| Best Book of a Musical | Alex Timbers | Bloody Bloody Andrew Jacksonproduction took place the previous year |
| Best Book of a Musical | Cheri Steinkellner, Bill Steinkellner, Douglas Carter Beane | Sister Act |
| Best Book of a Musical | Robert Lopez, Matt Stone, Trey Parker | The Book of Mormon |
| Best Book of a Musical | David Thompson | The Scottsboro Boysproduction took place the previous year |
| Best Choreography | Kathleen Marshall | Anything Goes |
| Best Choreography | Rob Ashford | How to Succeed in Business Without Really Trying |
| Best Choreography | Casey Nicholaw | The Book of Mormon |
| Best Choreography | Susan Stroman | The Scottsboro Boysproduction took place the previous year |
|
| Best Costume Design of a Musical | Martin Pakledinaz | Anything Goes |
| Best Costume Design of a Musical | Catherine Zuber | How to Succeed in Business Without Really Trying |
|
| Best Costume Design of a Musical | Lizzy Gardiner, Tim Chappel | Priscilla Queen of the Desert |
| Best Costume Design of a Musical | Ann Roth | The Book of Mormon |
| Best Costume Design of a Play | Catherine Zuber | Born Yesterday |
| Best Costume Design of a Play | Mark Thompson | La Bêteproduction took place the previous year |
| Best Costume Design of a Play | Desmond Heeley | The Importance of Being Earnest |
| Best Costume Design of a Play | Jess Goldstein | The Merchant of Veniceproduction took place the previous year |
|
|
| Best Direction of a Musical | Kathleen Marshall | Anything Goes |
| Best Direction of a Musical | Rob Ashford | How to Succeed in Business Without Really Trying |
| Best Direction of a Musical | Casey Nicholaw, Trey Parker | The Book of Mormon |
| Best Direction of a Musical | Susan Stroman | The Scottsboro Boysproduction took place the previous year |
|
| Best Direction of a Play | Daniel Sullivan | The Merchant of Venice |
| Best Direction of a Play | Anna D. Shapiro | The Motherf**ker with the Hat |
| Best Direction of a Play | George C. Wolfe, Joel Grey | The Normal Heart |
| Best Direction of a Play | Tom Morris, Marianne Elliott | War Horse |
|
| Best Lighting Design of a Musical | Peter Kaczorowski | Anything Goes |
| Best Lighting Design of a Musical | Howell Binkley | How to Succeed in Business Without Really Trying |
| Best Lighting Design of a Musical | Brian MacDevitt | The Book of Mormon |
| Best Lighting Design of a Musical | Ken Billington | The Scottsboro Boysproduction took place the previous year |
| Best Lighting Design of a Play | David Lander | Bengal Tiger at the Baghdad Zoo |
| Best Lighting Design of a Play | Mimi Jordan Sherin | Jerusalem |
|
| Best Lighting Design of a Play | Kenneth Posner | The Merchant of Veniceproduction took place the previous year |
| Best Lighting Design of a Play | Paule Constable | War Horse |
|
|
| Best Musical | Nederlander Presentations, Inc., Paula Herold/Kate Lear, Warren Trepp, Remmel T. Dickinson, Joseph & Matthew Deitch/Cathy Chernoff, Patty Baker/Richard Winkler, Fakston Productions/Solshay Productions, Johnny Roscoe Productions/Van Dean, Elizabeth Williams, Jay & Cindy Gutterman/Pittsburgh, Stephanie P. McClelland, Jamie deRoy, Rainerio J. Reyes, Rodney Rigby, Loraine Boyle, Amuse Inc., Joan Stein/Jon Murray, The 5th Avenue Theatre, Barry Feirstein, Michael Watt, Barbara & Buddy Freitag, Margo Lion, Stacey Mindich, Yasuhiro Kawana, The Rialto Group, The Araca Group, Scott and Brian Zeilinger | Catch Me If You Canproducer |
