Click below to access all the grosses from all the shows for the week ending 11/9/2014 in BroadwayWorld.com's grosses section.
Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.
Nice seeing "On The Town's" gradual ascent. I'm guessing they"ll be showing seven figures in a couple weeks. Average ticket price also a good barometer, and it too is making a steady climb. This one is going to prove the naysayers wrong. It is just superb musical theatre.
Yeah, I mean I don't care because I purchased a regular ticket from telecharge months in advance, but on the elephant man sro page, one poster mentioned that at the box office they told them that there was no rush policy in place. The whole situation just doesn't really make any sense to me.
Remember, OTT is in the largest house on Broadway. It Grossed $834,000, which is enviable to most shows. Only 12 shows had a higher gross, and 22 had worse. It also sold the 4th most tickets of any show. The size of the house is distorting some of the numbers as percentages.
^^ I thought the Gershwin was the largest house on Broadway?
"The city seen from the Queensboro Bridge is always the city seen for the first time, in its first wild promise of all the mystery and the beauty in the world." - F. Scott Fitzgerald, The Great Gatsby
As discussed in another thread, there is also the consideration that if they don't earn a certain gross for a certain amount of weeks (determined in the contract between the theatre and the show), the theatre has the right to evict the show. I would guess that would be the main threat to the show lasting at the moment. If the running costs are in the rumored $600,000 range, then I would imagine the producers are at least satisfied with the current numbers for the time being (especially with the Holiday season coming soon). But, if it's not meeting the agreed-upon figure between theatre and production (which, who knows what that is), then the theatre might be more interested in exploring other options of shows they think will could sell better in their space.
Glad to see most shows up this week – although, after last week's dismal sales, the grosses almost had to go up.
"Side Show" is filling the seats slowly, but apparently with TDF. Those numbers are not encouraging, and a bit sad, since the show has an effective ad campaign lacking last time, word of mouth, anticipation, and now, familiarity among many with at least two of the songs. We all know previews for shows without box office stars are an unpredictable time on B'way. Still, this is a high profile revisal, and it's not cutting it financially.
I also noted that "if/Then" climbed back only a bit, and in terms of average ticket price, is tanking. And that's a week before Menzel will be out for numerous performances. It will do well through the holidays; past mid-January, dubious, as many before me have opined.
"I'm a comedian, but in my spare time, things bother me." Garry Shandling
I also noted that "if/Then" climbed back only a bit, and in terms of average ticket price, is tanking. And that's a week before Menzel will be out for numerous performances. It will do well through the holidays; past mid-January, dubious, as many before me have opined.
So this week will tank... But this is what really makes me curious: Menzel has been out a few times now, and grosses tanked with the stand-by (no criticism of Burns), yet the producers have still chosen to let Burns on again for this planned vacation. Does it logically follow that the losses are still above nut, making it worthwhile to keep the show running instead of going dark? Or is there some other reason to do it despite losses..
But IBDB doesn't take into account seats removed for a particular production. Going by current configuration for their respective shows, the Gershwin has 1809 seats and the Lyric has 1874.
Begin at the beginning and go on till you come to the end: then stop.
And then there's the performances of Wicked when they use the full rear mezzanine, which they've only been doing since the seats were replaced a year ago. That increases the Gershwin's capacity to 1928.
The last four rows on the sides of the rear mezzanine were walled off before Oklahoma moved in back in 2002. Those seats were not used until all of the seating was replaced just before Wicked's 10th anniversary last year. They don't sell them during slower times though.