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CENTER REP 2022 SEASON Submission - Center Repertory Company Auditions

Posted December 23, 2021
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CENTER REP 2022 SEASON - Center Repertory Company

CENTER REP 2022 SEASON - EQUITY VIDEO SUBMISSIONS

Center Repertory Company

CONTRACT

LOA $502 weekly minimum (LOA ref LORT)


SEEKING

Equity actors for roles in Center Rep's 2022 season (see breakdown).

ALL ACTORS/STAFF must be fully Vaccinated.

Local actors encouraged to submit.

Everyone is encouraged to join our Center REP family.

Center REP encourages actors of all backgrounds, identities and body types to submit.


INSTRUCTIONS

Please prepare a monologue or passage from a play. SUBMIT HERE: www.lesherartscenter.org/aud4rep.html .


Deadline: Wed, Jan 5, 2022


PERSONNEL

Casting Director, Jennifer Perry (viewing auditions)


OTHER DATES

Murder on the Orient Express
Rehearsals Begin: 3/21/22
Tech and Performances: 4/12-5/7/22

Beehive: the 60’s Musical
Rehearsals Begin: 4/25/22
Tech and Performances: 5/24-6/26/22


OTHER

Rehearsals held at 501 Lawrence Way, Walnut Creek CA 94596
Performances held 1601 Civic Drive, Walnut Creek CA 94596

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.


BREAKDOWN

No understudy roles available

Murder on the Orient Express (all roles open)

Agatha Christie Adaptation Ken Ludwig

Directed by TBA

Hercule Poirot: The famous Belgian detective. Precise, intelligent, with impeccable taste and style. Age 40 to 60+.

Monsieur Bouc: M. Bouc owns the Wagon Lit train service. He is a friend of M. Poirot and is aboard the Orient Express with him. He too is Belgian, middle-aged and of good humor.

Mary Debenham: English, in her late 20s to mid-30s. She is a governess and a paramour of Colonel Arbuthnot. Note: Character participates in physical intimacy.

Hector MacQueen: A beleaguered, nervous American in his 30s who travels with Mr. Ratchett as his secretary.

Michel the Conductor: Michel is the Wagon Lit conductor. He is a good-looking Frenchman, in his 40s, with a quiet, almost grave, sense of humor. Monsieur Bouc knows and trusts him.

Princess Dragomiroff: Russian, in her dotage, expensively dressed and heavily bejeweled. She has a strong Russian accent and an imperious manner.

Greta Ohlsson: Plain, middle-aged and Swedish. Her English is not good, but she speaks and understands French. Greta is a matron in a missionary school and a trained nurse.

Helen Hubbard: A self-privileged, middle-aged, outspoken American who is flamboyant and often demanding.

Countess Andrenyi: A brilliant young doctor who is always dressed to the nines. She looks quite exotic, speaks a little English and has a charming Hungarian accent and a warm smile.

Colonel Arbuthnot: An army officer with a Scottish accent who served in India. He is honorable and upright, if a bit rigid and, at times, dim. He has a romantic connection with Ms. Debenham. Note: Character participates in physical intimacy.

Samuel Ratchett: A brusque American business tycoon who is mysteriously murdered by being stabbed a dozen times in his locked train compartment.

Head Waiter / Ensemble: The officious head waiter as well as roles to fill out the world of the play (including train personnel and passers-by). Will assist with moving set pieces and setting scenes.

Beehive: the 60’s Musical (all roles open)

Created by: Larry Gallagher

Directed and Choreographed by Dawn Monique Williams

Woman One: songs include ‘One Fine Day’, ‘I’m Sorry’ (Brenda Lee), ‘Remember (Walking in the Sand)’ ‘Downtown’ (Petula Clark.)

Woman Two: songs include ‘My Boyfriend’s Back’, ‘The Beat Goes On’, ‘I Dream About Frankie’ (Annette Funicello.)

Woman Three: songs include ‘I Can Never Go Home Again’, ‘It’s My Party’ and ‘You Don’t Own Me’ (Lesley Gore), “Do Right Woman’, ‘You Don’t Have To Say You Love Me’ (Dusty Springfield.)

Woman Four: songs include ‘Will You Still Love Me Tomorrow’ ‘Where The Boys Are’ (Connie Francis), ‘Piece of My Heart’ and ‘Me and Bobby McGee’ (Janis Joplin.)

Woman Five: songs include ‘I Sold My Heart to the Junkman’, ‘RESPECT‘ and “Natural Woman’ (Aretha Franklin.)

Woman Six: songs include ‘Sweet Talkin’ Guy’, ‘Where Did Our Love Go’ and ‘Come See About Me’ (Diana Ross), ‘Proud Mary’ (Tina Turner); Other artists portrayed within the show: Lulu (‘To Sir, With Love’) and Janis Ian (“Society’s Child”.)


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

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