| Best Musical | Whoopi Goldberg, Stage Entertainment, The Shubert Organization, Disney Theatrical Productions, Disney Theatrical Productions | Sister Actproducer |
| Best Musical | Scott M. Delman, Scott Rudin, Roger Berlind, Jean Doumanian, Roy Furman, Important Musicals LLC, Stephanie P. McClelland, Anne Garefino, Kevin Morris, Jon B. Platt, Sonia Friedman Productions, Stuart Thompson | The Book of Mormon |
| Best Musical | The Shubert Organization, Vineyard Theatre, Catherine Schreiber/Michael Palitz/Patti Laskawy, Bard Theatricals/Probo Productions/Randy Donaldson, Allen Spivak/Jerry Frankel, Bruce Robert Harris/Jack W. Batman, Rick Danzansky/Barry Tatelman, Adam Blanshay/R2D2 Productions, Mark Zimmerman, Broadway Across America, Beechwood Entertainment, Nederlander Presentations, Janet Pailet/Sharon Carr/Patricia R. Klausner, Jacki Barlia Florin, Barry and Fran Weissler | The Scottsboro Boysproducer; production took place the previous year |
| Best Orchestrations | Larry Blank, Marc Shaiman | Catch Me If You Can |
| Best Orchestrations | Doug Besterman | How to Succeed in Business Without Really Trying |
| Best Orchestrations | Stephen Oremus, Larry Hochman | The Book of Mormon |
| Best Orchestrations | Larry Hochman | The Scottsboro Boysproduction took place the previous year |
|
|
| Best Original Score (Music and/or Lyrics) Written for the Theatre | Alan Menken, Glenn Slater | Sister Act |
| Best Original Score (Music and/or Lyrics) Written for the Theatre | Trey Parker, Robert Lopez, Matt Stone | The Book of Mormon |
| Best Original Score (Music and/or Lyrics) Written for the Theatre | John Kander, Fred Ebb | The Scottsboro Boysproduction took place the previous year |
| Best Original Score (Music and/or Lyrics) Written for the Theatre | David Yazbek | Women on the Verge of a Nervous Breakdownproduction took place the previous year |
| Best Performance by an Actor in a Featured Role in a Musical | Adam Godley | Anything Goes |
| Best Performance by an Actor in a Featured Role in a Musical | John Larroquette | How to Succeed in Business Without Really Trying |
| Best Performance by an Actor in a Featured Role in a Musical | Rory O'Malley | The Book of Mormon |
| Best Performance by an Actor in a Featured Role in a Musical | Colman Domingo, Forrest McClendon | The Scottsboro Boysproduction took place the previous year |
|
|
| Best Performance by an Actor in a Featured Role in a Play | Billy Crudup | Arcadia |
| Best Performance by an Actor in a Featured Role in a Play | Arian Moayed | Bengal Tiger at the Baghdad Zoo |
|
| Best Performance by an Actor in a Featured Role in a Play | Mackenzie Crook | Jerusalem |
| Best Performance by an Actor in a Featured Role in a Play | Yul Vazquez | The Motherf**ker with the Hat |
| Best Performance by an Actor in a Featured Role in a Play | John Benjamin Hickey | The Normal Heart |
| Best Performance by an Actor in a Leading Role in a Musical | Norbert Leo Butz | Catch Me If You Can |
| Best Performance by an Actor in a Leading Role in a Musical | Tony Sheldon | Priscilla Queen of the Desert |
| Best Performance by an Actor in a Leading Role in a Musical | Josh Gad, Andrew Rannells | The Book of Mormon |
|
| Best Performance by an Actor in a Leading Role in a Musical | Joshua Henry | The Scottsboro Boysproduction took place the previous year |
| Best Performance by an Actor in a Leading Role in a Play | Mark Rylance | Jerusalem |
| Best Performance by an Actor in a Leading Role in a Play | Brian Bedford | The Importance of Being Earnest |
