talk like him. Never quite works. Eager to protect Johnny and Penny who are his family. Throughout the show he tries to win the affection of the beautiful young singer Elizabeth. They sing together and he finally wins her at the finale.
Male Presenting, 40s–60s. Black. Suave talented bandleader, everyone's moral compass. A second father to Neil, best friend to Max. Wants Neil to stay safe, not go freedom riding down South. Though a gifted tap dancer and splendid musician, he never left the protected space of Kellermans to test himself in the world of, say, Duke Ellington. Doesn't want young brilliantly talented Johnny to make the same mistake out of fear. Strong mover.
Female Presenting, Mid 40s–50s. Lovely and smart. Trying to keep the family together despite Baby's disregard for her. She and Jake are a great couple, still in love, still sexually present. (Kelly Bishop in movie a good model.)
Male Presenting, 50s–60s. King of the Catskills. He is not only the BOSS, but the HOST to Presidents and movie stars and Ambassadors and Leaders of the UN. The local postage stamp says Kellermans's New York. He hugely admires Jake, his doctor, is secretly fond of Johnny’s defiantly independent spirit (to whom he gives his own cabin), is devastated when he needs to fire Johnny. Tito is his closest friend – they were boys together at Kellermans when Tito wandered up as a kid from the South.
Male Presenting, 20s. Max's grandson. Orphaned young boy brought up at Kellermans's by Max and Tito. In a hard place. Wants to become the boss like his admired Grandfather (can't get the benevolent boss tone right), wants to be one of the guys but the staff boys mock him, wants to go Freedom Marching down South. He can't do them all. Baby seems his kind of girl, but when he tries to woo her in the gazebo — I love to watch your hair blowing in the breeze — she has short hair and there's no breeze. When he senses her with Johnny and is horrified, he loses control of his tone and his dignity. A nice boy having a terrible summer.
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