Review: MILLION DOLLAR QUARTET at Stolp Island Theatre Aurora
What did our critic think of Million Dollar Quartet at Stolp Island Theatre?
The latest reviews and critic recommendations from Chicago.
What did our critic think of Million Dollar Quartet at Stolp Island Theatre?
MIDNIGHT IN THE GARDEN OF GOOD AND EVIL is a sprawling, messy musical that weaves together the threads of several characters in 1980s Savannah, Georgia.
That is one of the songs written by Thomas Wright “Fats” Waller.
Writers Theatre’s latest production is an impressive commitment to craft and community that invites audiences to reflect on questions of masculinity, race, and responsibility that stimulate the brain while tickling the funny bone.
Beehive: The 60's Musical, the current production at Marriott Theatre, brings the decade of the 1960’s and the female musical artists to eye popping, foot stamping, hand clapping and colorful life! This 90 minute (no intermission) trip back in time is simply enjoyable.
In LITTLE BEAR RIDGE ROAD, Samuel D.
The Second City’s 112th Mainstage Revue, THE DEVIL IS IN THE DETOURS, promises “weird, sexy comedy” in its opening moments.
Fans of the novel may be enthralled at seeing the characters and events of THE KITE RUNNER brought to life before their eyes, largely through moving performances and clever stagecraft.
What did our critic think of LOVE, CHAOS & DINNER at Teatro Zinzanni?
What did our critic think of JESUS CHRIST SUPERSTAR at BrightSide Theatre?
The SIX queendom is back in Chicago for a third visit.
Move over Witches of Oz.
Blank Theatre’s ON THE 20TH CENTURY makes for a delightful ride through a farcical facsimile of Broadway’s Silver Age, if one can accommodate a few bumps along the way.
Levi Holloway’s dystopian play TURRET introduces audiences to an intimate bunker in a post-apocalyptic world.
In THE THANKSGIVING PLAY, four actors’ road to creating an elementary school Thanksgiving performance is paved with good intentions.
JUDGMENT DAY may be a world premiere comedy, but it trades in old-school jokes.
What did our critic think of JOFFREY BALLET'S MIDSUMMER NIGHT'S DREAM at Lyric Opera House?
Under the meticulous direction of Chuck Smith, the Goodman’s newest revival of JOE TURNER’S COME AND GONE emphasizes the play’s continued relevance through masterful performances that find cause for celebration and laughter even in the face of oppression.
Under the direction of BJ Jones, John Patrick Shanley's newest play boasts a talented cast gifted with good humor and heartfelt emotion, but the uneven script feels as though it shrank in a dryer fed by clichés rather than coins.
The number of sinners at the mission impresses General Cartwright (Heidi Kettenring in another comedic gem), especially Big Jule (KC McNeil in his Drury debut).
The newest production at Marriott Lincolnshire is Meredith Willson’s classic and beloved The Music Man.
Charles Newell's final project as Court Theatre's artistic director offers audiences a hilarious exploration of what makes us human as well as a stunning reminder of his keen dramaturgical instincts.
Raise a glass to THE CHOIR OF MAN, a rollicking good time of a show.
This newest adaptation of PETER PAN unquestionably corrects injustices that never should have been committed in the first place.
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