BWW Dance Reviews: THE START OF SOMETHING BIG at The Ririe-Woodbury Dance Company
The Ririe-Woodbury Dance Company opens its season with The Start of Something Big....
BWW Reviews: John J. Zullo Dance - Raw Movement, Innovative and Imaginative
John J. Zullo Dance/Raw Movement had its 2013 Season performance at Danspace Project in the St. Marks Church from September 19th to the 21st. The three pieces presented in the program fascinated their audience....
BWW Reviews: The METAMORPHOSIS
I wanted to read Kafka's Metamorphosis before attending the Royal Ballet's production bearing the same name. But my own Kafkesque world intervened, so I never had the chance to follow Gregor and his transformation from human being to bug. I can only judge the production on its own merits, and not co...
BWW Reviews: Houston Ballet's THE MERRY WIDOW is Opulently Romantic
As a ballet, THE MERRY WIDOW is an adaptation of Franz Lehar's popular romantic operetta Die Lustige Witwe (The Merry Widow), which premiered in 1905. In the process of adapting the score for ballet, John Lanchbery and Alan Abott retained the style of Franz Lehar's orchestrations and included severa...
BWW Reviews: Roberto Bolle And Friends Gala
That Roberto Bolle is the body beautiful, not to mention gorgeous, extraordinaire, beyond belief, is not to be questioned. If he took just one step to the right, you might call it exploitation or something closely resembling that. Mr. Bolle, wisely, did not take that slippery path. He remained an am...
BWW Reviews: Ballet Austin Presents Gorgeous, Charming MIDSUMMER NIGHT'S DREAM
Any theater-goer must have some passing familiarity with William Shakespeare's A Midsummer Night's Dream, arguably the screwball comedy in which fairies use a magical flower to make two sets of humans fall in love with each other. No such flower is needed here to elicit the audience's love and affe...
BWW Reviews: The Table of Silence Project 9/11 Commemorates the September 11th Terrorist Attacks
It is the instinctual reaction of an artist to create art from destruction. The Table of Silence Project 9/11 was conceived by Jacqulyn Buglisi and Rossella Vasta as a “public tribute and ritual for peace”—a reaction to the September 11th terrorist attacks and the world that day created....
BWW Reviews: Miro Magloire's New Chamber Ballet Brings Contemporary Music and More to City Center Studio
Miro Magloire's New Chamber Ballet opened its 2013-14 season on September 6 & 7 with performances at City Center Studios in New York. It's a simple setting with no lighting, which adds to direct connection it has with the audience....
BWW Reviews: Houston Ballet's FOUR PREMIERES is a Celebration of Choreography
The Houston Ballet is notorious for providing audiences with top-notch productions and a supremely talented company. Launching into their 2013-2014 season, Houston Ballet opens with FOUR PREMIERES. Consisting of one American premiere and three world premieres, FOUR PREMIERES is a wonderful evening o...
SO YOU THINK YOU CAN DANCE Final Four Recap WITH PHOTOS: Best Show of the Year
I have been pretty vocal with my feeling that the entertainment value of this season of SO YOU THINK YOU CAN DANCE has been lacking a bit. However, while there still hasn't been a singular defining moment this season, as the numbers dwindled, the entertainment skyrocketed. Tonight was the most enjoy...
BWW Reviews: TAP 'N TIME - NJ Tap Fest's Extraordinary Main Stage Event
Tap dancing is an art that has endured through the enthusiasm and creativity of its performers. New Jersey Tap Fest's main stage event, 'Tap 'N Time,' was performed at the Westminster Arts Center at Bloomfield College on Saturday night. The two act show delighted the audience with a wide variety of ...
BWW Reviews: STOMP '13 Gets Feet Tapping and Hands Clapping
This performance will have you smiling, laughing, foot tapping, clapping, and going home talking about it for ages after....
