CHICAGO THEATER REVIEWS

In LITTLE BEAR RIDGE ROAD, Samuel D. Hunter has accomplished a rare and magical feat: He’s given us a play that’s mundane and profound at the same time. With Joe Mantello directing, Steppenwolf’s ensemble of Laurie Metcalf, Micah Stock, John Drea, and Meighan Gerachis make the play yet more fa...

The Second City’s 112th Mainstage Revue, THE DEVIL IS IN THE DETOURS, promises “weird, sexy comedy” in its opening moments. This ensemble definitely hits on the weird and occasionally hits on the funny. ...

Fans of the novel may be enthralled at seeing the characters and events of THE KITE RUNNER brought to life before their eyes, largely through moving performances and clever stagecraft. But this dramatization feels unsatisfying, an adaptation that ultimately fails to convince audiences that it is nec...

What did our critic think of JESUS CHRIST SUPERSTAR at BrightSide Theatre?...

The SIX queendom is back in Chicago for a third visit...and this latest group of queens still magnificently bring the house down with Toby Marlow and Lucy Moss’s clever book and fantastic pop Broadway-style songs. ...

Move over Witches of Oz. There’s a new pair of Broadway-Bound divas looking to stage a wicked fight for supremacy eight shows a week. And you better best believe the stage becomes her, er, them....

Blank Theatre’s ON THE 20TH CENTURY makes for a delightful ride through a farcical facsimile of Broadway’s Silver Age, if one can accommodate a few bumps along the way....

Levi Holloway’s dystopian play TURRET introduces audiences to an intimate bunker in a post-apocalyptic world. And notably, the play marks Michael Shannon’s return to A Red Orchid. Shannon plays Green, who presides over this mysterious bunker in which he’s holding captive his trainee, Rabbit (T...

In THE THANKSGIVING PLAY, four actors’ road to creating an elementary school Thanksgiving performance is paved with good intentions. But good intentions aren’t enough to save them from their “white savior” complexes. ...

The earth moved. The current production at the Paramount Theatre is Beautiful, the Carole King Musical. This is more than a jukebox musical. It tells the amazing story of one of the greatest songwriters of the 20th century and how her story evolved. ...

JUDGMENT DAY may be a world premiere comedy, but it trades in old-school jokes. Rob Ulin’s play is relatively simple and wears its moral heart on its sleeve (Main takeaway: Don’t be a jerk), even if lead role Sammy Campo doesn’t have a heart at all. While JUDGMENT DAY pokes some fun at the Cat...

What did our critic think of JOFFREY BALLET'S MIDSUMMER NIGHT'S DREAM at Lyric Opera House?...

Under the meticulous direction of Chuck Smith, the Goodman’s newest revival of JOE TURNER’S COME AND GONE emphasizes the play’s continued relevance through masterful performances that find cause for celebration and laughter even in the face of oppression. The production has already been extend...

Under the direction of BJ Jones, John Patrick Shanley's newest play boasts a talented cast gifted with good humor and heartfelt emotion, but the uneven script feels as though it shrank in a dryer fed by clichés rather than coins....

The number of sinners at the mission impresses General Cartwright (Heidi Kettenring in another comedic gem), especially Big Jule (KC McNeil in his Drury debut).  As Adelaide and Nathan are trying to leave to get married, the mission band arrives with its new leader Sky Masterson. He and Sarah were ...

The newest production at Marriott Lincolnshire is Meredith Willson’s classic and beloved The Music Man. Director/choreographer Katie Spelman has stayed true to the script and has made the fictional town of River City – based on Willson’s hometown of Mason City, Iowa – come to life....

Charles Newell's final project as Court Theatre's artistic director offers audiences a hilarious exploration of what makes us human as well as a stunning reminder of his keen dramaturgical instincts. The production has already been extended through April 28 due to critical acclaim and popular demand...

Raise a glass to THE CHOIR OF MAN, a rollicking good time of a show. The show’s a UK transfer and it transports audiences to the fictitious pub The Jungle, modeled after classic Irish and British pubs. Therein, the eponymous nine man choir serves up pop and rock hits on tap. THE CHOIR OF MAN is al...

This newest adaptation of PETER PAN unquestionably corrects injustices that never should have been committed in the first place. But by flying Peter so enthusiastically into 2024, the creative team has stripped him and his story of some of their magic, making the boy who wouldn't grow up more out of...

Mercury Theater Chicago has staged a “homegrown” production of JERSEY BOYS full of Chicago heart. The bio jukebox musical has graced Chicago tour stages over the years (in fact, I had a chuckle looking back at the review of the first national tour I wrote for my high school newspaper), but this ...

Branden Jacobs-Jenkins has set the table for one hell of a family dinner in PURPOSE. Directed by Phylicia Rashad in a world premiere for Steppenwolf, this family drama keenly focuses on the privileged Jasper family, whose patriarch is a Civil Rights icon. The first act moves at a brilliant clip with...

Crystal, the latest Cirque du Soleil production and playing through Sunday, March 24 at the NOW Arena in Hoffman Estates, is the story about a young woman escaping the realities of her life by living in her imagination....

Read BroadwayWorld's review of A Streetcar Named Desire at Paramount Copley Theatre Aurora. ...

No matter your preference, your favorite Sondheim shows will be represented in Theo Ubique's latest cabaret revue, which is as much an informative crash course in the composer's oeuvre as it is a heartfelt memorial to his rich life and lasting legacy. The production runs through April 28 at Theo's p...

Goodman Theatre Artistic Director Susan V. Booth puts her own spin on Margaret Atwood’s decidedly feminist tale THE PENELOPIAD. As with her famous novel THE HANDMAID’S TALE, Atwood uses THE PENELOPIAD as a device to convey the horrors and abuse committed against women. Atwood’s points are vali...