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CLASSICAL MUSIC THEATER REVIEWS

The latest reviews and critic recommendations from Classical Music

Our Classical Music Critics

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Review: BBC PROMS: MÄKELÄ CONDUCTS MOZART, PROKOFIEV & BARTÓK, Royal Albert Hall

Review: BBC PROMS: MÄKELÄ CONDUCTS MOZART, PROKOFIEV & BARTÓK, Royal Albert Hall

by Louise Penn — August 26, 2025
This programme of music seems to thrive on themes of togetherness, resilience, and support that may have also influenced the Russian composer at the mid-point of his life, the Hungarian maestro nearing the end of his, and even the bright young man setting out to shake us the music scene in Europe to...
Review: BBC PROMS, ANOUSHKA SHANKAR-'CHAPTERS', Royal Albert Hall

Review: BBC PROMS, ANOUSHKA SHANKAR-'CHAPTERS', Royal Albert Hall

by Aliya Al-Hassan — August 13, 2025
It's 20 years since Anoushka Shankar made her Proms debut, along with her father Ravi Shakar. Since then she has eclipsed even his enduring reputation as a world-renowned sitarist. Now a multi-Grammy-nominated artist, a sitar virtuoso and prolific composer, Shankar makes a triumphant return to the ...
Review: BBC PROMS: BEETHOVEN AND BARTOK FROM BUDAPEST, Royal Albert Hall

Review: BBC PROMS: BEETHOVEN AND BARTOK FROM BUDAPEST, Royal Albert Hall

by Louise Penn — August 7, 2025
Bringing Ivan Fischer and the Budapest Festival Orchestra back to the BBC Proms, last night’s concert offered a programme of Beethoven’s 'Symphony No. 7 in A major' alongside Bartok’s dark one-act opera Duke Bluebeard’s Castle.  ...
Review: BEETHOVEN: I SHALL HEAR IN HEAVEN, Opera Holland Park

Review: BEETHOVEN: I SHALL HEAR IN HEAVEN, Opera Holland Park

by Clementine Scott — August 7, 2025
This is a great opportunity to hear the breadth of Beethoven’s work performed in a novel way, and the drama does have its flashes of brilliance. In order to preserve these fleeting moments of conviction, though, Beethoven: I Shall Hear in Heaven needs to move away from tired biographical tropes an...
Review: BBC PROMS: BEETHOVEN’S FIFTH, Royal Albert Hall

Review: BBC PROMS: BEETHOVEN’S FIFTH, Royal Albert Hall

by Michael Higgs — July 26, 2025
A program featuring one of the world's most beloved symphonies, a stunning piano concerto allowing pianist Alexandre Kantorow to show off his prowess, and a fascinating contemporary piece by Scottish composer Jay Capperauld, the 10th BBC Prom 2025 marks a triumph for conductor Maxim Emelyanychev and...
Review: BBC PROMS: MENDELSSOHN'S VIOLIN CONCERTO, Royal Albert Hall

Review: BBC PROMS: MENDELSSOHN'S VIOLIN CONCERTO, Royal Albert Hall

by Franco Milazzo — July 25, 2025
From the moment the first note rang out, this was no ordinary Proms night. Four wildly different pieces, one restless thread: mischief. Mendelssohn is the marquee name here but really this was a foray into the world of fairytale birds, lyrical longing, mythological monkeys and death-defying prankste...
Review: BBC PROMS: VIVALDI AND BACH, Royal Albert Hall

Review: BBC PROMS: VIVALDI AND BACH, Royal Albert Hall

by Debbie Gilpin — July 21, 2025
Once Proms season comes around, there aren’t many better places to be on a Sunday morning than at the Royal Albert Hall. It was a return to more traditional Proms fare this time, with a trip to the 17th and 18th centuries for a selection of mostly Vivaldi and Bach pieces - although the programme a...
Review: BBC PROMS: FIRST NIGHT OF THE PROMS 2025, Royal Albert Hall

