So, there's a clip of the Starmites Tony Award performance (with Angela Lansbury intro!), and all I have to say is...what the eff was that?
Who in their right mind thought that was good? Oh, and that Diva song...how many times can she say it's "hard to be a diva?" over and over again without actually explaining how it's hard? The answer is the whole song!
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Having not seen the original, I can't comment on that one. But I did see the Starmitez 2001 "revival" off-Broadway and found it charming, very funny, and with some catchy tunes. I like a lot of the OBC recording, too.
I saw this done at a high school and wanted to leave after about 15 minutes. By the end of the show, I was going insane. Unfortunately I knew someone in the cast. Broadway Blog: Meet BroadwaySpace
I saw the original way back when. Sharon McKnight was a real hoot in Hard to Be Diva -- it doesn't come off well at all on the Tony broadcast. Starmites is one of those shows that it's so bad that it's good (i.e., provoking hilarity where none was intended.) However, I might add that it was the second show of the day for me -- I'd seen the "revival" of Oba Oba (another lulu) that afternoon. Both of us were very well tanked by the time of the 2nd show and couldn't stop laughing. There was (or maybe is) an original cast recording without Sharon McKnight -- who was the hootiest thing in it. Typical.
You have to really see the show or at least read the script to understand it. It's got a similar sensibility to "Little Shop" and "Grease" in its over-the-top campiness that may not come across especially well in a 3 minute Tony clip.
The licensing company that handles the rights used to have available a cassette of the entire Broadway production, dialogue and all. When you hear that and understand the sensibility behind the show, you start to understand its charm.
I've always thought that the original production would have run for years had they opened it off-Broadway.
I was in a production of it when I was in 7th grade. It was so much fun to work on. I found the cast recording a few years ago, so I had to get it for that reason. I listened to it again for the first time in a while last week. It is pretty bad compared to a lot of shows, but I think it's good for kids. If there were to be a few rewrites for a new SMALL revival, it would be beneficial!
I think it's a cute show. The Company Theatre just did a production of this and I enjoyed it. It's for kids. Maybe it didn't really belong on Broadway. It's just not one of those shows that can be taken seriously.
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So was "Starmites" at the "In My Life" 'so-bad-its-good' level of bad and just got nominated for the Tony due to one of the weakest years for original productions in recent memory?
It was a lean year on Broadway, all I recall is Jerome Robbins Broadway and Bill Irwins Largely New York. I saw Starmites on Broadway and didn't fully appreciate it until much later, when the cast album was eventually released. I became friends with Lizzie Larson, who played the lead and who recently toured my 'Broadway Basement' with her sons. Apparently, it was a lot more charming before it opened uptown, and it was a fun, campy pro-femminist evening of theatre.
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I think they also performed on the Macy's Thanksgiving Day Parade. (One of these days I'm going to go through all my VHS tapes and see what clips I have.)
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I also love Sharon McNight too so that might be why.
"Whenever I get gloomy with the state of the world, I think about the arrivals gate at Heathrow Airport. General opinion's starting to make out that we live in a world of hatred and greed, but I don't see that. It seems to me that love is everywhere. Often it's not particularly dignified or newsworthy, but it's always there - fathers and sons, mothers and daughters, husbands and wives, boyfriends, girlfriends, old friends. When the planes hit the Twin Towers, as far as I know none of the phone calls from the people on board were messages of hate or revenge - they were all messages of love. If you look for it, I've got a sneaky feeling you'll find that love actually is all around."
I haven't seen the show, but I read the script which was...rather odd and a bit confusing. But I have to admit I really enjoy much of the score. I love Reach Right Down and Attack of the Banshees has some really wonderful vocal arrangements. The title song, Little Hero and Milady are quite charming. I would love to see a production of the show some time just to see how it all fits together, though I wish I could've seen the Broadway production to see the sets, which I couldn't quite visualize when reading the script.
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Brian Lane Green was adorable. It was a cute show, lots of strange stuff made it to Broadway in the late 80's and early 90's. I didnt love this one (Tony nominee Gabriel Barre as a lizard), but I adore another disaster of the time, Metro...also the Dutch "Cyrano" where it was hard to understand the leading man.
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