Review: PAUL TAYLOR DANCE COMPANY at David H. Koch Theater, Lincoln Center
What did our critic think of PAUL TAYLOR DANCE COMPANY at David H. Koch Theater, Lincoln Center?...
Review: TOUSSAINT TO MOVE: FREE, Sadler's Wells East
Created by Akeim Toussaint Buck, Toussaint to Move: FREE is a dance performance that combines reggae dub culture and contemporary dance, allowing audience members to become immersed in the world created by the five performers - Aline Simo Kamga, Francesca Matthys, Jemima Tawose, Márcio Inácio and ...
Review: JOBURG BALLET - COMMUNION OF LIGHT, Royal Ballet And Opera
What did our critic think of JOBURG BALLET - COMMUNION OF LIGHT at Royal Ballet And Opera: Linbury Theatre?...
Review: TWO BLOOD – AUSTRALIAN DANCE THEATRE - OZASIA FESTIVAL 2025 at Odeon Theatre
I really need to see this production again....
Review: COMPAGNIE DYPTIK: LE GRAND BAL at The Joyce Theatre
What if dance could transform our feelings of loneliness to those of belonging? Help us forget our own pain, albeit temporarily, and instead allow us to find a sliver of joy? Enable us to feel free and, perhaps, even feel like the most authentic version of ourselves?...
Review: LANDSCAPE - ELENA ANTONIOU, Shoreditch Town Hall
Normally all we see are signs confirming no photography or filming at the theatre, but Elena Antoniou wants you to do the exact opposite during her work LANDSCAPE. The piece was part of the Dance Umbrella festival and was performed for two nights in the Assembly Hall at Shoreditch Town Hall. ...
Review: NORTHERN BALLET: LITTLE RED RIDING HOOD, Royal Ballet And Opera
A delightful 'first ballet' aimed at children, Northern Ballet's Little Red Riding Hood offers a twist on the old tale of the hungry wolf and the sweet little grandmother. The importance of kindness and friendship is more important than the shock value in this version, which displays more sweetness ...
Review: LA FILLE MAL GARDÉE, Royal Ballet And Opera
Marianela Núñez said of La Fille mal gardée during a rehearsal that it was just what the world needed right now. This much loved Frederick Ashton classic has not been seen on the Covent Garden stage since 2016, we needed it back then and we certainly need it now more than ever....
TURN IT OUT WITH TILER PECK & FRIENDS WAS SUBLIME at New York City Center
As the world we live in gets increasingly more divided—socially, politically, economically—there is no more joyous occasion than coming together for a beautiful piece of art that leaves the collective room oohing and aahing....
Review: Paris Opera Ballet Presents RED CARPET By Hofesh Shechter At New York City Center
“Let’s experience dance as if it were a concert,” says choreographer Hofesh Shechter, in reference to his New York premiere of Red Carpet at New York City Center. Shechter invites New Yorkers into a world of organized chaos and upscale opulence danced by Paris Opera Ballet dressed in Chanel co...
Review: DANCE UMBRELLA - SUNDAY SHORTS, Barbican Cinema
Dance Umbrella - the contemporary dance festival - started in 1978 and continues its mission today. One can always expect the unexpected…however, Sunday Shorts - “a screening of short films that draw on global perspectives and have movement at their heart” was far from what I'd hoped it would ...
Review: IHSANE at National Arts Centre
What did our critic think of IHSANE at National Arts Centre? NAC Dance’s new 2025-2026 season is now in full swing, presenting events showcasing artists from across the globe. Ihsane, a co-production between the Ballet du Grand Théâtre de Genève and Eastman, is an utterly captivating show....
Review: NEVER TOO LATE at Laurie Beechman Theatre
Never Too Late marks a milestone moment in the career of viral dance icon Kim Hale, who has inspired millions with her story of reconnecting with her love of dance later in life. Known to many as the 57-year-old dancing powerhouse who leapt into the internet spotlight mid-pandemic, Hale took center ...
Review: BLACK HISTORY MONTH DRAFT WORKS, Royal Ballet And Opera
The Royal Ballet 25/26 season continues with Black History Month Draft Works, this year curated by principal dancer Marcelino Sambé. Sambé, and producer Julia Gillespie have invited five female, black choreographers to either create, or show existing work for two performances in the Clore Studio.
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Review: R:EVOLUTION, Sadler's Wells
English National Ballet’s season opener, R:Evolution offers up a varied set of challenges for the company, taking us back to the 1940s with George Balanchine and Martha Graham, to the present day with William Forsythe and David Dawson....
Review: LIKE WATER FOR CHOCOLATE, Royal Ballet And Opera
Narrative ballet is hard, so anyone willing to go there deserves a medal regardless of the outcome. The Royal Ballet (mainstage) season opened last night with Christopher Wheeldon's 2022 Like Water for Chocolate. Based on the 1989 Laura Esquivel novel of the same name, the ballet is fundamentally a ...
Review: Kyle Abraham's 20 Years of Urgency at Lincoln Center Rose Theatre
Art has long been a way to wrestle with the contradictions of human existence. The ugly — injustice, violence, discrimination — and the tender — love, strife, loneliness — often surface most potently on stage....
Review: FALL FOR DANCE FESTIVAL at New York City Center through 9/27-Exquisite
The Fall for Dance Festival is now happening at New York City Center through 9/27. This is the 22nd year of this annual, beloved Festival....
Review: LONDON CITY BALLET - MOMENTUM, Sadler’s Wells
London City Ballet return for their second season with another mixed bill, and the results are also mixed. Director Christopher Marney has chosen the repertoire well, finding chamber-sized works to fit the company of 14, however two out of the four works presented are weak choreographically....
Review: I HAVE A SECRET TO TELL YOU... at The Kennedy Center Theater Lab
The Kennedy Center’s Local Dance Comissioning Project (LDCP) 2024/2025 awardees Jamison Curcio and Shanice Mason presented a vulnerable, metaphysical dance autobiography in I have a secret to tell you…. ...
Review: RADIUM GIRLS-Inspiring Empathy & Action Through Dance
Wolfe’s first immersive dance production draws inspiration from Kate Moore’s book 'The Radium Girls: The Dark Story of America’s Shining Women,' which chronicles the young women employed in New Jersey and Illinois factories painting watch dials with luminous radium paint. ...
Review: 3G Art Collective-A Devotional Evening of Dance, Memory, & Legacy
What does it mean to inherit a legacy of survival? Shany Dagan, John Reed, and Jana Krumholtz, all grandchildren of Holocaust survivors, unveiled three vulnerable and interdisciplinary dance works that explore the answer to that question....
Review: PEAKY BLINDERS: THE REDEMPTION OF THOMAS SHELBY, Sadler's Wells
From the moment the curtain raises and smoke billows away to reveal a barely lit stage, it’s clear that Rambert’s The Redemption of Thomas Shelby isn’t interested in gently inviting you in and asking how you take your tea. If anything, this is a rough kidnap of the senses, dumping you into a W...
Review: GISELLE - NATIONAL BALLET OF JAPAN, Royal Ballet And Opera
Current geopolitics mean the Royal Ballet and Opera no longer welcomes the big Russian companies - Bolshoi and Mariinsky - for summer seasons when the resident company take their annual break. This of course leaves room for others…so welcome the National Ballet of Japan (for the first time), with ...
Review: SONGS OF THE BULBUL, Sadler’s Wells East
What did our critic think of SONGS OF THE BULBUL at Sadler’s Wells East?...
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