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CAGNEY Equity Ensemble Singers (All genders) - Bay Street Theater Auditions

Posted February 19, 2026
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CAGNEY - Bay Street Theater

CAGNEY - NYC ECC Singers (Late Afternoon - All genders)

Bay Street Theater | Sag Harbor, NY

Notice: Audition • Call Type: ECC

AUDITION DATE

LOCATION

Friday, March 20, 2026 — Pearl Studios (500)
500 8th Ave
4:00 PM (E), New York, NY 10018-6504

Once the call begins the sign-ups will close. Bring your ID to enter the building. Holding room: Studio 309.

CONTRACT

PERSONNEL

  • LORT Non-Rep
  • Book: Peter Colley
  • $1,051 weekly minimum (LORT C) — until 6/28/26
  • $1,114 weekly minimum (LORT C) — after 6/29/26
  • Music & Lyrics: Robert Creighton & Christopher McGovern
  • Additional Songs: George M. Cohan
  • Director: Will Pomerantz
  • Music Director: Doug Oberhamer
  • Choreographer: Josh Bergasse
  • Associate Choreographer: Jeremy Benton
  • Artistic Director: Scott Schwartz
  • Associate Producer: John Sullivan
  • Casting: Murnane Casting / Chad Eric Murnane, CSA & Amber Snead, CSA

Bay Street Theater welcomes performers of all ethnicities, gender identities, abilities/exceptionalities, and body types. Actors of diverse cultural and racial backgrounds are encouraged to audition. In addition to the genders listed in character breakdowns, we are actively seeking transgender and non-binary performers for all roles.

Expected to attend: Director Will Pomerantz; Associate Choreographer Jeremy Benton; Casting Directors: Murnane Casting / Chad Eric Murnane, CSA & Amber Snead, CSA. Local actors are encouraged to attend.

PREPARATION

OTHER DATES

Please prepare 16 bars of a traditional musical theatre song that shows your range. Bring sheet music; an accompanist will be provided. Also bring a hard copy headshot and resume, stapled together. All rehearsals prior to sitz and tech will be in NYC.

  • First Rehearsal (NYC): June 4, 2026
  • Open: July 3, 2026
  • Close: July 26, 2026

OTHER


www.baystreet.org

ECC Procedures are in effect for this audition. An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

CAGNEY

Seeking dancers who sing well, with advanced classic movie musical tap ability, for supporting and featured ensemble roles. This is a tap-heavy musical. Principal understudies will be cast internally and from the ensemble.

SEEKING

  • [BILL CAGNEY & OTHERS] — Male identifying character, White, 30s. Cagney’s younger brother. Grounded, practical, and loyal — the emotional anchor of the family. Tenor. Advanced tap skills required.
  • [BOB HOPE & OTHERS] — Male identifying character, White, 40s. High-energy, fast-talking entertainer with strong comedic instincts and classic vaudeville charm. Tenor. Advanced tap skills required.
  • [JANE & OTHERS] — Female identifying character, Any Race & Ethnicity, 20s–30s. Warner’s assistant. Smart, capable, and dryly funny — the person keeping Warner’s world running. Soprano with belt. Advanced tap skills required.
  • [WILLIE CAGNEY & OTHERS] — Female identifying character, White, 30s–early 40s. Cagney’s wife. Strong, confident, quick-witted, and a true match for Cagney in every way. Soprano with belt. Advanced tap skills required.
  • [SCHLOTZKI/YUSSIE & OTHERS] — Male identifying character, Any Race & Ethnicity, 30s–40s. Plays a wide range of characters, from a vaudeville impresario to other character roles. Advanced tap skills preferred.
  • [MALE IDENTIFYING OFF-STAGE SWING] — Any Race & Ethnicity, 30s. All-around strong performer with advanced tap skills, to understudy principal roles. Prior swing experience is helpful.
  • [FEMALE IDENTIFYING OFF-STAGE SWING] — Any Race & Ethnicity, 30s. All-around strong performer with advanced tap skills, to understudy principal roles. Prior swing experience is helpful.

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