Review: BBC PROMS: FIRST NIGHT OF THE PROMS 2025, Royal Albert Hall

by Josh Maughan — July 19, 2025
As classical performance continues to wrestle with relevance, accessibility and representation, the Proms are under pressure to lead this change. This opening night offered progress in places, but also showed how much further there is to go....
Review: THE MAINLY MOZART ALL-STAR ORCHESTRA at the Epstein Family Amphitheater

Review: THE MAINLY MOZART ALL-STAR ORCHESTRA at the Epstein Family Amphitheater

by Ron Bierman — July 5, 2025
What did BroadwayWorld's critic think of THE MAINLY MOZART ALL-STA FESTIVAL ORCHESTRA at Epstein Family Amphitheater? Read the review here and learn more! ...
Review: PETER SCHICKELE at New York Society For Ethical Culture

Review: PETER SCHICKELE at New York Society For Ethical Culture

by Joanna Barouch — June 10, 2025
It’s become the custom in recent years to present memorial concerts which pay tribute to musicians after they leave this mortal plane....
Review: THE GNSO TRIUMPHS IN MAHLER'S RESURRECTION SYMPHONY at Aquinas Hall, Newburgh

Review: THE GNSO TRIUMPHS IN MAHLER'S RESURRECTION SYMPHONY at Aquinas Hall, Newburgh

by Peter Danish — May 21, 2025
On the evening of Saturday, April 26, 2025, the Greater Newburgh Symphony Orchestra (GNSO) presented a breathtaking rendition of Gustav Mahler’s Symphony No. 2 in C minor, Resurrection, at Aquinas Hall at Mount Saint Mary College in Newburgh, NY....
Review: TOSCA at McCaw Hall

Review: TOSCA at McCaw Hall

by Erica Miner — May 12, 2025
Ending the season with a memorable production of one of opera’s most tour de force masterpieces is sure to motivate audiences to return for Seattle Opera’s next season...
Review: AMERICAN RHAPSODY at Kennedy Center

Review: AMERICAN RHAPSODY at Kennedy Center

by David Friscic — May 7, 2025
An evening of the myriad modes of music that constitute the American Experience was celebrated at the Kennedy Center’s production of American Rhapsody. The evening was a rich treasure trove of the glory that is American music from opera, spirituals, modern composers, classic songwriters, and Broad...
Review: YUNCHAN LIM STUNS WITH GOLDBERG VARIATIONS at Carnegie Hall

Review: YUNCHAN LIM STUNS WITH GOLDBERG VARIATIONS at Carnegie Hall

by Peter Danish — May 2, 2025
Yunchan Lim’s performance of Bach’s Goldberg Variations at Carnegie Hall was a masterclass in both technique and emotional depth, showcasing his extraordinary maturity and artistry for such a young performer. From the moment he began, it was clear that Lim was not just playing the piece; he was ...
Review: The Philadelphia Reveals an Austere Mahler 6 at Carnegie Hall

Review: The Philadelphia Reveals an Austere Mahler 6 at Carnegie Hall

by Peter Danish — April 21, 2025
On April 15, 2025, The Philadelphia Orchestra, under the direction of Yannick Nézet-Séguin, presented Gustav Mahler’s Sixth Symphony at Carnegie Hall in a performance defined by its precision, structural rigor, and interpretive restraint. Rather than indulging in the sweeping romanticism that of...
Review: FISH OUT OF WATER at Chamber Music Society Of St. Louis

Review: FISH OUT OF WATER at Chamber Music Society Of St. Louis

by Steve Callahan — April 15, 2025
A splendid evening of Schubert, Haydn, Satie, de Grignol, and Montgomery...
Review: LSO: MACMILLAN AND SHOSTAKOVICH 12, Barbican Theatre

