Review: JERSEY BOYS at Mercury Theater Chicago
Mercury Theater Chicago has staged a “homegrown” production of JERSEY BOYS full of Chicago heart.
The latest reviews and critic recommendations from Chicago.
Mercury Theater Chicago has staged a “homegrown” production of JERSEY BOYS full of Chicago heart.
Branden Jacobs-Jenkins has set the table for one hell of a family dinner in PURPOSE.
Crystal, the latest Cirque du Soleil production and playing through Sunday, March 24 at the NOW Arena in Hoffman Estates, is the story about a young woman escaping the realities of her life by living in her imagination.
Read BroadwayWorld's review of A Streetcar Named Desire at Paramount Copley Theatre Aurora.
No matter your preference, your favorite Sondheim shows will be represented in Theo Ubique's latest cabaret revue, which is as much an informative crash course in the composer's oeuvre as it is a heartfelt memorial to his rich life and lasting legacy.
Goodman Theatre Artistic Director Susan V.
Premiering at Rivendell Theatre under the inventive direction of Tara Mallen, WIPEOUT gifts audiences a hilarious exploration of aging, friendship, and womanhood that's as fun as a day at the beach and as bittersweet as a setting sun.
This is the description of Ira Levin’s comedic-thriller Deathrap.
The semi-improvised, fourth-wall-breaking musical now receives a delightful production at Music Theater Works that's heavy on humor if occasionally light on heart.
Director Mary Zimmerman returns to the Goodman with the whimsical and inventive THE MATCHBOX MAGIC FLUTE.
Invictus Theatre Company's production of the Pulitzer Prize-winner TOPDOG/UNDERDOG has moments of comedic entertainment and dramatic import, but it struggles to live up to the play's substantial reputation.
Director Zi Alikhan has gifted Chicago audiences with a production of THE BAND'S VISIT whose talent and creative execution equal---and may even exceed---those of the Broadway and touring productions.
That was my feeling after seeing this new production of Billy Elliot at the Paramount Theatre.
Alex Edelman's newest solo show JUST FOR US is a riotously hilarious and surprisingly heartfelt meditation on internet culture, Jewish identity, and the limits of radical empathy.
“Like a Rolling Stone,” the Bob Dylan jukebox musical GIRL FROM THE NORTH COUNTRY rolls along at an erratic pace with haphazard direction.
Paul Michael Thomson's newest dramedy BROTHER SISTER CYBORG SPACE, now receiving its world premiere at Raven Theatre, occasionally loses itself in a flood of introspection.
Receiving its world premiere as part of Steppenwolf for Young Adults programming, Matthew Paul Olmos's A HOME WHAT HOWLS features moving performances and a haunting creative vision that make the most of an often frustrating script.
If new Artistic Director Edward Hall's RICHARD III is any indication of what Chicago audiences can come to expect during his tenure, they would do well to cheer, 'Long live the king.
With NOTES FROM THE FIELD, playwright Anna Deavere Smith once again proves she’s a master of her genre of theatrical storytelling.
ILLINOISE is a journey through our great state of Illinois using movement.
Northlight Theatre's production movingly captures the pessimistic practicality and undying hope that still plagues those most affected by a conflict that never really ended.
The new production at Drury Lane Theatre in Oakbrook Terrace is Fiddler on the Roof.
The new production at Marriott Theatre in Lincolnshire is In The Heights.
HIGHWAY PATROL has refreshing bravery and honesty; it’s an intriguing exploration of online identity and the connections that might be found, or that we seek to find, on our social media profiles and in our DMs.
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