| Best Performance by an Actor in a Leading Role in a Play | Al Pacino | The Merchant of Veniceproduction took place the previous year |
|
| Best Performance by an Actor in a Leading Role in a Play | Bobby Cannavale | The Motherf**ker with the Hat |
| Best Performance by an Actor in a Leading Role in a Play | Joe Mantello | The Normal Heart |
| Best Performance by an Actress in a Featured Role in a Musical | Tammy Blanchard | How to Succeed in Business Without Really Trying |
| Best Performance by an Actress in a Featured Role in a Musical | Victoria Clark | Sister Act |
|
|
| Best Performance by an Actress in a Featured Role in a Musical | Nikki M. James | The Book of Mormon |
| Best Performance by an Actress in a Featured Role in a Musical | Laura Benanti, Patti LuPone | Women on the Verge of a Nervous Breakdownproduction took place the previous year |
| Best Performance by an Actress in a Featured Role in a Play | Joanna Lumley | La Bêteproduction took place the previous year |
| Best Performance by an Actress in a Featured Role in a Play | Judith Light | Lombardiproduction took place the previous year |
| Best Performance by an Actress in a Featured Role in a Play | Edie Falco | The House of Blue Leaves |
| Best Performance by an Actress in a Featured Role in a Play | Elizabeth Rodriguez | The Motherf**ker with the Hat |
|
| Best Performance by an Actress in a Featured Role in a Play | Ellen Barkin | The Normal Heart |
| Best Performance by an Actress in a Leading Role in a Musical | Sutton Foster | Anything Goes |
|
| Best Performance by an Actress in a Leading Role in a Musical | Beth Leavel | Baby It's You! |
| Best Performance by an Actress in a Leading Role in a Musical | Patina Miller | Sister Act |
| Best Performance by an Actress in a Leading Role in a Musical | Donna Murphy | The People in the Picture |
| Best Performance by an Actress in a Leading Role in a Play | Nina Arianda | Born Yesterday |
| Best Performance by an Actress in a Leading Role in a Play | Hannah Yelland | Brief Encounterproduction took place the previous year |
| Best Performance by an Actress in a Leading Role in a Play | Vanessa Redgrave | Driving Miss Daisy |
| Best Performance by an Actress in a Leading Role in a Play | Frances McDormand | Good People |
| Best Performance by an Actress in a Leading Role in a Play | Lily Rabe | The Merchant of Veniceproduction took place the previous year |
|
|
|
| Best Play | Barry Grove, David Lindsay-Abaire, Manhattan Theatre Club | Good People |
| Best Play | Lynne Meadow | Good People |
| Best Play | Royal Court Theatre Productions, Carole L. Haber/Richard Willis, Beverly Bartner/Alice Tulchin, Dede Harris/Rupert Gavin, Broadway Across America, Jon B. Platt, 1001 Nights/Stephanie P. McClelland, Jacki Barlia Florin, Adam Blanshay, Scott Rudin, Stuart Thompson, Sonia Friedman Productions, Jez Butterworth, Roger Berlind | Jerusalemproducer |
| Best Play | The Public Theater | The Merchant of Venice |
| Best Play | Yul Vazquez, Mimi O'Donnell, Stephen Adly Guirgis, Jamie deRoy, Tulchin Bartner, Jon B. Platt, Carl Moellenberg, Jean Doumanian/Ruth Hendel, Fabula Media Partners LLC, Danny Feldman, Labyrinth Theater Company, Joey Parnes, Oskar Eustis, The Public Theater, Stuart Thompson, Scott Rudin, Stephen Adly Guirgis | The Motherf**ker with the Hatproducer |
| Best Play | National Theatre of Great Britain, Lincoln Center Theater, Andre Bishop, Bernard Gersten, Nick Stafford, Nicholas Hytner, Nick Starr, Bob Boyett | War Horse |
