Internationally Lauded Pianist Ian Hobson To Appear At Zankel Hall
The thoughtful and persuasive pianist Ian Hobson, whose playing has been described by Gramophone as "intensely alive to expressive nuance, textural clarity and elastic shaping," will appear in solo recital at Zankel Hall at Carnegie Hall on Monday evening, March 11, 2019, at 7:30 pm, presented by Florida State University. This program will celebrate the composer Ernst von Dohnányi, who taught for ten years at Florida State and gave his final performance at FSU's School of Music. The program follows:
Beethoven: Piano Sonata No. 27 in E Minor, Op. 90
Mendelssohn: Variations sérieuses, Op. 54
Schumann: Sonata No. 2 in G Minor, Op. 22
Dohnányi: Rhapsody in C Major, Op. 11 No. 3
Robert Chumbley: Brahmsiana II (world premiere)
Chopin: Piano Sonata No. 3 in B Minor, Op. 58
Today, Ern? von Dohnányi is considered one of the greatest Hungarian composers, pianists, conductors, and teachers since Franz Liszt (1811-1886). In 1949, at the age of 72, Dohnányi began teaching piano and composition at the College of Music at Florida State University, where he remained on the faculty for over ten years until his death in 1960. Despite his advancing age, Dohnányi continued teaching and composing, while also maintaining a robust domestic and international performance schedule. His last public concert took place at Florida State University on January 30, 1960, where he led the university orchestra in a performance of Beethoven's Piano Concerto No. 4 with his doctoral student, Edward R. Thaden, as soloist.
Tickets from $40 to $50 are available for purchase, in person, and at the Carnegie Hall Box Office at 57th Street and Seventh Avenue, by phone through CarnegieCharge at (212) 247-7800, and online at https://www.carnegiehall.org/calendar/2019/03/11/ian-hobson-piano-0730pm. Student and senior discount tickets are available at the box office.
Pianist and conductor Ian Hobson-called "powerful and persuasive" by The New York Times- is recognized internationally for his command of an extraordinarily comprehensive repertoire, his consummate performances of the Romantic masters, his deft and idiomatic readings of neglected piano music old and new, and his assured conducting from both the piano and the podium.
On December 3, 2019, Mr. Hobson appeared as guest soloist on classical radio station WFMT's "Live from WFMT." The two-hour program, hosted by Kerry Frumkin, featured an interview with Mr. Hobson as well as a full recital, and coincided with the state of Illinois' Grand Bicentennial Celebration. Mr. Hobson will also be releasing the final two volumes of his complete Frédéric Chopin edition on the Zephyr label during the 2018-19 season. This comprehensive set is organized programmatically rather than chronologically, and inspired Colin Clarke of Fanfare to write: "The sense, as the work completes, is of coming to the end of a very significant Chopin recital" (Fanfare, July/August 2016).
In addition to being a celebrated performer, Mr. Hobson is a dedicated scholar and educator who has pioneered renewed interest in the music of such lesser-known masters as Ignaz Moscheles and Johann Hummel. He has also been an effective advocate of works written expressly for him by a number of today's noted composers, including Robert Chumbley, Benjamin Lees, John Gardner, David Liptak, Alan Ridout, and Yehudi Wyner.
Mr. Hobson is known for artfully programming recital series showcasing the complete piano works of noted composers, matching the subtleties of the composer's works for each concert. Most recently, Mr. Hobson completed a six-concert series at New York's downtown venue SubCulture during the 2017-18 season entitled Sound Impressions, featuring the complete solo piano repertoire of Ravel and Debussy. Similar endeavors include Mr. Hobson's 2015 Uptown/Downtown: Preludes, Etudes, and Variations series-focusing on outstanding examples of each genre by Fauré, Schumann, Rachmaninoff, Debussy, and Szymanowski, with world premieres by Yehudi Wyner (Preludes), Robert Chumbley (Etudes), and Stephen Taylor (Variations)-and his performance of the complete solo piano works and chamber music with piano of Johannes Brahms, series entitled Johannes Brahms: Classical Inclinations in a Romantic Age.
Mr. Hobson continues his concerts as music director of the Sinfonia da Camera, a professional chamber orchestra affiliated with the Krannert Center for the Performing Arts and College of Fine and Applied Arts of the University of Illinois at Urbana-Champaign, where Mr. Hobson is the Swanlund Emeritus Professor of Music. He is also Professor of Music at Florida State University. An artist of prodigious energy and resource, Mr. Hobson has to date amassed a discography of some 60 releases, including the complete piano sonatas of Beethoven and Schumann and a complete edition of Brahms's variations for piano.
As guest soloist, Ian Hobson has appeared with many of the world's major orchestras; in the United States these include the Chicago Symphony Orchestra and the Philadelphia Orchestra, the symphony orchestras of Baltimore, Florida, Houston, Indianapolis, Pittsburgh, St. Louis, and the American Symphony Orchestra and Orquesta Sinfónica de Puerto Rico. Abroad, he has been heard with Great Britain's Royal Philharmonic Orchestra, the London Philharmonic Orchestra, Scottish National Orchestra, Royal Liverpool Philharmonic Orchestra, and Hallé Orchestra, ORF-Vienna, Orchester der Beethovenhalle, Moscow Chopin Orchestra, Israeli Sinfonietta, and New Zealand Symphony Orchestra.
Since his debut in the double role of conductor and soloist with the Stuttgart Chamber Orchestra in 1996, Maestro Hobson has been invited to lead the English Chamber Orchestra, the Sinfonia Varsovia (including an appearance at Carnegie Hall), the Pomeranian Philharmonic (Poland), the Fort Worth Chamber Orchestra (Bass Hall), and the Kibbutz Chamber Orchestra of Israel, among others.
In addition, Mr. Hobson is a much sought-after judge for national and international competitions and has been invited to join numerous juries, among them the Van Cliburn International Piano Competition (at the specific request of Mr. Cliburn), the Arthur Rubinstein Competition in Poland, the Chopin Competition in Florida, the Leeds Piano Competition in the U.K., and the Schumann International Competition in Germany. In 2005 Hobson served as Chairman of the Jury for the Cleveland International Competition and the Kosciuszko Competition in New York; in 2008 he was Chairman of Jury of the New York Piano Competition; and in 2010 he again served in that capacity of the newly renamed New York International Piano Competition.
One of the youngest ever graduates of the Royal Academy of Music, Mr. Hobson began his international career in 1981 when he won First Prize at the Leeds International Piano Competition, after having earned silver medals at both the Arthur Rubinstein and Vienna-Beethoven competitions. Born in Wolverhampton, England, he studied at Cambridge University (England), and at Yale University, in addition to his earlier studies at the Royal Academy of Music.
Nationally distinguished as one of the most comprehensive schools of its kind among public institutions, The Florida State University College of Music has offered a high level of professional education in music for more than 80 years. The College of Music is able to provide its students with a perspective about quality and an incentive for continuing excellence, and is home to a variety of Florida State University campus orchestras, bands, choral ensembles, jazz bands, and early music and baroque ensembles; 9 world music ensembles, and numerous chamber groups, as well as the Florida State Opera and the Music Theater Program. Each year the College of Music offers some 350 concerts and productions and regularly hosts national conventions, workshops, and festivals, such as the biennial Festival of New Music. This performance has been made possible in part by a generous contribution from Florida State University.