I don't think I knew that LIFE OF PI had been adapted as a play until today.
But now that Lolita Chakrabarti's play has won a slew of Olivier Awards, it seems the question is not if but when this will come to Broadway. It could be the rare play to crossover to mainstream success, similar to WAR HORSE and CURIOUS INCIDENT. It is visually stunning.
With more announcements to come, it has already won:
– Best New Play – Best Actor (Hiran Abeysekera) – Best Supporting Actor (the 7 actors who play the Tiger) – Best Set Design
Just watched the ''Life of Pi'' segment on the Oliviers, and it looks pretty reminiscent of the puppetry we've seen in ''The Lion King'' and ''War Horse.''
It’s one of the most visually impressive things I’ve ever seen. The issues with the show are, in fact, with the script and I found those issues to be mainly in act two. I would love for them to find a way to fix all of that, but I’m sure the show is just set in stone now.
I love the film, and I love puppetry like this - I'm dying to see it, regardless of the state of the script. It can't be any worse than the script for King Kong.
Olivier award for best set over both Moulin Rogue and Back to the Future? Seems like a slight upset?
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
binau said: "Olivier award for best set over both Moulin Rogue and Back to the Future? Seems like a slight upset?"
I believe the category was “Best Design” and the nomination/award was shared between the set designer and puppet designer which might explain it. Still just as impressive of a win though
Best Lighting Design can also be added to the list of wins!
JBroadway said: "I love the film, and I love puppetry like this - I'm dying to see it, regardless of the state of the script. It can't be any worse than the script for King Kong."
I mean, those standards are pretty low 🤣 Not worse, but still not great past the spectacle.
Listen, I don't take my clothes off for anyone, even if it is "artistic". - JANICE
blaxx said: "JBroadway said: "I love the film, and I love puppetry like this - I'm dying to see it, regardless of the state of the script. It can't be any worse than the script for King Kong."
I mean, those standards are pretty low ? Not worse, but still not great past the spectacle."
My point is that I enjoy spectacle, especially if it's done with artful and impressive puppetry like this, and I don't mind sitting through a bad script in exchange for it. I do find that I have lower standards for the types of stories/experiences that I fundamentally tend to enjoy.
Jordan Catalano said: "You mean like “The Gillian Lynne Platinum American Express Contactless Debit Card App Best Actress Award”?"
That and like...the award for Best Original Score OR New Orchestrations?? Two very different jobs?? At least it's better than the old title -- "achievement in music."
I think the Tonys should sponsors to the category names. The Kotex Award for Best Supporting Actor in a Play. The MyPillow Award for Best Sound Design of a Musical. The Breitbart Award for Best Play.
I saw this and the Ocean at the End of the Lane on the same day this week (the latter was eligible last season). Pi did nothing for me, but the Ocean at the End of the Lane? Absolutely thrilling, one of the most visually spectacular pieces I’ve seen I wish that would transfer
BroadwayNYC2 said: "I saw this and the Ocean at the End of the Lane on the same day this week (the latter was eligible last season). Pi did nothing for me, but the Ocean at the End of the Lane? Absolutely thrilling, one of the most visually spectacular pieces I’ve seen I wish that would transfer"
I still need a good explanation as to how they do the appearing illusions in Ocean. It was jaw dropping.
Listen, I don't take my clothes off for anyone, even if it is "artistic". - JANICE
I don't know. Something about this makes me feel like it won't play Broadway. I don't know if its that I wonder were the audience is, or if because War Horse was the first, and now its not as exciting...idk. Maybe off-Broadway at BAM or something. But, I feel like nothing we saw at the Olivier's last night will transfer, except *maybe* Cabaret
"Ok ok ok ok ok ok ok. Have you guys heard about fidget spinners!?" ~Patti LuPone