BWW Reviews: A LULLABY TO MR. ADAM Activates Imaginations at MMAC
On August 18th, the basement of the Manhattan Movement and Arts Center in Manhattan not only held a beautiful, intimate theater, but a space completely filled by passion from the dancers and creativity from their choreographer's vision....
BWW Reviews: Peridance Capezio Center's Faculty Showcase
A diverse evening of dance, with pieces ranging from contemporary to classic jazz to hip hop, presented by Peridance Center's faculty, entertained an eager audience on Saturday evening, informing them of New York's vibrant and diverse dance scene....
BWW Reviews: Eva Dean Underwhelms with PETER PAN AND THE STARDUST DANCES
BWW Reviews New York International Fringe Festival's Peter Pan and the Stardust Dances, a tale of Peter Pan, Esmerelda, and floating lanterns told in five acts....
BWW Reviews: Groundworks Dance at Cain Park and Fall Dance Previews
Dance has long been perceived as an art entertainment for the wealthy, educated and performance trained. Terms such as 'fifth position,' 'adagio,' 'camber,' 'shag,' and 'pirouette' are foreign to most people. Dance styles such as hip hop, Tango, jazz, Samba, and Broadway may be terms that have been ...
BWW Reviews: Cleveland Orchestra Superb, Joffrey Ballet Disappoints
What happens when The Cleveland Orchestra, considered to be one of the world's great ensemble of musical performers, couples with the Joffrey Ballet, hailed as 'America's Ballet Company of Firsts?' After their well-received five sold-out performance of THE NUTCRACER last winter at PlayhouseSquare, a...
BWW Reviews: Les Ballets Jazz De Montreal Celebrates Brooklyn
Celebrate Brooklyn! Performing Arts Festival is held at the Bandshell is Prospect Park, with live performances featuring artists from all over the world. For their dance portion last week, BRIC presented three works from Les Ballets Jazz de Montreal....
BWW Reviews: Melinda Sullivan's GONE
Sullivan shined in this story of love, loss, and letting go. Gone was a storybook told through dance; a Broadway performance without words. With smooth transitions between scenes, I was seamlessly pulled into Sullivan's world of a home that was simultaneously living out the past and looking toward t...
BWW Reviews: From the Television Archives- John Cranko's THE LADY AND THE FOOL and PINEAPPLE POLL
On a rainy August day I curled up on the couch with BBC's recently released and re-mastered television broadcast of John Cranko's The Lady and the Fool and Pineapple Poll. Accustomed to contemporary ballet sensibilities, I was a bit skeptical of the black and white recording of these two 1959 perfo...
BWW Reviews: At Zombie Joe's They're DANCING ON THE EDGE
No matter what kind of a production ZJU Theatre Group is working on you can bet they'll throw themselves into it with everything they've got. Their latest, a dance performance piece called DANCING ON THE EDGE, is no exception. Staying true to their overall aesthetic of raw, creative, smartly crafted...
BWW Reviews: BALANCHINE AND THE LOST MUSE: REVOLUTION AND THE MAKING OF A CHOREOGRAPHER by ELIZABETH KENDALL
George Balanchine (1904-1983) is considered the greatest choreographer of the 20th century, his transforming genius in dance often compared to that of Mozart and Stravinsky in music and Picasso and Cezanne in art. Born Georgi Balanchivadze in Czarist Russia, he fled the country of his birth for the...
BWW Reviews: Verb Ballets Presents Uneven Evening of Dance
Verb Ballets' SUMMER SERIES was, with the exception of the opening number, a pleasant, if not compelling evening of dance....
BWW Reviews: THE MUSIC MAN Brings Fun to Cottonwood Heights
As with any show with a large cast, it can be difficult for a choreographer to know what to do with all those bodies. And Cottonwood Heights production of MEREDITH WILLSON'S THE MUSIC MAN is no exception. Working with a cast of at least 75 that included small children, Choreographer Teresa Draper ...
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