| Best Play | Bonnie Comley | War Horse |
| Best Revival of a Musical | Harold Wolpert, Todd Haimes, Roundabout Theatre Company, Julia C. Levy | Anything Goes |
|
| Best Revival of a Musical | Craig Zadan, Broadway Across America, Michael Speyer-Bernie Abrams/Jacki Florin-Adam Blanshay/TBS Service, Larry Kaye/Paul Chau/Daniel Frishwasser/Michael Jackowitz, Hop Theatricals, Two Left Feet Productions/PowerArts, Jen Namoff/Fakstone Productions, Hilary A. Williams, Takonkiet Viravan/Scenario Thailand, Candy Spelling, Michael McCabe/Joseph Smith, Neil Meron | How to Succeed in Business Without Really Tryingproducer |
| Best Revival of a Play | Roger Berlind, Janine Safer Whitney, Douglas Smith, Olympus Theatricals, Robert G. Bartner, Disney Theatrical Productions, Nicholas Quinn Rosenkranz, Scott M. Delman, Stephanie P. McClelland, Sonia Friedman Productions | Arcadia |
|
| Best Revival of a Play | Roundabout Theatre Company, Todd Haimes, Harold Wolpert, Julia C. Levy | The Importance of Being Earnest |
| Best Revival of a Play | Universal Pictures Stage Productions, Bonnie Comley, Merritt Forrest Baer, The Araca Group, Broadway Across America, Joseph & Matthew Deitch, JK Productions, Terry Allen Kramer, The Shubert Organization, Joey Parnes, Mallory Factor/Cheryl Lachowicz, Cathy Chernoff/Jay & Cindy Gutterman, Jonathan First, Amy Nederlander, Debbie Bisno & Eva Price, Jerry Frankel, Jeffrey Richards, Andrew D. Hamingson, Oskar Eustis, Stewart F. Lane & Bonnie Comley | The Merchant of Venice |
| Best Revival of a Play | Martian Entertainment, Daryl Roth, Paul Boskind, Gregory Rae, Jayne Baron Sherman/Alexander Fraser | The Normal Heartproducer |
| Best Scenic Design of a Musical | Derek McLane | Anything Goes |
| Best Scenic Design of a Musical | Donyale Werle | Bloody Bloody Andrew Jacksonproduction took place the previous year |
| Best Scenic Design of a Musical | Scott Pask | The Book of Mormon |
|
|
| Best Scenic Design of a Musical | Beowulf Boritt | The Scottsboro Boysproduction took place the previous year |
| Best Scenic Design of a Play | Ultz | Jerusalem |
| Best Scenic Design of a Play | Mark Wendland | The Merchant of Veniceproduction took place the previous year |
| Best Scenic Design of a Play | Todd Rosenthal | The Motherf**ker with the Hat |
|
| Best Scenic Design of a Play | Rae Smith | War Horse |
| Best Sound Design of a Musical | Brian Ronan | Anything Goes |
| Best Sound Design of a Musical | Steve Canyon Kennedy | Catch Me If You Can |
| Best Sound Design of a Musical | Brian Ronan | The Book of Mormon |
|
| Best Sound Design of a Musical | Peter Hylenski | The Scottsboro Boysproduction took place the previous year |
| Best Sound Design of a Play | Acme Sound Partners, Cricket S. Myers | Bengal Tiger at the Baghdad Zoo |
| Best Sound Design of a Play | Simon Baker | Brief Encounterproduction took place the previous year |
| Best Sound Design of a Play | Ian Dickinson | Jerusalem |
| Best Sound Design of a Play | Christopher Shutt | War Horse |
| Isabelle Stevenson Award | Eve Ensler | |
|
| Regional Theater Tony Award | Lookingglass Theatre Company | |
| Special Tony Award | Handspring Puppet Company | |
|
|
| Special Tony Award for Lifetime Achievement in the Theatre | Athol Fugard, Philip J. Smith | |
| Tony Honors for Excellence in the Theatre | William Berloni, The Drama Book Shop, Sharon Jensen, Alliance for Inclusion in the Arts | |