Review: LSO: MACMILLAN AND SHOSTAKOVICH 12, Barbican Theatre

by Louise Penn — April 4, 2025
Dominated by a new James MacMillan work, and a lively couple of pieces by Shostakovich reflecting on the October Revolution of 1917 in Russia, this concert from the LSO, with their Principal Guest Conductor Gianandrea Noseda and violinist Nicola Benedetti, offered a lively evening of music. Full-blo...
Review: HIGH OCTANE OCTET at Carnegie Hall-Weill Recital Hall

Review: HIGH OCTANE OCTET at Carnegie Hall-Weill Recital Hall

by Joanna Barouch — April 4, 2025
Imagine you are living with your family at your mother-in-law’s house. Imagine you don’t really “work” for a living because you are a composer. But you are very bored.  You mother-in-law takes in boarders, and one day you distinctly hear the sound of two violins playing a duet! ...
Review: INNOCENCE – ADELAIDE FESTIVAL 2025 at Adelaide Festival Theatre, Adelaide F

Review: INNOCENCE – ADELAIDE FESTIVAL 2025 at Adelaide Festival Theatre, Adelaide Festival Centre

by Barry Lenny — March 5, 2025
This will be talked about for a long time to come....
Review: THE LONDON SYMPHONY and PIANIST YUNCHAN LIM at San Diego Jacobs Music Center

Review: THE LONDON SYMPHONY and PIANIST YUNCHAN LIM at San Diego Jacobs Music Center

by Ron Bierman — February 23, 2025
What did our critic think of THE LA JOLLA MUSIC SOCIETY PRESENTS THE LONDON SYMPHONY ORCHESTRA at San Diego Jacobs Music Center? Standing Ovations showed the audience's appreciation of pianist Yunchan Lim in Rachmaninov's second piano concerto and the orchestra's excellence under conductor Sir Anto...
BWW Review: Columbus Presents a Tour-de-FOURce Production of WEST SIDE STORY

BWW Review: Columbus Presents a Tour-de-FOURce Production of WEST SIDE STORY

by Christina Mancuso — February 12, 2025
In an unprecedented collaboration, the Columbus Symphony, BalletMet, Opera Columbus, and the Columbus Association for the Performing Arts (CAPA) have all joined forces to present West Side Story, the classic forbidden love story and rivalry between the Jets and the Sharks in a mesmerizing fusion of ...
Review: LSO - WALKER, BERNSTEIN AND WALTON, Barbican

Review: LSO - WALKER, BERNSTEIN AND WALTON, Barbican

by Louise Penn — February 7, 2025
An evening of expressive and emotional music from three great modernist composers is hard to fault as the LSO perform pieces by Walker, Bernstein, and Walton in a powerful Anglo-American programme....
Review: SAN DIEGO SYMPHONY PREMIERES A NEW WORK BY BILLY CHILDS at Jacobs Music Cente

Review: SAN DIEGO SYMPHONY PREMIERES A NEW WORK BY BILLY CHILDS at Jacobs Music Center

by Ron Bierman — February 6, 2025
What did our critic think of SAN DIEGO SYMPHONY INTRODUCES A WORLD PREMIERE at Jacobs Music Center? Alexander Malofeev was 13 when he won the prestigious International Tchaikovsky Competition for Young Musicians under 18. His technical prowess was exceptional, but his musicality at such a young age ...
Review: MADAMA BUTTERFLY at Four Seasons Centre For The Performing Arts

Review: MADAMA BUTTERFLY at Four Seasons Centre For The Performing Arts

by Keira Grant — February 5, 2025
The COC’s 2025 production of this masterpiece seamlessly blends performance practice tradition with a contemporary perspective on the story’s timeless themes....
Review: A FESTIVAL OF LESSONS AND CAROLS at Benaroya Hall

Review: A FESTIVAL OF LESSONS AND CAROLS at Benaroya Hall

by Erica Miner — December 25, 2024
Ending on a a fervent note, spurring the audience to go forth and enjoy their holidays in the best way possible: with music in their hearts and minds...
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