The Grainger Academy of The Joffrey Ballet annually trains nearly 80 full-time students in professional training programs.
The Mary B. Galvin Artistic Director Ashley Wheater has added three dancers to the Joffrey roster for the 2025-26 season: Dayla Bowman (Tasmania, Australia), Seehyun Kim (Gyeonggi-do, South Korea), and Laila Madison (Los Angeles, California). All three new Company Artists are receiving promotions from within the Grainger Academy of The Joffrey Ballet.
The Mary B. Galvin Artistic Director Ashley Wheater MBE says, "This moment proves the strength of a fully integrated Academy and Company. Dayla, Seehyun, and Laila arrive already steeped in our repertoire, having performed in The Nutcracker, Atonement, and Alice's Adventures in Wonderland. I've witnessed their growth in the Grainger Academy—the refinement of their technique, the depth of their artistry, and the resilience they bring. With Abbott Academy Director Suzanne Lopez's leadership and the momentum from the Grainger endowment, we are building the Company from within. This is precisely the pipeline we set out to create, and what sets the Joffrey's model apart.”
Wheater has overseen the growth of the Grainger Academy since its inception. The success of Wheater's vision to advance the next generation of artists is realized through the roster of Grainger Academy students who have accepted contracts at The Joffrey Ballet, as well as respected international ballet companies including Paris Opera Ballet, English National Ballet, The Royal Ballet, Houston Ballet, American Ballet Theatre, and San Francisco Ballet.
"For the first time, every new dancer this season is promoted from Grainger Academy. That's an extraordinary milestone. These artists have created world premieres through Winning Works, performed in full-length productions, and fully lived in the Joffrey's culture," says Abbott Academy Director Suzanne Lopez. "For a relatively young school, this speaks volumes to the strength of our programs, the vision of our curriculum, and the transformative support of the Grainger endowment. We are training artists of the highest caliber, and to see Dayla, Seehyun, and Laila rise to the Company is a clear sign of what's ahead: versatile dancers, well-rounded programs, a stronger Joffrey."
Strategically thinking about the lifecycle of a dancer, from early training to pre-professional development in the Grainger Academy, to securing a Company contract, the Joffrey offers pioneering programs that transition ballet trainees to Company Artists, reinforcing its position as one of the nation's premier ballet companies.
The Grainger Academy of The Joffrey Ballet annually trains nearly 80 full-time students in professional training programs. Various opportunities for artistic development include participating in Winning Works, performing alongside Company Artists, touring, and more. Since the inception of the Academy in 2010, 30 Grainger Academy graduates have been promoted to the Joffrey Company.
In 2024, The Joffrey Ballet received a historic $5 million gift from the Lake Forest–based Grainger Foundation to endow and rename its Academy, now the Grainger Academy of The Joffrey Ballet. This transformative support strengthens Joffrey's commitment to cultivating the next generation of dancers and expands one of the nation's most comprehensive scholarship programs, attracting talent from around the world.
About the New Dancers
From Tasmania, Australia
Studio Company from 2023-2025
Dayla Bowman began her ballet training at age five at Dance Pointe Academy in Launceston, Tasmania, under Rebecca Gurr. In 2013, she was accepted into The Australian Ballet School's Intrastate/Interstate/International Training Program and, in 2019, earned Invitee status with The Australian Ballet School. At the age of thirteen, Bowman relocated to Sydney to train full-time at Tanya Pearson Academy under Lucinda Dunn OAM. In 2020, she joined The San Francisco Ballet School, where she trained for three years. After graduating, Bowman joined the Studio Company at the Grainger Academy of The Joffrey Ballet. During her two years in the Studio Company, she performed in Grainger Academy productions, including Gerald Arpino's Kettentanz and Reflections, the principal couple in Paquita, and the world premiere of Houston Thomas's For Mr. Ramsey Lewis. She also appeared with The Joffrey Ballet in The Nutcracker, Cathy Marston's Atonement, and Christopher Wheeldon's Alice's Adventures in Wonderland.
From Gyeonggi-do, South Korea
Studio Company from 2024-2025
Seehyun Kim began her ballet training in her hometown of Gyeonggi-do, South Korea, before joining the Korea National University of Arts Gifted Program at age nine. She continued her studies at Seoul Arts High School, leaving early to train with the San Francisco Ballet Trainee Program for one year, followed by a year with the Grainger Academy of The Joffrey Ballet's Studio Company. Kim has an extensive competition history, both in Korea and internationally. While at the Korea National University of Arts Gifted Program, she won first place at the Valentina Kozlova International Ballet Competition (2017) and the Sicilia Barocca International Dance Competition (2018). While attending Seoul Arts High School, she was a semi-finalist at the 2022 Prix de Lausanne in Switzerland, and placed fifth at the 2023 Prix de Lausanne, where she also received the Audience Favorite Award.
From Los Angeles, California
Ballet Trainee from 2022-2023
Laila Madison began ballet at age three in Los Angeles, studying at local studios before expanding her training at the Debbie Allen Dance Academy, where she explored ballet, modern, jazz, tap, flamenco, Graham, and character dance. She later trained at the Marat Daukayev School of Ballet, focusing primarily on classical ballet. After graduating from both high school and the Marat Daukayev School of Ballet, Madison joined the Grainger Academy of The Joffrey Ballet as a trainee for the 2022–2023 season under a full tuition scholarship, performing in Grainger Academy productions including Raymonda, Winning Works, and Don Quixote. From 2023 to 2025, she was a trainee with Kansas City Ballet's Second Company, performing in all Company and Second Company productions, including George Balanchine's Jewels, Val Caniparoli's Jekyll & Hyde, Septime Webre's Alice (in Wonderland), and Anna Marie Holmes' Don Quixote.
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